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The Beadwork
Dvořáková, Karolína ; Ruller, Tomáš (referee) ; Kohoutková, Karolína (advisor)
Beadwork is a work that touches on topics such as sexual harassment, rape, abortion, domestic violence, partnerships and family relationships, in general all taboo topics in the family and society, death topics, various hidden traumas in the family and in partnership. Through simple manual work and in the marked space for sharing, the possibility of relaxation opens up. “ To be heard. Just as beads are threaded on a thread, I collect human stories that become part of one (self) therapeutic act. This completes the performance gesture by threading beads in public space, bringing powerful themes from collected stories to light. Transcending myself – myself as an individual, touching everyone who allows themselves to be touched. “
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Attraction
Kojetská, Monika ; Trnková, Barbora (referee) ; Kohoutková, Karolína (advisor)
In my thesis the focus is on the attraction with which I work in multiple planes. I focus on the essence of the material and its predictive value. I place emphasis on the significance of the use of specific material and use the category of its surface, superficies, fashion, luxury, kitsch, goodliness, atracction,object and desire. I work with visual, physical and sensual attraction.
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I am here it is not
Daneková, Petra ; Hosnedlová, Klára (referee) ; Kohoutková, Karolína (advisor)
I have chosen the concept of mimicry, camouflage and disappearance because the subject of fusion and invisibility interests me. To vanish in the nature or in the city just with the help of body and clothes. For the purpose of this thesis I have created an outfit that will prove effectiveness of camouflage for the ordinary people watched by cameras everyday. By using this outfit I should find out whether digital devices are sophisticated enough to recognize a person even in the case that he has more legs or arms and his face is covered only with the eyes visible. In my thesis I am using several kinds of digital devices by which I am trying to figure out the effectiveness of created outfit. For comparation and better capture of person I have created two types of outfit. One of them is monochromatic while the second one, and more essential one, is printed with glitch. I am testing these two outfits both in exterior and interior. The outcome of the thesis are photographs and videos of person dressed in created outfits.
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Shapelessness
Conde, Tamara ; Kohoutková, Karolína (referee) ; Jamrichová, Kristína (advisor)
The main body of my diploma work is composed of several paintings of large formats. These paintings depict the fusion, invasion, and profound alteration of two bodies being mixed into one. The paintings contain chunks of interwoven bodies of fleshy caucasian tones, that of my own body and that of oyster mushrooms. These formats are not placed in rigid confines. Along with the large paintings, there are two small formats on wood that resemble morphed organs between the two main models. These two small formats on wood play a fixed role in contrast to the loose canvases. These illustrative works of art play hide and seek with an explanatory audio for whoever roams too long in the installation. The documentation of the thesis text focuses on the partial historical reevaluation of humanity's notions of hybridity in a scientific and cultural sense. The text is structured to define the etymological logic of the keywords used to characterize the project, the philosophical implications these words convey, and to follow the links that tie my project to scientific concepts that are creatively misused in contemporary artistic practice even among other artists. To sum up, the text is structured in such a way as to define the reason why shapelessness is the best word to describe the ambitions of my artwork.
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Jaromir Soukup
Smékalová, Barbora ; Surůvka, Jiří (referee) ; Kohoutková, Karolína (advisor)
In my final work I deal with the issue of media education, critical thinking. I mainly focus on the phenomenon of Jaromír Soukup and his shows on TV Barrandov and the strategies he uses to manipulate the viewer. In the final stage of the work I put everything into the village environment of Rudná pod Pradědem, whichs inhabitants I perceive as the target group of Jaromír Soukup. I confront them through a social event - a social experiment. Here a performance will be held, the main motive of it will be manipulation strategies, and it will be strongly inspired by the practices of so-called "šmejdi" and directly confronted with shots from JS shows.
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Talia
Drevenáková, Natália ; Csefalvayová, Petra (referee) ; Kohoutková, Karolína (advisor)
The bachelor thesis deals with the rising trend in flax production. He perceives flax, its processing and properties as a mirror of a time when topics such as the climate crisis, fast fashion or overproduction are the center of attention. The company strives to respond to them with sustainability, locality and a zero waste lifestyle. This bachelor's thesis reflects the author's journey through the fashion scene and the sensation during her studies. As a metaphor for returning to the roots, he uses the original version of the Sleeping beauty story from 1634, called Sun, Moon and Talia. The author perceives Talia as her alter ego, as the form of the names Talia - Natália suggests. The original story is not mentioned as a flower on which the princess was pricked, but a rose but a flax. The work consists of a collection of clothes and uses a video medium and an advertising format for the presentation. The video is loosely inspired by the story of Sun, Moon and Talia.
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In Silence
Richterová, Nela ; Kleinerová, Klára (referee) ; Kohoutková, Karolína (advisor)
In bachelor's work i apply hairy woman and man body. I look for a hairy locations on man's body, which are symbol of masculinity like chest, navel and chin. I work with same locations on a woman's body. I latex cast them and then I let them be overgrown by hair. Accessories were made for woman's wardrobe, which don't hide the unwanted sprouting hair, but flaunt them and underline woman's beauty.
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Shapelessness
Conde, Tamara ; Kohoutková, Karolína (referee) ; Jamrichová, Kristína (advisor)
The main body of my diploma work is composed of several paintings of large formats. These paintings depict the fusion, invasion, and profound alteration of two bodies being mixed into one. The paintings contain chunks of interwoven bodies of fleshy caucasian tones, that of my own body and that of oyster mushrooms. These formats are not placed in rigid confines. Along with the large paintings, there are two small formats on wood that resemble morphed organs between the two main models. These two small formats on wood play a fixed role in contrast to the loose canvases. These illustrative works of art play hide and seek with an explanatory audio for whoever roams too long in the installation. The documentation of the thesis text focuses on the partial historical reevaluation of humanity's notions of hybridity in a scientific and cultural sense. The text is structured to define the etymological logic of the keywords used to characterize the project, the philosophical implications these words convey, and to follow the links that tie my project to scientific concepts that are creatively misused in contemporary artistic practice even among other artists. To sum up, the text is structured in such a way as to define the reason why shapelessness is the best word to describe the ambitions of my artwork.
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