Original title: W.A.Mozart: Klavírní koncert d-mol č.20, d-mol KV 466
Translated title: W. A. Mozart: Piano concerto No. 20, d minor, KV 466
Authors: Fančovič, Peter ; Lapšanský, Marian (advisor) ; Bilinská, Kvitoslava (referee) ; Langer, Miroslav (referee)
Document type: Bachelor's theses
Year: 2008
Language: slo
Publisher: Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna
Abstract: [cze] [eng]
V tejto práci som sa pokúsil analyzovať Mozartov klavírny koncert d- moll na základe mojich doterajších poznatkov. V úvode sa zmieňujem o mojej motivácii k písaniu tejto práce. V prvej kapitole ide o malé nahliadnutie do Mozartovho života a hlavne o vplyvy z jeho detstva, ktoré boli pre jeho osobnosť dôležité. V druhej kapitole som načrtol prehľad Mozartových klavírnych koncertov. Pripojil som k nim niektoré poznámky ohľadne vzniku a zaujímavostí z hľadiska štruktúry, ale ide len o stručné poznámky a hlavne uvedenie do kapitoly tretej. Tá sa zaoberá priamo koncertom d - moll. Na začiatku je krátka stať o okolnostiach jeho vzniku a prvom uvedení a v ďalších štyroch podkapitolách som sa snažil o analýzu jednotlivých častí a popis problematiky kadencií. Štvrtá a piata kapitola sa zmieňujú dve zaujímavosti, ktoré sa týkajú koncertu - pedálovú pomôcku - nástroj, ktorý Mozart pravdepobone používal pri uvedení koncertu a basso continuo. V závere píšem o význame vernosti hudobného textu ako aj o možných dopadoch pri jeho nedostatku, či opačnému extrému interpretácie - nedostatku hľadania vlastnej tvorivosti pri hre. Na konci mojej práce uvádzam zoznam použitej literatúry. In this work I tried to analyse Mozart´s piano concerto in d minor on the basis of the knowledge I achieved so far. In the introduction, I mentioned my motivation for writing this paper. The first chapter is a brief look into the life of Mozart, particularly to his childhood, which was essential for the development of his personality. In the second chapter, I sketched out a list of Mozart´s piano concertos and added a few notes about the circumstances under which the concertos were composed as well as interesting facts about their formal structure. However, it´s only a brief description that serves mainly as an introduction to the third chapter. In this chapter, I was solely concerned with the concerto in d minor. The chapter begins with a short passage about how this concerto was composed and about its premier performance. The next four sub- chapters contain an analysis of each movement along with a discussion about the cadences. The fourth and fifth chapters discusses two interesting aspects related to the d minor concerto the use of the pedal that Mozart may have used while performing this concerto and the use of basso continuo. At the end of my paper I wrote about the significance of adhering to the musical text with possible conseqenses that accompany a performer that does not follow the composer`s instructions. Another issue my conclusion adresses is the opposite; when a pianist becomes a slave of the musical text. My paper is concluded with a list of works cited.

Institution: Academy of Performing Arts in Prague (web)
Document availability information: Available to registered users in the Digital Repository of Academy of Performing Arts.
Original record: http://hdl.handle.net/10318/2549

Permalink: http://www.nusl.cz/ntk/nusl-77951


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Universities and colleges > Public universities > Academy of Performing Arts in Prague
Academic theses (ETDs) > Bachelor's theses