National Repository of Grey Literature 3 records found  Search took 0.03 seconds. 


Miroslav Venhoda, New singers of madrigals, Prague madrigalists and new compositions written for these ensembles
Zichová, Jitka ; Douša, Eduard (referee) ; Slavický, Milan (advisor)
Do sveho zkoumani jsem zahrnula skupinu skladeb, ktere vyrazneji ovlivnily repertoar soubom Novi pevei madrigalu a komorni hudby a posleze Prazsti madrigaliste. Tuto skupinu tvofi mnou vytvoreny vyber deseti skladeb, ktere svym vznikem pokryvaji obdobi od roku 1957 az roku 1979, tedy obdobi, kdy se soubor zmenil z komorniho poloprofesionalniho sboru s poctem kolem trieeti zpevaku na komorni soubor asi deseticlenne skupiny zpevaku a nekolika instrumentalistu. Vyber skladeb byl krome vyznamne roli v repertoaru soubom dan do jiste miry i dostupnosti notoveho materialu. Celou tuto velmi mznorodou skupinu otevira Starodcivne carovcini milemu od Petra Ebena z roku 1957. Tato kantata pro tri zenska sola a smiSeny sbor patri k autorovym ranym skladbam, ve kteryeh byl inspirovan renesancnimi teehnikami a truverskou pisnL Take volbou textu se vraei do historie, zhudebiiuje zde stary valassky lidovy text 0 milostnem zaklinani. Skladba je podle textu formalne clenena a objevuji se zde stare skladebne teehniky, jako kvintove organum na zacatku skladby nebo kadenee uzivane v hudbe 16. stoleti v solovyeh partiich. Casti solove a sborove jsou rozdeleny i podle obsahu textu. DalSim dilem v poradi podle doby vzniku jsou Madrigaly 0 case PavIa Borkovee z roku 1958. Jde 0 cyklus smisenyeh ctyrhlasyeh a capella sbom na slova...

Antonio Salieri (1750 - 1825) - Life and Work
Hájková, Lucie ; Kniplová, Naděžda (advisor) ; Kniplová, Naděžda (advisor) ; Tuček, René (referee)
In the introduction I describe my reason to write about an.italian music composer,Antonio Salieri. In the following chapter, Opera in Italy, I briefly describe the history of opera, from the beginning in 16th century, I wrote a little bit about a composer C. Monteverdi and about the expansion of operta to the other places. Then I continue with opera of 18th century and end with verism and with its the most wellkonown composers. In the following part, Antonio Salieri ( 1750 - 1825) - his Life and Work, I describe in detail his life ( from the nativity in 1750 in Legnano near Venezia, in Italy ). Then I continue with his studies of music, his berth at the court of Josef II.This chapter ands in the year 1825, when Salieri died. In the chapter Antonio Salieri, his operas, there is a list of all his operas, with the names of librettists, there are also the dates of premiere of the operas. Where it is known, I write the titels of theaters, places of the first opening his works.In the part named Opera Falstaff - ilustration of his music talent, there is Salieri described as an important composer of his age. I analyse this opera as a music work, I deal with the theme of the opera and with its libretto.In the folllowing chapter Mozart versus Salieri I describe the legend of Mozart's fatality.The fame,that Salieri poisoned Mozart, originated after Mozart's exit.In the hooked ilustration there are the portraits of Antonio Salieri, there is also a picture of La Scala etc. At the I briefly describe the content of my work.