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Hooligan as an object of film analysis
Volek, Jiří ; BLAŽEVIČ, Jasmina (advisor) ; Bojar, Tomáš (referee)
Final thesis reflects the preproduction and production of thesis film with the topic of radical football fans. Work defines the theme of violence in the world of rowdies and film work with them. Further analyzes not only the history of football fans, but their categorization in terms of sociology and their impact on contemporary society. Work is devoted to the history of Czech cinema, working with the motif of the football world. The reasoning at the conclusion of the thesis reflects the impact of the films on this topic at the general audience and selected subculture.
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The Style of films by David Fincher or From Propaganda Films to digital era
Těšitel, Jan ; VALAK, Radim (advisor) ; BLAŽEVIČ, Jasmina (referee)
This diploma thesis is a follow-up to my bachelor thesis, which
studied the works of director David Fincher in the period framed
by the existence of a production company Propaganda Films, and
also by a common standard of shooting feature films on film
stock. The new millennium then brought an end to the production
company and also, at least for Fincher, the end of working with
film material. Based on the analysis of one significant scene of
each film that Fincher made in the "digital era", I will try to
describe what film language is used when the scene is narrated,
what precedes and what follows, the role of the actors and script,
what style brings camera work and editing. And finally what
constitutes a stylistic specificity of David Fincher's narrative.
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The Meaning of the Image
Ghebremichael, Asmara ; Bouda, Marek (advisor) ; Blaževič, Jasmina (referee)
This work concerns the idea of the image in contemporary philosophical thought. The author surveys various theories on the meaning of the technical image in society in order to determine her own relationship to the image as a contemporary film director. These theorizations of the ?image? will not distinguish between still or moving images, a discussion of why this is so will occur.
Three theorists provide a framework to think critically about the image. First, the ideas of Vilem Flusser in his 1983 essay Towards a Philosophy of Photography provide a pessimistic view of the technical image as responsible for the robotization of society. His ideas are contrasted to those of Roland Barthes in his 1981 essay Camera Lucida: Reflections on Photography. Barthes provides a more optimistic and humanistic perspective on the relationship between human beings and their photographs. The most recent theoretical work published in 2003, The Future of the Image by Jacques Rancierre will bridge the works of Flusser and Barthes and introduce Godard to our discussions.
Both the writings and films of Godard will be discussed in the last chapters. As both theorist and film director, Jean-Luc Godard is a useful example to explore the meaning of the image for a film director. The conclusion will offer the author?s own position on the subject.
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Citation, Paraphrase, Plagiary
Hošková, Stanislava ; Blaževič, Jasmina (advisor) ; Bernard, Jan (referee)
Compile-work which is trying to find the borders between different intertextual relations as citation, paraphrase, plagiatory, as well as parody, pastiche, alusion and other..
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