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The Gargoyle
Čížek Uxová, Nikol ; Lukášová, Helena (referee) ; Helia De Felice, Jennifer (advisor)
Appropriation Gothic to contemporary art , in the form of temporary site-specific installations in the cellar. Installation consists of four separate pieces, which combines a common theme , which is based on his own experience and creates its own temple environment .
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WATERWAY, TO SING THE SPACE
Orel Tomáš, Jakub ; Šejn, Miloš (referee) ; Helia De Felice, Jennifer (advisor)
The way of the Jedovnice creek: connection with the spring Falling into the underground halls and back to the light. The Water Way is an intermedial poem that is concerned to the element of water, character of its way through the landscape and its presence in the landscape. Since the type of work I most prefer is the work in the landscape, I am returning back to the natural landscape, strong places in Moravian karst near Brno. The audiovisual poem is primarily focused on the moment of melting. Sublimation of ice from the ice shelter, ephemeral phenomena on the surface, such as miniature whirls, waves, rays of sunlight and especially moonlight. The poem focuses on the possibilities of transferring the experience with a specific place, and the events in a unique, unrepeatable time and space into the theatrical scene and possibilities of the musical and audiovisual interpretation of such experience. I work with digital media (video mix and audiostop) to transfer the artist's physical experience in a unique time and unique natural setting into the scenic form of the work. Considering the physical and symbolic qualities of the water element, I have abandoned the composition of the event in the classical sense.
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Relax
Froncová, Tereza ; Helia De Felice, Jennifer (referee) ; Klodová, Lenka (advisor)
The thesis deals with a topic of virtual relaxation and the contrast between idealized landscape and everyday reality. The theme of landscape compensation is very comprehensive and widely interacts with and impacts on psychological and cultural levels. For example, when images of nature represent a place of denied primary purity or the unreachable paradise. I draw my inspiration from YouTube channel phenomenon of relaxation videos which depict several hours’ long static views of the ideal landscape with authentic sound in the background. The aim of the work is to prepare a happening with a video recording, when the absurdly long journey in search of the ideal will not be transferable.
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Amicorum
Čížková, Michaela ; Šrek Bromová, Veronika (referee) ; Helia De Felice, Jennifer (advisor)
My bachelor thesis is based on several aspects which was typical for my previous art work. These aspects are independently connect with each other and makes new complex. Base of these thesis are Ebru, Zentai, selfportrait, random, abstraction, or aesthetics. Ebru as the classic technique of painting on the water I develop to new media.
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The Bond/Dominance in a Close Up
Štefková, Zuzana ; Orlová, Jana (referee) ; Helia De Felice, Jennifer (advisor)
- Exploration word of Dominance - development through diary entries - Dominance X partner's tolerance, partnership ceremonies - Creating your own task performance - Research on me - exploring new relationship planes - Work in public space, contact with passer-by, which is not conditional art and this fact that they can see it in their own way, (Shop window is clasic X taboo topic)
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Krajobraz odrazu
Tesařová, Anna ; Helia De Felice, Jennifer (referee) ; Klímová, Barbora (advisor)
Work concerned in landscape and motion in landscape. I want to focus on the way how am I mirroring in landscape and how is landscape mirroring in me. In the proces of work there will be actions reflecting these themes (occasionally with other people or just by myself). These actions will be recorded (in a varied ways). Later I will proceed from it to make the final series of scenes from those records.
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What I Want to See
Šavarová, Veronika ; Helia De Felice, Jennifer (referee) ; Fexová, Patricie (advisor)
What I want to see is the culmination of a five-year creation that consisted of several projects. The content varied, but the core remained the same – the creation of a beautiful, perfect world and the associated escapism from the real world. Elements of mystery, surrealism, various kinds of symbols, or feeling of distress have always been present in this previous work, and this is no different in the current project. What I want to see from this years of work draws and borrows its narrative. The work is closely related to my personal experiences. Its name therefore derives from the need for the presence of a particular ideal and utopian place.
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