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Simulation of I-V characteristic on photovoltaic modules
Jiřík, Jan ; Vaněk, Jiří (referee) ; Křivík, Petr (advisor)
Tato práce se zabývá slunečním zářením, které je jedním z možných zdrojů obnovitelné energie. Hlavnímy body práce je seznámit se s problematikou fotovoltaiky. Sestrojení poloautomatizovaného měřícího pracoviště díky němuž obdržíme reálné I-U a P-U charakteristiky solárního panelu. Dalším bodem je sestrojení programu v programu Vee Pro 8.0, který tyto charakteristiky simuluje v programu. Cílem je zjistit charakteristické konstanty pro daný solární panel.
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Utopian Theatre Experiment of Duke George II of Meiningen
Blatný, Tomáš ; Sarkissian, Alena (advisor) ; Jiřík, Jan (referee)
The thesis deals with the theatrical experiment of Georg II, Duke of Saxe-Meiningen, who together with his spouse Ellen Franz and his manager Ludwig Chronegk built up a utopian community around Meiningen Court Theatre. The thesis does not address the theatrical reform from an aesthetic point of view, it conceptualizes the reform as a realization of a model of utopian community. Prusso-Austrian currents, which shaped the Duke's ideological worldview, are surfacing on the background of the political and cultural context of the Saxe-Meiningen Duchy. The Duke's own attempt at social engineering emerges from the intercestion of these opinion currents, declining enlightenment absolutism and thoughts of French socialist utopians. After foreshadowing these contexts as well as the history of emancipation of the revolutionary working class which the Duke rejected, the thesis reconstructs the Meningen utopia, according to established utopian features: regulation, space-time, isolation and self-sufficiency, authority and community. Sources of the thesis are not only secondary literature on the Meiningen theatre but also period sources and memoires of actors and actresses of the Meningen ensemble.
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The end of courage. Kačer's staging of Mother Courage and Her Children in the period and social context
Pitterová, Zuzana ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
My thesis deals with the play of the German playwright and director Bertold Brecht Mother Courage and her Children, which was introduced in 1970 at the stage of Prague Tyl's Theatre under the direction of Jan Kačer and which became for a long time the last expressing of free theatrical creativity at the National Theatre after the entry of Warsaw Pact troops in the breakthrough year 1968. The performance was an exceptional event in many ways. Not only because of the fact that the life performance of Dana Medřická in the title role was really stunning, but it was also the work of the director who managed to touch in the Brecht's war story from the disorganised Europe in the 17th century the timeless core, which in the concrete political situation of the beginning "normalization" of Czechoslovakia resonated with the audience in an extraordinary way.
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Jiřina Jirásková Acting Mastership in Theatre, Film and on TV
Novotná, Renata ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
The thesis is focused on the theatre, film, TV and radio acting of the Czech actress Jirina Jiraskova. Its target is the presentation of the portrait composed of the different aspects of the work of this exceptional actress. The acting development of the personality of Jirina Jiraskova is described on the basis of the factographic data. The text contains a biographical part which gives in the time context an idea of conditions influenced and formed not only her art, but also generally human attitudes. The biographical section devoted to the presentation of the lifelong activity of Jirina Jiraskova in the field of theatre brings the overview of particular periods, the most important roles, significant professional, as well personal meetings. The further part of text is concentrated on the analysis of the acting of Jirina Jiraskova. It also analyses, on concrete examples, several most substantial, "modally" typical plays whose analysis documents the richness of means of the actress's expression and her capability of the genre variety. In the text there is also mentioned the summary of her acting work in film, TV and radio with approaching of concrete expressive performances. In the end of the thesis there are listed her theatre and film roles. The Text Appendix contains the crucial personal statement...
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Theatre "Minor" From The Year 1989 Up to Present
Sochorová, Veronika ; Christov, Petr (advisor) ; Jiřík, Jan (referee)
This thesis concerns itself with the Minor Theatre after the year 1989, namely with changes in a staging style of this prague platform that focuses mainly on a production for the child audience. In the production of the theatres principal directors (Karel Makonj, Jan Jirků, David Drábek, Jiří Adámek) we can observe distinctive courses of staging methods, that shape the Minor's character. The primary aim of this thesis is to attempt to reflect these staging courses and demonstrate them using profile plays. An excursus into the history of the Minor Theatre precedes these analyses to define its character. Biographies of the said directors are also included in the thesis, as well as the list of theatre's plays form 1990 (with the dates of premieres) and photographic material ilustrating the theatricals analysed here.
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Langer's Drama Angels With Us and The Problem of Euthanasia
Buriánová, Kristýna ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
The purpose of this thesis is to analyze the play of František Langer Angels among us, which he wrote in 1931. Although it was written more than eighty years ago, it still expresses the very topical issues. One of the main themes of the play, which the author addresses is the problem of euthanasia, which has been debated since ancient Greece and Rome and cease debate even today. The paper includes a description of how to treat the theme in the play itself, what opinions on euthanasia prevailed in past centuries, when the play was written and attention is focused even on the present.
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Václav Voska's theatre, film and television acting in Czech artistic and social context in the second half of twentieth century
Neureuterová, Jitka ; Just, Vladimír (advisor) ; Jiřík, Jan (referee)
SUMMARY: This thesis focuses on theatre, film and television acting of one of the important representatives of Czech dramatic art in Czech artistic and social context in the second half of the twentieth century. The aim of this work is to depict means of expression used by Vaclav Voska in his roles. It provides summary of actor's theatrical work and in the part dedicated to his TV acting tries to comprehensively describe compering television series "We invite you to the theatre". The following part is dedicated to film acting, especially to his cooperation with the Film Academy of Performing Arts in Prague. The work neither neglects his teaching at the Faculty of Performing Arts Theatre nor his political career. The essential part of this thesis is focuses on his role of Emile Magis in Félicien Marceau's game The Egg. The work purposely omits on Vaclav Voska's production of spoken word (radio, Poetic Cafe Viola, Lyra Pragensis) and it refers only to his major achievements only if they are relevant for analyzed topics. Complete list of theatre and film production is given at the end of his work. The TV list is only a selection with regard to the factual ambiguity at the beginning of the functioning of the medium. The work provides factual data - in some cases, they are presented to public for the first time...
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Tadeusz Kantor and The Theatre of Death
Veselá, Tereza ; Jiřík, Jan (advisor) ; Pšenička, Martin (referee)
Bachelor thesis is concerned with production of Polish avantgard author Tadeusz Kantor. The work is focused on the last epoch of his theatre production as an author (the epoch is called The Theatre of Death), concretely on inscenation The Dead Class and Wielopole, Wielopole. Bachelor thesis could be divided into three thematic parts. First part tries to observe basic historical terminuses in Tadeusz Kantor's work, previous epochs of theatre Cricot 2 and the most important performances. This part should serve to easier understanding methods of staging procedures during the epoch of The Theatre of Death and it should also approximate the questions, which interested Kantor. Second part is concerned with two concrete productions of The Theatre of Death and tries to analysis them. It also touches the issue of preservation theatre work through audiovisual records. Third part is focused on individual staging procedures. Bachelor thesis tries to define the point of Kantor's work on the basis of staging procedures. The point of Kantor's work is to create new form of theatre which do not manage with illusive staging of drama and with pretending of reality.
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Andrej Krob
Jančálková, Petra ; Topolová, Barbara (advisor) ; Jiřík, Jan (referee)
Dissertation work Andrej Krob follows Krob`s remarkable journey to theatre from meeting Vaclav Havel during his military service in 1957, through Krob`s arrival to Divadlo Na zabradli in the early sixties of 20th century and especially his collaboration with director Jan Grossman, next to who Krob gradually work his way up from stage technician to the director. From the numerous Krob`s productions is the attention paid to the very first one, almost unknown directorial act, student production of Kral Ubu, presented on chateau Breznice in 1964, however this dissertation is mostly dedicated to the selected and key Krob`s productions of Vaclav Havel`s plays. Meeting this author was for Krob personaly as well as for his directorial poetics progress entirely fundamental. That`s why this work describes and analyses in detail semi illegal production of Havel`s play Zebracka opera, presented by Krob in Horni Pocernice in 1975, which has became establishing production of Divadlo na tahu, as well as Krob`s production of the same play from 1995. Separate chapter of dissertation has been also dedicated to Krob`s video production of Havel`s play Pokouseni from 1988 that brings unique opportunity of artistic performance observation. This dissertation determines at the very end, based on in-depth analysis of the...
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Economic and social consequences of the trasnfer of Germans on the area of South Bohemia in years 1945-1955
Jiřík, Jan ; Fabianková, Klára (advisor) ; Chalupecký, Petr (referee)
Transfer of the Germans is the largest, human caused migration process in history of Czech Republic. This bachelor thesis examines economic and social consequences of the transfer, during the years 1945-1955, with the focus on the South Bohemia. The aim of this work is to concretize and evaluate social and economic consequences. Theoretical part of this work describes Czech-German cohabitation from the age of The First Republic, including approval, process and quantification of the transfer that ended it. Analytical part describes the social consequences on the examples of colonizing the chosen villages economic consequences are described by the case study of chosen concerns. Colonization objective was, during years 1945-1955, fulfilled in the district towns and Větřní, not in the smaller villages near the border. The impact on the studied companies was the reduction of the number of employees, but the consequences had different outcomes, because of the different solutions provided.
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