|
| |
|
|
Reverbation in authentic acoustics Spaces and its Substitution synthetic Reverberation
Stratílek, Jakub ; SYROVÝ, Václav (advisor) ; OTČENÁŠEK, Zdeněk (referee)
Subject of this written work is as natural acoustic reverberation phenomenon in enclosed spaces used for music production and its replacement. The first chapter defines the reverberation as a physical phenomenon and defines the basic concepts. The second chapter is about reverberation authentic space, its characteristics and specific characteristics. The next chapter describes the properties of artificial reverberation, its parameters and potential problems. This chapter also shows you how to adapt artificial reverberation. The fourth chapter is devoted to a comparison of authentic and artificial reverberation. Here one can find a correlation between their parameters, the differences in the same excitation signal, compared the algorithmic and convolution with the aftermath of an authentic finish. Chapter Five then goes on to state requirements for artificial reverberation in auralization and also some basic aesthetic categories. The last chapter of this work describes a practical experiment that verifies the validity of the hypothesis replace natural reverberation. Subject experiment is auralization audio samples of an anechoic room and recording studio. The aim of the experiment is to simulate a concert hall reverberation.
|
|
|
Problematics and technical possibilities of sound in shooting with DSLR cameras
Ujčík, Lukáš ; NEUBAUER, Petr (advisor) ; GREINER, Ladislav (referee)
This diploma work is focused on problematics of sound in cooperation with DSLR cameras. It analyzes technical specifications of sound in the cameras and evaluates their pros and cons. It desicribes technical possibilities and realization variations of sound in concrete phases of creative process, from planning to postproduction, considering type and character of audiovisual product. This all is in context with phenomenon of rapid depevelopment of digital technology and its effect on level of professionality and workflow in audiovisual production.
|
|
|
"Give me the ears to see"
Lapčík, Radim ; KUDLÁČ, Jakub (advisor) ; ČENĚK, Jan (referee)
In the field of sound theory, this is mostly a pedagogical work. It deals with sound classification in the audiovisual context, describing and comparing three existing views on this topic. Furthermore, it explores the shadow areas of sound classification and explains the related phenomena with knowledge borrowed from other disciplines.
|
guest ::
