Fragmentace a Oddělenost v krách Samuela Becketta

Halášková, Lucie

The aim of this thesis is to explore different levels of fragmentation and disjointedness in Samuel Beckett's Endgame, Krapp's Last Tape, Happy Days, and Play. Firstly, certain concepts are exposed as being fragmentary. The concepts which are examined in relation to fragmentation and disjointedness are language, time, identity, and reality. The motivation behind this part of the research was to expose the subjectivity and multiplicity of these concepts, and to examine how they function in the four treated plays. Furthermore, this thesis seeks to examine Beckett's use of fragmentation and disjointedness in correlation with incompleteness, examining the importance of what is present but also what is absent in the treated plays. In chapter 2, the relationship between the form and function of language is examined, exploring the different factors that affect one's perception towards language. Language is examined within a subjective, contextual, and social framework. The characters of the treated plays prove that language is a delicate method of expression, often resulting in rifts in communication. The third chapter deals with the fragmentation and subjectivity of time, identity, and reality. Time is examined in relation to the characters, delving into the problem of the characters' perception of the...

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