Čas a jeho vnímání v raných povídkách Heinricha Bölla

Johnová, Kateřina

Heinrich Böll's early prose was written in a contemporary context, which was to a large extent influenced by the concept of the historical presence, resp. by the end of the World War II as "Zero Hour" (Stunde Null), and they have numerous connections to this context. Even in their titles, there are often time motives. This bachelor thesis carries out a narratological analysis of the time arrangement of the narration of four short stories and focuses also on the perception and conception of time by their characters. It offers an answer to the questions of whether these concepts correspond more to an open or closed, linear or cyclical concept of time, or they displace the category of time; whether the time of the story is teleological (e.g. in the sense of 'destiny'), or its centre represents a shock that can be overcome ('crisis'), or whether the stories constitute a conflict of several such conceptions of time. The thesis monitors continuously the significance of the findings in relation to the non-literary perception of the historical time. It is based on the analysis of the short story Der Zug war pünktlich and then includes other short stories Damals in Odessa, Geschäft ist Geschäft, Nicht nur zur Weihnachtszeit.

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