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Military Conflicts in Contemporary Art
Weinbergerová, Lenka ; Rakušanová, Marie (advisor) ; Kukurová, Lenka (referee)
The military conflicts in contemporary art This work is trying to examine the represantation of the war by contemporary artis. Its focus is on the anti-war art, which is observed from its beginning to today. The depiction of the theme of the war has many ways. There are artists whose inspiration come from their interest in political, social or feminist activism and in their art works they think out diffrent questions which refer to more war conflicts. In their work they use own language to their imagery of such horrible atrocities taking place all over the world. And so this work is trying to describe their art works not according to the historical global or local conflict but according to some topics, that are questioning how the artists present the horrors of war, how are the artists inspired by the media like television or press and how do they depict the victims, how their works could help to pay attention on and to prevent other cruelties and atrocities of war through their works and collective colaboratin which is unfortunately not so operated nowadays as it was for example during the Vietnam war.
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Trasffered stigma of otherness in ethnically mixed partnerships in the Czech Republic
Weinbergerová, Lenka ; Sokolová, Věra (advisor) ; Jiroutová Kynčlová, Tereza (referee)
My diploma thesis on the basis of intersectionality analyzes the social construction of "otherness" in etnically mixed partnerships and how does it manifests and influences the self- conception of Czech women that are in the mixed relationships. Further, it analyzes how the partners "otherness" affects the position of the women in the society. In my thesis I work with the concept of transmitted stigma, because the etnical otherness is not constructed on the horizontal differences, but contains also classifing and assesing aspects, which may situate the mixed patnerships to the positions of dis/advantage. For my qualitative research I have chosen semi-structured interviews with women, that were born and live in the Czech Republic and are or was in etnically mixed relationship. Key words: mixed partnership, stigma, otherness, etnicity, race, intersectionality
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Trasffered stigma of otherness in ethnically mixed partnerships in the Czech Republic
Weinbergerová, Lenka ; Sokolová, Věra (advisor) ; Jiroutová Kynčlová, Tereza (referee)
My diploma thesis on the basis of intersectionality analyzes the social construction of "otherness" in etnically mixed partnerships and how does it manifests and influences the self- conception of Czech women that are in the mixed relationships. Further, it analyzes how the partners "otherness" affects the position of the women in the society. In my thesis I work with the concept of transmitted stigma, because the etnical otherness is not constructed on the horizontal differences, but contains also classifing and assesing aspects, which may situate the mixed patnerships to the positions of dis/advantage. For my qualitative research I have chosen semi-structured interviews with women, that were born and live in the Czech Republic and are or was in etnically mixed relationship. Key words: mixed partnership, stigma, otherness, etnicity, race, intersectionality
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Military Conflicts in Contemporary Art
Weinbergerová, Lenka ; Rakušanová, Marie (advisor) ; Kukurová, Lenka (referee)
The military conflicts in contemporary art This work is trying to examine the represantation of the war by contemporary artis. Its focus is on the anti-war art, which is observed from its beginning to today. The depiction of the theme of the war has many ways. There are artists whose inspiration come from their interest in political, social or feminist activism and in their art works they think out diffrent questions which refer to more war conflicts. In their work they use own language to their imagery of such horrible atrocities taking place all over the world. And so this work is trying to describe their art works not according to the historical global or local conflict but according to some topics, that are questioning how the artists present the horrors of war, how are the artists inspired by the media like television or press and how do they depict the victims, how their works could help to pay attention on and to prevent other cruelties and atrocities of war through their works and collective colaboratin which is unfortunately not so operated nowadays as it was for example during the Vietnam war.
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