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Funeral service and stonework
Trojan, Jan ; Bartolšic, Vít (referee) ; Matějka, Libor (advisor)
A new building stand two single-storey buildings which will be used for the production, housing, sale and storage of the deceased. Objects have rectangular shapes with external dimensions of 9.9 x 24,25 m and 21.0 x 42.85 m. The structures are designed as a vertical system POROTHERM, SPIROLL ceiling and roofing flat roof. The facade will be dealt with silicate plaster rubbing.
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Family House
Trojan, Jan ; Vacek, Michal (referee) ; Matějka, Libor (advisor)
A new building stand alone cellarage family house with two floors, which will be used for housing 5 persons. The house has external dimensions of 11.2 x 13.4 m. The vertical structure, of the system POROTHERM, are dealt with in the transverse system. Garage is located in the basement. The roof Rack consists of a multilayer single casing. The facade will be dealt with silicate plaster rubbing.
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Vstupování nehudebních prvků do hudebních struktur
Cílková, Eliška ; RATAJ, Michal (advisor) ; TROJAN, Jan (referee)
Since the beginnings of musical art, composers have been reflecting on the social topics of their time. We can mention the great industrial revolution and Honneger's composition inspired by the Pacific 271 steam locomotive. Radioactive decay is one of the basic phenomena in the universe thanks to which our Earth is kept in balance. The first part of this work deals with a brief history and current trends in working with numbers as well as with generative music and reflections of the natural environment in music. The second part explores the history of radioactivity in conjunction with music and presentes a few examples of direct evidence that throughout the history of music, radioactivity has already been dealt with by composers. It also outlines a possible linkage of the two themes and refers to the art form of soundscape. The third part describes scientific measurements and shows on a few specific musical examples the practical possibilities of using radioactive data in compositional practice.
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The Influence of Data Portability to a contemporary musical Practices
Pobořil, Adam ; KURZ, Ivan (advisor) ; TROJAN, Jan (referee)
Today the influence of it to the music is constantly enriched by new
opportunities that help to bring also a different audio-visual experience to
recipients. The implementation of new devices to the musical practice moves in
the way of intuitive controling and performer's freedom of expression. The thesis
is dedicated to this influence and reflects the portability of data between different
media as one of the options of compositional technique.
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Acoustic Ecology and Soundscape in Context of Multimedia
Trojan, Jan ; RATAJ, Michal (advisor) ; RIEDLBAUCH, Václav (referee)
This thesis is focused on perceptual and compositional aspects of soundscape art in the 40-year tradition of acoustic ecology. From the long history of acoustic ecology I selected important community, institutional worldwide and Czech projects. My main focus is to bring the keywords of acoustic ecology and soundscape into Czech theory.
I use two points of view for the study of soundscape:
1. soundwalk / listening walk - specific way of listening to the acoustic space in the form of a soundwalk or listening walk
2. analysis of sound composition - the analysis is focused on traditional composition approaches to the study of sound compositions
The first approach is active listening ? the psychology of listening that R. M. Schafer uses for interaction with our surroundings. The second approach fo-cuses on looking for traditional composing approaches in the analysis of sound compositions "Winter Diary" (R. M. Schafer) and "Un altro ferragosto" (A. Curran). The thesis is also narrowly focused on autobiographical reflection, which provides a link to both of the examined approaches. This is a pilgrimage to the city of Santiago de Compostela. The pilgrimage gave rise to the soundscape composition Ultreia: El diario del peregrino / The Pilgrim's Diary itself.
The objective of the analysis is to give an answer to the following question: In what way has the tradition of acoustic ecology and R. M. Schafer?s way of thinking, influenced approaches / thinking of composers in the field of sound composition?
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South Moravian country in the second half of the nineteenth century
TROJAN, Jan
This diploma thesis deals with South Moravian country in the second half of the nineteenth century. It is based on the analysis of fifty testaments written in Znojmo judicial country. The first chapter shadows life in rural area of South Moravia in the second half of the nineteenth century. The second chapter focuses on the analysis of the testaments and their formal side. It mentions common features of a testament as a source of repetitive character and features according to which wills might bee partly considered as sources of personal character. The third chapter analyses elderly homes that were part sof the examined last wills. The last chapter devotes to a country funeral {--} its preparation, course and expense.
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The creation of computerized music
Trojan, Jan ; Slavický, Milan (advisor) ; Košut, Michal (referee) ; Rataj, Michal (referee)
The subject of this diploma work is a look on creating contemporary music using computer. It asks a question wheater using digital technologies could effect the compositional thinking of the composer. In the front of consideration is sound as 'form-creator' of composition and shortly set ups the historical development of electroacoustic music studios in context with development of electroacustic music.
Part of this thesis are analyses of compositions, on which computer tegnologies have been involved in. The last part of this thesis dissertates about the personal approach to this issue and to changes in own compositon paradigms within the time frame.
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The Integration Of Electroacoustic Component In Instrumental Music
Trojan, Jan ; Slavický, Milan (advisor) ; Kučera, Václav (referee) ; Kurz, Ivan (referee)
The intention of this Diploma Work is to create a complex text about the possibilities of using an electroacoustic component in Instrumental music. The work predominantly deals with its participation not only as an instrumental inset in my composition output, but also as an element affecting my composition language.
The aim of this text is to find out to what degree it is to possible to influence a language of a contemporary composer and his or her instrumental sentiment by the electroacoustic component.
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Reflections on the fights in North Africa in the German press published in Znojmo region
TROJAN, Jan
In my bachelor thesis I devote my attention to the reflections on the fights in North Africa during World War II in the German press published in Znojmo region. The sources of my research were the newspapers of that time - the Znaimer Tagblatt and the Znaimer Wochenblatt. The thesis describes the events in a chronological order first and then proceeds to the press reflections themselves. It is divided into four chapters {--} the first three ones deal with the individual years of the fights, i.e. 1941, 1042, and 1943. The last chapter is called ``The Specificity of the fights in North Africa{\crqq}.
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