Galantnost v raných dramatech Pierra Corneille

Vendlová, Johana

This bachelor thesis deals with gallantry in selected early plays of Pierre Corneille's comic genre. The aim of the thesis is to reveal gallant components in the given plays, to approach the circumstances of their involvement in dramaturgy and to describe their influence on comedy. The first part is devoted to the conceptualization of gallantry as a sociocultural and a literary category, considering its origin and influences from the Middle Ages to the seventeenth century. The description of these influences is necessary to understand the semantic permeability of this category, which gained many meanings during its development and reached their opposition, which significantly influences the gallant doctrine of classicist society, and thus the Corneille's audience. The second part analyzes concrete gallant components in selected comedies, whose corpus is divided into two parts: comedy of the thirties, Mélite and La Veuve, and comedy of the forties, Le Menteur and La Suite du Menteur. Each unit is achieved by a discussion summarizing the most important characteristics of the poet's style, the use of gallantry and the comedy of the decade, which allows them to be compared with each other. The focus is particularly on the development of the poet's style regarding the perspective of contemporary...

host :: přihlásit Digitální repozitář
		Hledej		Nový záznam		Nápověda		O repozitáři