Kulturní konflikty v díle Hanifa Kureishiho

Dongresová, Marta

The situation of immigrants in Britain has been inspiring writers for several decades and Hanif Kureishi is no exception. His own background allows him to describe the immigrant experience from the realistic perspective of an insider and his characters reflect the conflicts that immigrants have to deal with during their life among the members of the dominant culture of the state. The thesis focuses on The Buddha of Suburbia, while it also makes short digressions and touches upon a number of other works which were published by Kureishi from the mid 1980s to the late 1990s, such as The Black Album, My Son the Fanatic, My Beautiful Laundrette, The Rainbow Sign and Sammy and Rosie Get Laid. The whole discussion consists of three parts and begins with a chapter which primarily concentrates on important theoretical terms and their definitions that are necessary for all analyses of diasporic literatures; the terms and concepts are then applied to Kureishi's books and scripts. The second chapter deals with the conflicts experienced by the first generation immigrants who try to find out who they are as people as they oscillate between the culture of their country or origin and England, while the third chapter focuses on the second generation immigrants born in Britain who want to gain an identity in England...

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