National Repository of Grey Literature 18 records found  previous11 - 18  jump to record: Search took 0.01 seconds. 
Sound Design and realization of full-length picture " In the Attic or Who Has a Birthday Today "
Musil, Marek ; Skall, Vladimír (advisor) ; Kubec, Tomáš (referee)
The theoretical part of my theses is focused on the analysis of full-length picture ?Na půdě aneb kdo má dneska narozeniny ? (In the Attic or Who Has a Birthday Today?) under direction of Jiří Barta. I explain at first intention of the sound dramaturgy followed by description of the process, which is taken to create particular sound elements of this audio visual work. I mention as well confrontation between the concept and the final realization. The actual realization of sound designing is described in the own chapter. My theses focus also on problems, which I encountered by mixing the movie in Dolby Digital format. All provided information is meant to be useful not only for FAMU students. Readers can follow step by step the process of sound designing by a project, which was extraordinary time-consuming and financially demanding but on the other hand indeed unique in Czech cinematography.
Sound in Czech Film Parody
Hovorková, Barbora ; Skall, Vladimír (advisor) ; Melcher, Jiří (referee)
In my work, I will research the characteristic features of the sound dramaturgy in Czech film parody. Besides the stylization of the story and image, sound has its own important function. The expression of sound should correspond with the style of the film. Contains: -define the term ?parody?, the main rules of parody, characteristics and definitions -function of sound in Czech film parody in given periods of time -summary of achieved knowledge Method: -analysis of functional resources in film parody -sound analysis of the film according to sound components that are functional for making the parody -studies of available literature Attachments: -extracts of chosen films
Alternatives for solving sound dramaturgy in AV works
Bojič, Bojan ; Skall, Vladimír (advisor) ; Kubec, Tomáš (referee)
The aim of this thesis is to lool into the questions of creation of sound element and explore alternative solutions for sound dramaturgy in AV works.
The Czech Lion Award In The Best Sound Category
Slavík, Filip ; Skall, Vladimír (advisor) ; Klenka, Jiří (referee)
This Bachelor´s work is a summary of the most important parts in annual awards The Czech lion. In the first part of it there are main problems about voting in The best sound kategory. This work contains opinions of members of the Czech movie and television academy. In the second part you may find brief analysies of the five chosen movies which gained the first prize and their sound element. My intension is to reveal ?backstage? of voting and to size up objectivity of the results of this competition.
Sound postproduction in feature film and TV
Vondrášek, Tomáš ; Moudrý, Jiří (advisor) ; Skall, Vladimír (referee) ; Oukropec, Petr (referee)
Sound postproduction is one of the final parts of feature film or any other audiovisual work manufacture. Itś an anthology of steps and operations that lead to completation of sound component. This work aim to describe all the steps of sound postproduction from the producerś and sound designerś point of view and bring the complet view of the whole branch.
F. Fabian - main signs of his works
Müller, Richard ; Skall, Vladimír (advisor) ; Moudrý, Jiří (referee)
This Thesis is about F. Fabian's contribution to sound design.
ADR as a creative method of conforming new sound reality of an audiovisual production
Musil, Marek ; Čeněk, Jan (advisor) ; Skall, Vladimír (referee)
I have tried in my theoretical bachelor?s thesis to deal with the method of post-synch from other point of view than my forerunners.
The conception of film sound in the work of Robert Bresson
Bartošová, Veronika ; Skall, Vladimír (advisor) ; Klenka, Jiří (referee)
Robert Bresson was a significant person of French cinema. In his long life he has made fourteen films. The theme of this thesis is the conception of sound in his films. This work consists of five parts. First part is a general introduction and thinking about the body of artist's works. Second part consists of a few words about Bresson's live and dramaturgical elements, which he use in his films. Third part consists of Bresson's ?Notes of cinematographe?, which he has written during his life and of a selection of them concerning mainly the sound. Fourth part is about analysis of all Bresson's films in terms of the use of sound and sound dramaturgy and compared his theory with practice. The last part is generalizing conclusion about the use of sound in Bresson's work.

National Repository of Grey Literature : 18 records found   previous11 - 18  jump to record:
Interested in being notified about new results for this query?
Subscribe to the RSS feed.