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WORKING DIARY
Svobodová, Veronika ; ADÁMEK, Jiří (advisor) ; KRÁLOVÁ, Andrea (referee)
The text is conceptually divided into four segments. In the opening part I
reveal ideological basis, i.e. initial ideas, stimuli and main sources of
inspiration for my artwork. Next section exhibits free associations of thoughts
and follows my stream of consciousness as an author. In the interior
monologue I create network of essential and formative experiences and
encounters that has shaped my approach to creative work. Third part
presents theoretical background of the thesis and I deal with the nature of
perceptual experience and the dominance of visuality in the contemporary
technological and mass popular consumer culture. The chapter also briefly
outlines possibilities of displaying visible objects along with the historical
development of perspective in visual arts. The final part is dedicated to my
own practical outcomes, specifically installation BU (festival Arijuli 2015 in
Norway) and sensory theatre performance Močeradek gre čez cesto
(Lutkovno gledališče Ljubljana 2013) based on work of Slovenian poet Srečko
Kosovel. In these projects, I have dealt with the questions of how to create a
platform on which the viewer and artistic artefact could meet or how to ideally
accentuate space and time in order to encourage audience to stay actively
participating. Both projects are intentionally reflected together with the
description of immersive theatre. At first I describe fundamental principles of
the relatively new phenomenon, in particular the need of complete immersion
of the viewer into the artificial environment/fictional world that is arranged by
special medium aiming to influence his/her senses. The main goal of the
thesis was to uncover practical guidelines related to the issue of creative
methods in the field of immersive theatre. Hence my concluding statements
provide elementary instructions and "rules of game" for both audience and
author.
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Cries Unheard
Dudová, Kateřina ; HAVELKA, Jiří (advisor) ; ADÁMEK, Jiří (referee)
The thesis describes in detail the study period spent on Theatre Faculty of the Academy of Performing Arts in Prague (DAMU)/
Department of Alternativ and Puppet Theatre while doing a course of play direction and dramaturgy.
It fo-cuses on the progress of creating and staging the own copyright playwright "Cries Unheard".
This text was based on a story of child murder whose name is Mary Bell.
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UDĚLEJ SI SÁM - divadlo Handa Gote. Opakování témat a motivů.
Bakalova, Elitsa ; ADÁMEK, Jiří (advisor) ; BEČKA, Marek (referee)
In the contemporary world that undergoes constant changes, theatre is changing with certain pace as well. It is only natural as it is an integrant, inseparable part of the society and its make-up. New theatre groups are being established ? some of them last longer and turn into steady regulars on the stage, others are more short-lived due to a variety of factors (art, financial or personal ones). The development of the groups in question could help us outline some of the current tendencies in the theatre world and could contribute to getting a broader and fuller understanding of it.
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Elements of performativity in my theatre work
Hutečková, Klára ; LJUBKOVÁ, Marta (advisor) ; ADÁMEK, Jiří (referee)
This thesis describes performative elements which are present in four theatre pieces, representing the result of the author´s previous directorial experience. The author discovers the mechanisms behind her own projects based on the analysis of these works and by comparing them to other productions, performances and conceptual artworks, in particular in the area of interaction with the audience, the level of their performativity and conceptuality and the reasons inclining her to use elements of this kind.
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Methods and Features of Immersive Theatre
Brychta, Lukáš ; ŽIŽKA, Tomáš (advisor) ; ADÁMEK, Jiří (referee)
The aim of this thesis is to present features and methods of immersive theatre. The first chapter introduces the term itself, the discussion about its use and my opinion on it. I also outline my own research of this kind of theatre and support it with foreign examples. In the second chapter I describe my artwork in the field of immersive theatre with emphasis on the performance Letec - l'Aviateur. I reflect the dramaturgical preparation, the rehearsal period and the specificity of acting in this kind of theatre. Finally, I focus on dramaturgy of the space and specific features of scenographic work.
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The place of dramaturgy in devised theatre
Pola, Petr ; KLÍMA, Miloslav (advisor) ; ADÁMEK, Jiří (referee)
This thesis deals with dramaturgy of devised theatre. In the first part we provide an analysis of selected performances of Anicka a letadylko theatre with intention to describe specific ways of participation of dramaturgy as creative, conceptual and reflective activity on the performance formation process and the direction of the theater as a whole. The second part deals with dramaturgy of devised theatre in the sense of a method of use and organization of theatrical signs. The aim of this part is a definition of theoretical grounds of devised theatre in a such a way to open space a wide range of creative dramaturgies of devised theater.
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Theatre as Music
Adámek, Jiří ; Makonj, Karel (advisor) ; Rataj, Michal (referee) ; Kovalčuk, Josef (referee)
In my dissertation I deal with a specific branch of contemporary theatre, in which theatrical devices mingle with musical ones, the so-called théâtre musical. With regard to my primary occupation as a theatre director I focus mainly on questions regarding acting in the form of théâtre musical.
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