National Repository of Grey Literature 57 records found  previous11 - 20nextend  jump to record: Search took 0.01 seconds. 
Mongghul Ha clan oral history
Ha, Mingzong ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
The current bachelor thesis focuses on the oral history of Mongghul Ha Clan (in Hawan Village, Tiantang Township, Tianzhu Tibetan Autonomous County, PR China). The clan's migration from the acenstral homeland of Xihajia in the contemporary Huzhu Tu Autonomous County, Qinghai Province to the current place of residence in Gansu Province in three waves from 1918 to 1942 is examined. Interviews with clan elders, transcribed in Mongghul and translated to Czech are an important part of the study. The clan's family chronicle and oral legends are also dealt with. The introduction features an overview of related, relevant previous work and the concluding chapter describes the impact migration has brought to the clan.
Modern three-dimensional art in Ulaanbaatar in broader consequences of the art scene
Miškaňová, Ľudmila ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The bachelor's thesis deals with systematic description of contemporary three dimensional art in Ulaanbaatar and specializes in sculpture and installation. At first it shortly describes the history of mongolian sculpture. The following chapter focuses on the characterization of art scene in Ulaanbaatar through selected artists. It portrays the main topics and processes of creation of contemporary works of art. The conclusion of the thesis summarizes the main characteristics of contemporary three dimensional art, influences on the creation and current tendencies. Powered by TCPDF (www.tcpdf.org)
The vision of Mongolian countryside on examples of the culturally specific expressions in the novel of C'. Lodojdamba, Tungalag Tamir
Makúch, Branislav ; Kapišovská, Veronika (advisor) ; Oberfalzerová, Alena (referee)
Tato práce se zabývá užitím tzv. "kulturně specifick-ých výrazů" v románě Tungalag Tamír (Průzračný Tamír) spisovatele C'adraabalyna Lodoidamby. "Kulturně specifické výrazy" jsou takové části řeči, které jsou srozumitelné výlučně pro danou kulturu. Těsně souvisejí s životem a myšlením příslušníků oné kultury a vycházejí z jejích charakteristik. Tyto výrazy vlastně označují jisté pojmy, jisté myšlenkové obrazy, které - pokud jsou správně dešifrovány - mohou nám pomoci proniknout hlouběji do dané kultury a lépe ji pochopit. V této práci se budu především zamýšlet nad mírou přeložitelnosti těchto výrazů skrze interpretaci každého daného výrazu. Vývody, které z takového zkoumání povedou, by měly být v budoucnu dobře využitelné k překladové praxi, a tím by měly pomoci ke správnějšímu zprostředkování mongolské kultury českým čtenářům. Při své metodologii jsem se nechal inspirovat knihou PhDr. Aleny Oberfalzerové: Metaphors and Nomads. Powered by TCPDF (www.tcpdf.org)
Contemporary Art in Ulaanbaatar
Prachařová, Rebeka ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The B. A. thesis deals with research of the art scene in Ulaanbaatar, specializes in painting and presents an analysis of its current condition. At the beginning it briefly describes the history of Mongolian painting since the 16th century and the origin of the traditional Mongolian paint- ing. The following two chapters focus on the description of the painting scene of Ulaanbaatar through nine artists. They define the main genres and topics of contemporary works of art. The thesis is supplemented with the information about institutions and associations of the contem- porary artists in Ulaanbaatar. The ending of the thesis compares historical influences on the contemporary creation, parallels with the modern Europian painting and current tendencies of the painters of Ulaanbaatar. Key words art movement art style artist artwork contemporary art scene exhibition areas fine art modern art Mongolia painting of Tibetan buddhism SUIS - Mongolian University of Art and Culture themes of paintings traditional Mongolian painting - mongol zurag Ulaanbaatar
Kotas of Blue Mountains: Myths and Legends
Bendíková, Soňa ; Vacek, Jaroslav (advisor) ; Oberfalzerová, Alena (referee) ; Filipský, Jan (referee)
Soňa Bendíková:Soňa Bendíková:Soňa Bendíková:Soňa Bendíková: Kotas of Blue Mountains: Myths and LegendsKotas of Blue Mountains: Myths and LegendsKotas of Blue Mountains: Myths and LegendsKotas of Blue Mountains: Myths and Legends AbstractAbstractAbstractAbstract The dissertation The Kotas from the Blue Mountains: Myths and Legends deals with the tradition of the Kota tribe living in the Nilgiri mountain range in southern India. The work discusses the oral tradition of the tribe on the background of the regional development in the last two centuries. The Kotas used to live symbiotically with a few other local tribes with whom they developed a unique system of barter trade and services. The microregion remained isolated until new settlers started to arrive from the valley (in the beginning of 19th century). The arrival of the people from the valley and of the English people in the course of the last two hundred years caused a significant change of all aspects of life in the Blue Mountains: economic, social, cultural and ecological. This work has two aims: (i) to interpret the results of my fieldwork and to analyze the recordings of the remnants of the oral heritage of the tribe with approximately 2,000 members, and to do it on the background of the changes in the area; and (ii) to determine whether and how...
The most important Toraja rituals and their current form
Budiman, Michaela ; Oberfalzerová, Alena (advisor) ; Dubovská, Zorica (referee) ; Remešová, Blanka Michaela (referee)
The presented doctoral thesis called The Most Important Toraja Rituals and Their Current Form deals with the ethnic group of Toraja, who inhabit the province of Tana Toraja, located in the southern part of the Indonesian island of Sulawesi. The work presents Toraja culture with a focus on two of the most important rituals - funerals and weddings. The goal is to outline the original form of these rituals and to capture the major social and religious changes in Toraja society since the Dutch missionaries first entered the area of present day Tana Toraja at the beginning of the 20th century. The Dutch introduced Christianity to the Toraja people, who until then adhered to their autochthonous religion Aluk Todolo. Almost all of the Toraja people gradually converted to Christianity, though they did not fully leave behind their original customs. In this work, I advert to how much the newly accepted Christianity influenced contemporary Toraja rituals, with an emphasis on the shift in their form and meaning. The work is based mostly on the field research; I implemented the method of concentrated observation. I also conducted and recorded many interviews with local people. After returning from the field, I analysed all of the collected text, voice, and video materials. Based on its analysis and the specialized...
Modern Mongolian Belletristic Language in the Novel The Shaman's Story by G. Ayurzana
Havláková, Jana ; Kapišovská, Veronika (advisor) ; Oberfalzerová, Alena (referee)
Subject of this paper is a mongolian novel called The Shaman's Story wrote by G. Ayurzana. After an introduction of the history of modern mongolian literature and a short description of the autor's life comes the first chapter about the way the shamanism of Buryats is described in the novel. By comparing parts of the novel and secondary literature I am trying to find, whether and if yes, to what amount is the novel's description close to actual reality. In the next chapter is explained the author's writing style, the structure of the novel and its dynamics. The enclosure includes original and translated transcription of an e-mail corespondation with the author and a czech translation of most of the legends that appear in the novel.
Traditional and contemporary Mongolian wedding
Čelikovská, Anna ; Oberfalzerová, Alena (advisor) ; Kapišovská, Veronika (referee)
Mongolian traditional and contemporary wedding This bachelor thesis characterises traditional and modern wedding in Mongolia, describes wedding traditions and includes current social problems arising from unconventional relationships. It is largely based on the statements of informants and is accompanied by photographs. It includes oral folklore which is a part of the wedding ceremony. The aim is to analyse wedding customs of Khalkha Mongols and their gradual changes. Key words: Mongolia, wedding, ceremony, celebration, tradition, custom, rural area, Ulaanbaatar, song, verse
History and Oral Tradition of Altai Uriankhains
Srba, Ondřej ; Zikmundová, Veronika (advisor) ; Hrubý, Jakub (referee) ; Oberfalzerová, Alena (referee)
of the dissertation thesis Ondřej Srba History and Oral tradition of Altain Uriankhais The object of this dissertation thesis is the Western Mongolian ethnic subgroup of Altain Uriankhais and its subject is their oral tradition as a source of history. The objective of the work is a structured description of the living oral tradition concerning the history of Altain Uriankhais based on my own fieldwork. The processing of the recorded oral tradition includes a partial transcription and translation of the recordings and an attempt to systematically describe the content of the oral tradition, its formal features and the meaning for the tradition bearers. As a main criterium to describe the content of the oral tradition I chose personalities of the local history, secondarily genealogies and the issue of migrations. On the example of partial case studies, I assess the information provided by the oral tradition in comparison with preserved archive sources. Keywords: Altain Uriankhais, Oirats, oral tradition, oral history, Mongolian studies
Mongolian traditional wrestling
Blažek, Martin ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
Mongolian traditional wrestling - abstract: This bachelor thesis deals with depiction of Mongolian traditional wrestling as a sport discipline and cultural phenomenon of Mongolian and Eurasian nomads. The aim of the thesis is clarification of cultural and historical context of wrestling's significance in Mongolian and nomadic society and wrestler's and "strong man's" phenomenon in Mongolian culture through mapping the evolution of wrestling in the area of present Mongolia with concentration on the most ancient and medieval historical periods, description of myths and traditions associated with wrestling and brief analysis of historical conditioned cultural roots of these phenomena. Key words: wrestling, history of wrestling, Mongols, Mongolian traditional wrestling, Scythians, nomads, Mongolian epic, religion, rituals.

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1 Oberfalzerová, Anna
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