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The Changes of the Sociocultural Role of Carnival and Charivari in the Historical Perspective
Hillebrandová, Olga ; Horský, Jan (advisor) ; Šalanda, Bohuslav (referee)
The thesis discusses the changes of the sociocultural role of Carnival and Charivari in the Western culture from the Late Middle Agges to the end of the early modern period. The thesis is graunded in the analysis of secondary literature about the carnival and charivari , which is considered to be paradigmatic in history. The analysis follows the thesis of theoretical concepts of N. Elias and M. Foucault. Both of these authors deal with establishing specific individuality of modern man based on the necessary self-control a courtesy codified by social consensus. Carnival and charivari are examples of ritualized collective transgression, which helps create the values and norms of society. Carnival is primarily an expression of popular culture, which includes ritual, play and festivities. It celebrates human nature; the bodily pleasure food, drink, sex and violence, everything that should be civilized by culture. The goal of the thesis is to examine the process of civilizing or disciplining carnival , to determine the initiators and agents of this change. Following the previous then to check whether originally spontaneous carnival festivities, games and rituals in the historical development, which is characterized by a loss of spontaneity, commercialization and professionalization, completely lost their...
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The Transformation of perception of vampire in Western culture from early modern period to present : The Assessment of marginal cultural phenomenon in terms of civilization theory of Norbert Elias
Konečná, Zuzana ; Horský, Jan (advisor) ; Šubrt, Jiří (referee)
The thesis deals with the transformation of perception of vampire in Western culture from early modern period to present. The vampire in modern Western culture is very popular and has an unwavering place. Vampires are now attractive and basically not dangerous. The subject of this work is question whether it was so in previous centuries. Work present the change in appearance and character, both fictional character and "real vampires." Based on the analysis of selected fictional works (literary and visual) from the late 18th century, when the vampire came to Western fiction, work shows how gradually transforms the image that this supernatural beings attributes in West. An essential part of how culture perceives certain phenomenon is a belief in it. Therefore I am interested in how the West over time explaining this phenomenon. Work also introduces the Norbert Elias's civilization theory. Analysis of transformation in the perception of a vampire in Western culture follows it's tracks and the results are compared with it with the goal to give answer on question whether this phenomenon is turning into the terms of this theory.
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Vojvodovo Sketches
Jakoubek, Marek ; Horský, Jan (advisor) ; Moravcová, Mirjam (referee) ; Penčev, Vladimir (referee)
The dissertation "Vojvodovo Sketches" thesis consists of an introduction and further of published texts related to Vojvodovo. Vojvodovo, a Czech village in north-western Bulgaria founded in 1900 by about twenty Czech evangelical families from the village of Svatá Helena in what is today the Romanian part of Banat, which they left because of religious disputes and a shortage of land. Although Bulgaria engaged in several armed conflicts in the first decades of the twentieth century, the village flourished economically and the population rose steadily during that period. Eventually, however, its economic prosperity, based almost exclusively on agriculture, was curtailed by a land shortage. As a result, some villagers emigrated to Argentina in 1928. By 1934/5 the village was again overcrowded and suffering serious land shortage. This time some of its inhabitants moved to the Turkish village of Belinci in north-eastern Bulgaria (Isperich region). The history of Czech settlement in Vojvodovo, as well as Belinci, effectively ends in 1949-1950, when the overwhelming majority of their Czech inhabitants left as a part of post-war migratory processes organized under inter-state agreements and resettled in several villages in the South Moravia region of the Czechoslovak Republic. Vojvodovans were renowned for their...
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Myths of the czech music alternative in the 1980s
Jonssonová, Pavla ; Jurková, Zuzana (advisor) ; Horský, Jan (referee) ; Maderová, Blanka (referee)
Dissertation "Myths of the Czech Music Alternative in the 1980s" presents an anthropological view of the phenomenon of a parallel culture in a limiting situation. On the basis of biographical narratives, additional interviews and data gained from other types of sources, "myths" are constructed for seven major figures of the Czech alternative scene. This is an insider's ethnomusicological interpretation, based on Mircea Eliade's and Bronislaw Malinowski's concepts of myth as recurrent and exemplary models of behavior. The described personalities, Jazz Section (Prometheus), Miroslav Wanek ("hero's journey") Karel Babuljak ("search for paradise lost"), Pavel Zajíček (Odysseus), Mikoláš Chadima ("Rebel"), Oldřich Janota (Hermes), and Marka Míková (Psyche), represent some of the main trends in creative processes of the Czech music alternative scene with myth being used as a metaphor. The metaphor is understood here in the terms of Timothy Rice, i.e. as an organization principle of our thinking, as well as an illuminating image.
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