Original title: Kódy taneční improvizace: Případ Intuitivního Tance
Translated title: Codes of dance improvisation: The case of Intuitive Dance
Authors: Orlova, Kseniia ; Zaccarello, Benedetta (advisor) ; Marcelli, Miroslav (referee)
Document type: Master’s theses
Year: 2017
Language: eng
Abstract: The idea that dance can be understood as an act of communication and a form of language has been already taken into account by scholars. The hypothesis that will be discussed in this MA dissertation concerns a more specific matter: a semiotic approach to different forms of dance improvisation, and notably the method traditionally labeled "intuitive dance". To understand this phenomena two main concepts will be conveyed: that of "quotation" understood via W. Benjamin's essays on Brecht, and that of "notation", as defined by N. Goodman in his Languages of art. Can we understand dance as a language - id est a quotable and notable code - even in its more intuitive forms? How is it possible to "understand", "quote" and "address" gestures, even in front of a wide heterogeneous audience and without any prefixed choreography but only on the base of a free and in-time creating process? Can we understand improvisation as a complex code? what and how does this code mean? Keywords: improvisation, Intuitive Dance, semiotics, notation, gesture, Nelson Goodman, Walter Benjamin, dance, code
Keywords: code; dance; gesture; improvisation; Intuitive Dance; Nelson Goodman; notation; semiotics; Walter Benjamin; gesto; improvizace; Intuitivní Tanec; kód; Nelson Goodman; semiotika; tanec; Walter Benjamin; zápis

Institution: Charles University Faculties (theses) (web)
Document availability information: Available in the Charles University Digital Repository.
Original record: http://hdl.handle.net/20.500.11956/91151

Permalink: http://www.nusl.cz/ntk/nusl-367679


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Universities and colleges > Public universities > Charles University > Charles University Faculties (theses)
Academic theses (ETDs) > Master’s theses