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F. X. Brixi's Oratorium pro die sacro parasceves
Labudová, Jana ; Niubo, Marc (advisor) ; Slavický, Tomáš (referee)
The thesis deals with the musical and stylistic analysis of the F. X. Brixi's oratorio Judas Iscariothes, that was preserved in the Osek Monastery under the name Oratorio pro die sacro parasceves. The first part of the thesis describes the musical history, preserved music sources and inventories of Osek. The next section deals with the oratorio in Osek. The main point of this chapter is to inventory oratorio productions performed in Osek during the 18th and early 19th century. The key part of the thesis is the musical and style analysis of the oratorio Judas Iscariothes. Appendix contains the edition of this oratorio.
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Glagolitic Mass by Karel Douša
Lišková, Marie ; Douša, Eduard (advisor) ; Slavický, Tomáš (referee)
This bachelor thesis deals with the Glagolitic Mass by Karel Douša. Douša's composition is put into the context of contemporary compositional approach to the genre of the Glagolitic Mass and it is compared to other similar works of Douša's contemporaries. The thesis also contains Douša's brief biography and a list of his compositions. The work is completed by the enclosed compact disc with the first - and so far the only- recording of Douša's mass.
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Václav Emanuel Horák as a Bohemian Composer of the 19th Century Church Music
Spirit, Kryštof ; Ottlová, Marta (advisor) ; Slavický, Tomáš (referee)
This thesis attempts to map both personal and professional life of Vaclav Emanuel Horak, a Czech composer of the 19th century. Based on contemporary sources, especially magazines, it is clear that he was one of the most popular and most often played composers of sacred music during his lifetime. Nowadays his compositions are almost not performed. The second part of the thesis lists Horak`s compositions. This overview was created with the help of specialized databases. The final analysis of two Horak`s requiem mass settings written at two different stages of his life and comapred to the same type of composition by W. A. Mozart aims to define the compositional style of V. E. Horak and put it in context of music development at the turn of the 18th and 19th century. Subsequently, the analysis should answer the question if Horak was a composer of Classicism or of the Romantic Era. Keywords: composer, organist, choirmaster, educator, classicism, romanticism, requiem, mass
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Musical-liturgical life of the Jesuit college at Klatovy in the 18th century
Aschenbrenner, Vít ; Černý, Jaromír (advisor) ; Čornejová, Ivana (referee) ; Slavický, Tomáš (referee)
The Jesuit College in Klatovy and the adjoining St. Joseph Seminary represented an important phenomenon of the local cultural, religious and musical life of 17th and 18th centuries. By gradual building of the monastery complex Jesuits were a major influence on the town's character and their activities in the field of spiritual and cultural life did not fall behind their architectonic ones. In the town Jesuit religious fraternities were working, the town people could watch the school play performances and, last but not least, took part in numerous religious feasts organized by the order. In all these occasions especially figural music played an important role. The era of the order's activity in the town (16361773) was part of the period in which the order tolerated such music performances, however the contemporary sources show that there was strict differences were made between the repertoir played on purpose of the outer representation of the order and accompaniment of internal divine service. Basic institutional platform of the musical life was St. Joseph Seminary, operating within the college since its very foundation. Although compared to other similar order seminaries elsewhere it did not dispose of large musical endowments, it could supply accomodation, food, clothing and musical tuition to as many as...
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Three-Part Songs for the Advent and the Christmas Time included in the Hymnbook by V. K. Holan Rovenský - the practical edition
Müllerová, Věra ; Slavický, Tomáš (advisor) ; Maňas, Vladimír (referee)
43 RESUMÉ IN ENGLISH This bachelor thesis focuses on the three-part songs for the Advent and the Christ- mas time included in the hymnbook entitled Capella Regia Musicalis (Prague 1693) by Václav Karel Holan Rovenský (1644 - 1718). The goal is to identify the three-part songs (i.e. two voices and basso continuo) and provide their practical edition (i.e. render them in the present-day form). The thesis opens with an excursion into the history of the Czech hymnbook from the 15th to the beginning of the 18th century. During this period, the Catholic Church was inspired by the repertoire of the protestant songs; we can observe that the reper- toire of all denominations was almost identical. This part is followed by an overview of the most important hymnbook of the 17th century which became Holan's source of inspiration. A separate chapter is dedi- cated to Holan's work and personal life which in itself is of great interest. The following part proceeds to the general description of Holan's hymnbook, Capella regia musicalis, and of the problems that accompanied its creation. The the- sis provides a description of the structure of the hymnbook and its formal organiza- tion. The analysis of selected details has confirmed A. Škarda's judgment that the hymnbook is ill-arranged and chaotic. The historic exposition is...
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Place of Pilgrimage and its Musical Tradition
Litvanová, Zdeňka ; Semerádová, Pavla (advisor) ; Slavický, Tomáš (referee)
43 Resumé The proposed thesis is an attempt to map the history of the beginnings and the life story of the pilgrimage locality of Kájov. The thesis is based on a research of preserved official documents and on testimonies of surviving eye witnesses. Among the termini a quo counts the history of the cultural and spiritual regime in Kájov and some of the events which influenced the functioning of the pilgrimage locality. In the course of time the socio- demographic structure of the inhabitants was changing along with political regimes which were responsible for persecutions of the spiritual leaders in Kájov. The thesis traces the impact of the spiritual tradition of a pilgrimage location and the influence of spiritual leaders in the musical and cultural life of the inhabitants of Kájov from the first written accounts until today. My objective is not only mapping of the history of the musical activities at the pilgrimage location of Kájov, but also an attempt to organize the remains of the Kájov music archives.
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Musical Archive of St. Maurice in Kroměříž
Macek, František ; Slavický, Tomáš (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis deals with the unknown archive of the collegiate church St Maurice in Kromeriz, which is found in the crusts in the room next to the organ. The world-famous music collection of Bishop Karl Liechtenstein-Castelcorn together with other scores was moved from the church St Maurice by Antonín Breitenbacher. Music scores were moved in 1927 to Kromeriz's castle. Bachelor thesis provides the location list of music, which is now stored in the crusts. The value of this list is in testimony about evolution of church music at the residential town of Olomouc Archbishop in 2nd middle 19th century and in the 20th century. Especially in the 1st middle 20th century were the crusts of St. Maurice recognized center of church music, which were visited by the leading composers. The high quality of church music is documented by the fact that the liturgy was also transmitted by radio. Music archive of St Maurice in his consistency gives a unique statement of the historical stage of church music, which waiting on detailed musicological treatment.
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Sacred Choir Music by Vít Clar
Konečná, Jolana ; Slavický, Tomáš (advisor) ; Douša, Eduard (referee)
- 48 - 9. RESUME Bakalářská práce je zaměřena na život a dílo Víta Clara. V práci byly použity ukázky ze sborové duchovní tvorby, byly shrnuty kompoziční prostředky. V závěru práce je zhodnocení vybraných skladeb z hlediska interpretačního. Pozornost byla věnována významným českým osobnostem současnosti v české hudební pedagogice posledních desetiletí. Nemalou překážkou byl stav pramenů a nedostatek dohledatelných materiálů, stejně tak i čekání na zpracování notové pozůstalosti. Naopak byly potěšitelné postřehy a odpovědi kolegů a Clarových studentů, zejména jejich milé vzpomínky na nezapomenutelného skladatele a pedagoga. Tato práce je věnována památce Víta Clara im memoriam. 9. RESUME This thesis focuses on the life and work of Vít Clar. It presents some examples of sacred music for choir and summarizes Clar's musical composition elements. The last chapter evaluates selected compositions from the interpretation point of view. This text also pays attention to significant Czech personalities in contemporary musical education of several past decades. Work on this thesis was considerably hampered by the poor conditions of resources and the lack of available materials as well as by the duration of Clar's score estate's processing. On the other hand, observations and answers of Clar's colleagues and students,...
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Different forms of landler in the Czech lands in the light of manuscripts of Jiří J.B. Hartl of Stará Paka
Vejvoda, Zdeněk ; Tyllner, Lubomír (advisor) ; Slavický, Tomáš (referee) ; Stavělová, Daniela (referee)
Different Forms of Ldndler in the Czech Lands in the Light of Manuscripts of Jiří J B. Hartl (1781-1849) ofStará Paka is a doctoral thesis investigating the position of Hindler in the Czeeh dance repertory of the 19th century and the first half of the 20th century. A dance in triple meter of German origin, landler became famous aU over Europe. Drawing on eolleetions of folk dance from the Czeeh Lands (ineluding boundary regions with prevailing German population), researchers havebrought together over 750 melodies - mostly instrumental - which were known under various names sueh as lendler, štajryš, tajč, tyrol etc. The richest and oldest source is the manuscript coUection of danee melodies, made in 1811- 1822 by Jiří Josef Benedikt Hartl (1781-1849), a teacher from Stará Paka, a town situated at the foot of the Krkonoše Mountains in the north of the Czech Republic. Furthermore, the thesis seeks to explain the general context, cultural and historical, of landler's popularity in the region of North-East Bohemia, paying special attention to village teachers and their activities. Trying to identify the most frequent way of spreading dance instrumental melodies, the research has given prominence to migrant musicians, but cultural exchange in regions with a population of varied ethnie origin also played a role....
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