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The fate of Czechoslovak paratroopers after the assassination of Reinhard Heydrich
Sebíň, David ; Lokšík, Martin (advisor) ; Géla, František (referee)
The bachelor thesis consists of two parts. The practical part is a document called Czechs Don't Give Up: The Fate of the Bodies of Czechoslovak Paratroopers. As the title suggests, the documentary film focuses on the fate of the bodies of Josef Gabčík, Jan Kubiš, Josef Valčík, Adolf Opálka, Josef Bublík, Jan Hrubý, and Jaroslav Švarc. In the first part, there is the atmosphere in the Protectorate of Bohemia and Moravia from the accession to the office of the provisional Reich Protector Reinhard Heydrich to the fight of the paratroopers in the Church of Sts. Cyril and Methodius. This part is presented through newsreels, photographs, and testimonies of historians, researchers, and relatives of Czechoslovak resistance fighters. In the second part, the documentary introduces events after the battle and covers the documented facts describing the fate of the bodies of the Czechoslovak paratroopers. Since their destiny is not notorious even after eighty years, this part also delivers new facts for investigation. The theoretical part serves as a starting point for the audiovisual material. It defines documentary film, reportage, and television reportage in terms of terminology, deals with current affairs journalism on Czech television, defines working procedures, and gives the reader an insight into...
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Food Waste as a Disease of Our Times
Sochorová, Anna ; Géla, František (advisor) ; Lokšík, Martin (referee)
This bachelor thesis consists of two parts. The practical part is a document called Food Waste as a Disease of Our Times, which maps this problem mainly in the Czech but also in the international context. It presents this social issue in a broader context and offers different insights into food waste. The documentary features experts on the issue, i.e. university professors, the founder of a non-profit organisation, a sociologist and a head of a food bank. Part of the film also focuses on activists who cook for the homeless or do dumpster diving. The film also includes representatives of supermarkets and their approach to food waste. The theoretical part deals with the description and definition of the film documentary. It introduces the different steps in the making of a documentary, from preparation, to production, to post-production. It also describes the specificities of the television documentary. The next part of the theoretical part presents a research on the topic and illustrates the issue of food waste with statistics and expert studies. The last part is a description and reflection of the production itself.
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The Siso Sperm Whale - The Face of Illegal Fishing in the Mediterranean Sea
Koudelová, Tereza ; Macková, Veronika (advisor) ; Lokšík, Martin (referee)
This bachelor thesis consists of two parts. The practical part is a documentary entitled The Siso Sperm Whale - The Face of Illegal Fishing in the Mediterranean Sea which deals with illegal, unreported and unregulated fishing in the Mediterranean Sea and its impacts on the ecosystem. It presents illegal fishing in the South Tyrrhenian Sea and shows how this activity threatens the local environment and contributes to plastic pollution. At the same time, over a two-and-a-half month documentary period, the film illustrates the work of Sea Shepherd, a non-profit organisation that operates in the area. In cooperation with the Italian coastguard and the financial police, is fighting the problem and looking for possible solutions.The theoretical part is the basis of the documentary, defines the concept and the processing of the documentary, describes the basics of audiovisual production, presents a research on the topic under discussion and illustrates the issue of illegal fishing through expert studies. It also touches marginally the media representation of the topic. The last part is a description of its realization and a reflection of the final work.
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The lifestyle project "Zero waste" in Czech republic
Čuhelová, Andrea ; Štoll, Martin (advisor) ; Lokšík, Martin (referee)
The bachelor thesis has two parts, practical and theoretical. The practical part, titled Český BEZ ... is a documentary film about the new zero waste lifestyle, a life without waste. The film captures this trend in the Czech Republic in a broad context, confront it on the life of four main characters, it presents alternatives to the conventional way of life, shows advantages in particular, and tries to soberly point out a socially important topic. The theoretical part describes the concept of zero waste in a scholar context, it describes its meaning and values, circumstances of the origin, foreign and subsequently Czech projects and the Czech media image. The conclusion of the work briefly defines documentary work, clarifies the circumstances and the process of the practical output and authors own reflection. Keywords [zero waste, nowaste, no packiging, lifestyle, society, film documentary, audiovisual media, community, sustainable, ecology]
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LIVE - music, image, emotions
Elšík, Adam ; ŠPELDA, Josef (advisor) ; MYSLÍK, Jiří (referee)
I personally love to watch LIVE concerts. The goal of LIVE watching is to be in place and at times outside space and time. To feel to be present.
As a spectator I try to experience the story of music. As a creator I look for possibilities I have and can use. The goal is to point out the possibility to change the view on the genre with which every one of us meets as a spectator or as creator.
I will always be influenced by my personal opinions, experience and preferences. The thesis points out the different possibilities how to understand term LIVE. Different rules and methods of processing formal as well as artistic. The audience will be recommended where and how LIVE should be meaningfully watched, thus determining the end viewer himself.
Specific ways and possibilities of production allow a wide variety of processing of the resulting work. However, the creators should follow the principles and rules of filming without compromise, otherwise the quality of the result can be negatively affected.
Thesis was written thank to consultations with specialists in the field, who very positively formed the result. From my musical taste and preferences in musical genres I've chosen the examples which could be pointed as average. Therefore this thesis should be understandable for the widest circle of readers.
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A new Trend in Audio-visual Production? Comparison of Attractivity of 360° Video against a Classical Video.
Svoboda, Adam ; Géla, František (advisor) ; Štoll, Martin (referee)
The work deals with a field of audiovisual production, namely 360ř video format. The thesis is divided into two parts. The theoretical part describes the history and the development of the format. There is also a mapping of the existing use of this format in practice. The second, practical part of the thesis, is devoted to research based on differences in spectator perception. For the purpose of the research, the video material was produced that served as the main point of exploration. Respondents were subjected to qualitative research consisting of two parts. The first was a questionnaire related to the content that the respondents were playing in the video. The second part was the simultaneous observation of the respondents while watching the videos. The work brings interesting results in the comparison of classic video and 360 ř video as well as the findings that solve the question of the direction in which 360 ř video production can be made in the future.
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Time and sound in cinema
Richtr, Jan ; KUDLÁČ, Jakub (advisor) ; REJHOLEC, Pavel (referee)
The theme of this diploma thesis is perception of time within the
audiovisual work. Particular attention is paid to the audio component of the
audiovisual work, from which perspective is seen the phenomenon of time. First
there is briefly introduced understanding of time evolved within the philosophical
context. The next part presents film as a medium that, from its formal nature,
brings new impetus that further develops the thinking of time. After this
introduction work focuses on the way of perceiving time within the sound itself,
respectively in music composition. It is based on the findings of psychoacoustics
and, above all, on the theoretical considerations of French composer Gérard
Grisey, to which is trying to find parallels in the context of the sound dramaturgy
of the film work. The last part deals with time relations arising from the
relationship between film image and sound. It is trying to question and then
generalize specific formal relationships within the audiovisual work, influencing
the subjective perception of time.
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