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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Genre in Dutch Painting of the 16th Century. Picture of Hans Bol "In the Village" in the National Gallery in Prague
Chmelařová, Dominika ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The aim of the Bachelor thesis is iconographic analysis of the work "The Village scene" by the Dutch painter Hans Bol (born in 1543 - died in 1593). The thesis deals with genre painting in the Netherlands and trying to link it with contemporary socio- historical and cultural context. The research is about importance of genre in Dutch art. Author is trying to compare the painter Hans Bol with other contemporary painters and he is looking for some possible mutual artistic influences. There is also evaluation of possible models of Hans Bol and his followers. Beside this, the thesis deals with history of the painting - how and when and during which occasion, was the painting bought to the Czech collection.
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Perception of "wild man" in Bohemia in the years 1511-1612
Babich, Elena ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The diploma thesis "Perception of "wild man" in Bohemia in the years 1511-1612" deals with possible ways of perceiving the "wild man" in the Czech lands in the years 1511-1612. It research the figure of the wild man in the Czech folk culture, in opinions theologians, doctors, painters and European monarchs. It analyzes preserved authentic sources and original texts, summarizing the research and defines the term of "wild man". It tries to explain the causes of positive and negative attitudes of society and individuals in the Czech context. The thesis is primary focused on the imaging patients with hypertrichosis in natural science catalogs and collections of curiosities. It focused on the phenomenon Petrus Gonzales, who changed stereotypes about the wild man. To individual works collectively presents current knowledge concerning authorship, chronology, painterly submissions. Keywords Wild man, Petrus Gonsalvus, collection of curiosities, Rudolf II, history of medicine Počet znaků (včetně mezer): 137 366
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The Žerotín Family and the Castle in Náměšť nad Oslavou
Línová, Sabina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
The bachelor thesis focuses on the castle in Náměšť nad Oslavou and the Žerotín Family in the time of renaissance. The content of this thesis is a historical and architectural development of the castle and its sculptural decoration. Part of the text will be also dedicated to the Žerotín family, history of Náměšť nad Oslavou. I will also mention the castle in Rosice. They both are built in the renaissance era and have some architectonical and sculptural similarities. The work focuses on the times of late 16th and early 17th centuries - it is time of first Habsburgs on the Czech throne. Photos of the Náměšť castle and other pictures are at the end of this works.
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Theme of death at manor houses and funeral chapels at 16th and 17th century
Marková, Dominika ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
Thesis is focused on a decoration of the selected castles and funeral chapels with a specific iconography of the death (memento mori), personified as a skeleton (skull), or through inscriptions. A significant part of the thesis is the intellectual background of understanding the death in the turn of the 16th and the 17th century. As a key for the interpretation will be used a contemporary literature as libri de arte moriendi or other period literature with a symbolism of the death. The above mentioned subject will be presented at the following examples: Castle of Bechyně, funeral chapel at Postřelmov, chapel at Martinický palace and baroque carner at Prague Loreta.
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Interpretation of the Theme Noli me Tangere in Paintings of the 15th and 16th Centuries. Selected examples of Italian and North European region
Květ, Přemysl ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Keywords:Paintings, biblical theme, Noli me tangere, Italian Renassaince, North European Renassaince Abstrakt anglicky The aim of this bachelor thesis is an analysis of the iconographic theme of the Passion cycle Noli me Tangere (Don't touch me) in Paintings of the 15th and 16th Century in Italian and Northern European region. The main intention of this thesis is focused on deep analysis and evaluation of selected works of art depicting Noli me Tangere. Within individual catalog entries will be attention dedicated to the chosen theme and the author himself, the research in this work will be incorporated in the broader context of the artist's work. The final evaluation will undertake mutual comparisons of selected works with implications on authorship and provenience. Powered by TCPDF (www.tcpdf.org)
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The Kaceřov Castle and its Architectural Transformations
Urbanová, Kateřina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
The subject of the bachelor thesis (The Kaceřov Castle and its Architectural Transformations) is the Renaissance Kaceřov Castle. The first part is dedicated to the art and historical development of Kaceřov manor and literature summary. I introduced Florian Griespek of Griesbach who acquired the manor in 1539 and rebuilt the Gothic fortress into a unique Castle. Florian contributed to the spread of humanist thought and the Renaissance style in Bohemia. Kaceřov became the political and cultural center thanks to him. I tried to summarize the existing knowledge and put the building into historical context. I tried to solve the question of Kaceřov Castle authorship and I focused on the source of inspiration and possible external analogies. The description of the Castle follows in the second part. Emphasis was particularly set to fireplaces and murals which are gradually uncovered. The Castle was protected by bastion fortifications and ditches. In Castle area was an armory from which Florian descendants lent two guns during the conquest of Pilsen in 1618. The Castle was reconstructed in the second half of the twentieth century. It was the most necessary interventions. I described the current state of the monument by using my own photos. The Castle is privately owned.
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Clothing in Masterpieces of the Old Flemish School in the 15th Century
Václavíková, Kateřina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The aim of the Bachelor's Thesis is to present an overview of the evolution of the 15th Century Burgunian fashion. The Thesis is based on the study of the masterpices by the Old Flemish painters and iluminators which had been represented by the official clothing of the Burgundian aristocracy and Flemish elite. The attention is espetially paied to the details of clothes, fabrics, patterns and accessoires. Final results are confronted with the literature and the examples from the 15th Century. Burgundian fashion of Western Europe, which evolved from Gothic is continually compared with clothing from renaissantian Italy and the attention is also paied to the contamporary trade with fabrics
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