National Repository of Grey Literature 28 records found  1 - 10nextend  jump to record: Search took 0.01 seconds. 
Musical Archive of St. Maurice in Kroměříž
Macek, František ; Slavický, Tomáš (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis deals with the unknown archive of the collegiate church St Maurice in Kromeriz, which is found in the crusts in the room next to the organ. The world-famous music collection of Bishop Karl Liechtenstein-Castelcorn together with other scores was moved from the church St Maurice by Antonín Breitenbacher. Music scores were moved in 1927 to Kromeriz's castle. Bachelor thesis provides the location list of music, which is now stored in the crusts. The value of this list is in testimony about evolution of church music at the residential town of Olomouc Archbishop in 2nd middle 19th century and in the 20th century. Especially in the 1st middle 20th century were the crusts of St. Maurice recognized center of church music, which were visited by the leading composers. The high quality of church music is documented by the fact that the liturgy was also transmitted by radio. Music archive of St Maurice in his consistency gives a unique statement of the historical stage of church music, which waiting on detailed musicological treatment.
Suites for Flute and Continuo of Flutists and Oboists in the Orchestra of Louis XIV.
Vytlačil, Lukáš ; Maňourová, Lucie (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis "The Suites for flute and continuo of flutists and oboists in the orchestra of Louis XIV." dealing with the first printed works for solo flute with accompaniment, composed by Michel de la Barre, Jacques Martin Hotteterre Anne Danican Philidor, Pierre and Francois Philidor Danican Danican Philidor. Suites are analysed in several chapters from both gallantery fashion, with which at that time was very closely connected with the flute, and in terms of musical composition and execution.
Johann Anton Koželuch (1738-1814) - Life and Work
Mikulášová, Ludmila ; Gabrielová, Jarmila (advisor) ; Freemanová, Michaela (referee) ; Kapsa, Václav (referee)
The aim of the dissertation is to create a monograph on the life and work of the Prague-based composer Johann Anton Koželuch (1738-1814). The first part follows the composer's journey through life and professional career, noting the background and the position that influenced his work and composition legacy. The conclusion of the first part is devoted to selected aspects of his work which is compared and contrasted with the period musical context. The second part of the dissertation contains a thematic catalogue of compositions by Johann Anton Koželuch. On the basis of musicological research it is incontestable that Johann Anton Koželuch ranks among the most important personalities of Bohemian musical life in the second half of the eighteenth and the first half of the nineteenth century and his legacy goes beyond the borders of this country. The dissertation points towards new findings about music history not only in Bohemia, but also across Central Europe.
Anonymous Oratorio "Das siebenfältig Verunreinigte" (1746) from the Loreta Musical Collection
Maršíková Michálková, Alena ; Niubo, Marc (advisor) ; Freemanová, Michaela (referee)
(in English): The work deals with the musical life in Prague Loreto in the 18th century. Contains the state of research, historical introduction focusing on musical life, musicians and oratorio production on this pilgrimage site based on research in the Capuchin annals. Analyzes anonymous oratorio Das siebenfältig Verunreinigte 1746 from Loreto music collection in aspects of compositional technique and dramaturgy of the libretto. In four selected parts brings a deeper analysis of the work.
Music collections of the Brothers Hospitallers in the Bohemia Lands
Freemanová, Michaela ; Gabrielová, Jarmila (advisor) ; Sehnal, Jiří (referee) ; Perutková, Jana (referee)
The 'provincia germanica' of the Order of the Brothers Hospitallers was probably founded in 1616. In the early 1770s it covered almost the whole of Central Europe. Today's Bohemian province consists of eight monasteries (Prague, Nové Město nad Metují, Kuks, Brno, Prostějov, Valtice, Letovice and Vizovice). This book deals with their history, their music life and their surviving music collections from Prague, Nové Město nad Metují, Kuks (the Kuks collection catalogue was published independently in 1998), Prostějov, Brno and Valtice (the Letovice and Vizovice collections are not extant). They are quite a rarity: it seems that, apart from the small collections in Graz and Vienna, and the until now inaccessible Wroclaw (Breslau) collection, no other such collections survived anywhere else in the former Austro-Hungarian Empire. Apart from Kuks, most of the Czech and Moravian Order music collections are fragmentary. Fragmentary also are the Order documents. Even so it is possible to follow the rise and fall of the music activities of the Brothers Hospitallers, whose original and principal mission was to care for the helpless, aged and the sick. Music became integral part of the Order members' general education inside the "provincia germanica" since 1718; the musicians named in the catalogues of the Order...
Musical Archive of St. Maurice in Kroměříž
Macek, František ; Slavický, Tomáš (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis deals with the unknown archive of the collegiate church St Maurice in Kromeriz, which is found in the crusts in the room next to the organ. The world-famous music collection of Bishop Karl Liechtenstein-Castelcorn together with other scores was moved from the church St Maurice by Antonín Breitenbacher. Music scores were moved in 1927 to Kromeriz's castle. Bachelor thesis provides the location list of music, which is now stored in the crusts. The value of this list is in testimony about evolution of church music at the residential town of Olomouc Archbishop in 2nd middle 19th century and in the 20th century. Especially in the 1st middle 20th century were the crusts of St. Maurice recognized center of church music, which were visited by the leading composers. The high quality of church music is documented by the fact that the liturgy was also transmitted by radio. Music archive of St Maurice in his consistency gives a unique statement of the historical stage of church music, which waiting on detailed musicological treatment.
Suites for Flute and Continuo of Flutists and Oboists in the Orchestra of Louis XIV.
Vytlačil, Lukáš ; Maňourová, Lucie (advisor) ; Freemanová, Michaela (referee)
The bachelor thesis "The Suites for flute and continuo of flutists and oboists in the orchestra of Louis XIV." dealing with the first printed works for solo flute with accompaniment, composed by Michel de la Barre, Jacques Martin Hotteterre Anne Danican Philidor, Pierre and Francois Philidor Danican Danican Philidor. Suites are analysed in several chapters from both gallantery fashion, with which at that time was very closely connected with the flute, and in terms of musical composition and execution.
Losses and Gains: Mozart’s Sacred Works in Bohemian Monastic and parish Music Collections in his Time and in the 19th Century
Freemanová, Michaela
The article deals with Mozart’s sacred music in the Bohemian monastic and parish music collections in the composer’s lifetime and in the 19th century
Reicha's conception of the counterpoint in the context of this music theoretical discipline
Havlíček, Vít ; HAVLÍK, Jaromír (advisor) ; Freemanová, Michaela (referee)
The subject of this dissertation is the conception of the counterpoint by Antonín Rejcha. Rejcha was working on his conception systematically all of his life and he defined it in his two treatises: Ueber das neue Fugensystem and in several parts of Traité de haute composition musicale. In this dissertation, i'm focusing on the second treatise. Besides of detailed commentary of Rejcha's thoughts, i'm trying to put them in the context of his predecessors, contemporaries and succesors, by which i'm reflecting importance of Rejcha's ideas in the field of counterpoint.
The hidden and lost Treasury: the 18th Century opera Arias in the Collections ofd ther brothers Hospitallers
Freemanová, Michaela
In the collections of Brothers Hospitallers, surviving in Bohemian and Moravian museums, there are numerous opera arias, most of them with underlaid Latin sacred texts, replacing the original Italian words. The article researches their origins.

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