|
|
FROM EAST TO WEST: RELATIONS, COLLISIONS, AND DIVERGENCE OF CZECH AND JAPANESE CULTURE
Vaculík, David ; Čapková, Helena (referee) ; Mitášová, Monika (advisor)
The diploma thesis follows up the pre-diploma research dealing with the investigation of selected literature on Japanese traditional and modern architecture and gardens, archival research of extant 20th century buildings in Czech republic influenced by Czech-Japanese relations and the contemporary perception of Japan in the eyes of the Czech professional and uninitiated audience. It also includes a selective glossary of Japanese words and terms, containing study translations from English of selected architectural literature related to the topic. The output took the form of a Discovery Book with a short glossary, pictorial data and an anthology of translated texts. The thesis follows this preliminary "introductory research" with two main parts. The first part (A) explores concepts of space-making and spatial elements deeply rooted in Japanese traditional buildings as they were rediscovered and rethought, particularly by 20th century Japanese architects – who continued to use and revive these concepts in their own work. The text traces their understanding of Japanese traditional architecture. Then, using the example of three Japanese traditional spatial "icons", four works by 20th century Japanese architects, and three works by Czech architects in different phases of the 20th century, the thesis probes the relationship between these two architectural cultures in a European context. The second part (B) consists of texts on the architectural designing of model, utopian housing. The whole design follows a narrative – a scenario that shapes a temporal and spatial sequence that is not in line with the classical perception of time and space but spirals upwards. The next subsection interprets this story into spatio-temporal gradients and elements. Parts C and D contain conclusions and literature used. Model buildings are proposed on a range of scales: the smallest dwelling (a capsule), minimal dwelling, community dwelling, house, villa, city, and a coffin. The composition of the different scenarios and structures respects the movement along a spiral, where we can also observe the cyclical nature of life itself, which ends with the last terminal phase that escapes the gradient of scales – the coffin. These individual proposals are inspired by the studied phenomena and elements, texts and buildings of Japanese and European architecture with their interrelationships. The aim of this thesis is first to study the spatial, temporal, but also light and colour possibilities of Japanese traditional and modern architecture in the context of European, especially Czech, ones. Another aim is to propose a model-based, utopian housing project with a gradient layering of spaces, structures, materials, views and lighting based on various game strategies as well as the maxims of “Form follows fiction”.
|
|
|
Morphology of Armour
Bařák, Hynek ; Zálešák, Jan (referee) ; Kvíčala, Petr (advisor)
In my thesis, I was very inspired by middle age, whitch has huge influence on my work. It is a epoch of my interest, I am activelly interrested in it and it is with me throught all my live, practicaly since childhood. In painting there are mainly motives of knight´s armor, whitch is underlying cornerstone of my work. My interrest in armor is caused by it´s technical perfection, decorativeness and majesty in the late phase. In that time technicaly did not acted function of protection, but it acted represetativ function and we can see it like a art or statue. By technical site I really experiment with lots of different technics, in many cases I never stay on single one. I work with layers, underlay, with drawing as well as painting. With diferent washing or scribing I open lower layers, I react to it and then I repaint it, simply experimenting. It is almoust archeology back to the old layers of picture. Discovery, connection older layers with new ones. About the painters whose I am interrested in they are primarily Josef Bolf, Vladimír Kokolia, Jaroslav Róna, Giger, Wolfli, Jackson Pollock.
|
|
|
Design and analysis of the road bike made from composite material
Dvořáková, Barbora ; Kubík, Petr (referee) ; Šebek, František (advisor)
This diploma thesis is focused on the design and analysis of road bike frame made of composite material. The thesis is divided into two parts. In the first part, there is a research focused on the usage of composite materials in relation to making bike frames. The main emphasis is placed on fiber composites, which are most common in cycling. Manufacturing process and production technology are discussed. The aim of the second part is design and the numerical simulation of frame in relation to stand-ard, which is used for the testing of frames. Rigidity and strength are evaluated. The final frame is obtained from the initial design due to several iterations. In conclusion, results are evaluated and recommendations for future work are given.
|
|
|
Untitled
Nápravník, Petr ; Hošek, Jakub (referee) ; Sterec, Pavel (advisor)
The bachelor's thesis builds on the student's current artistic work. It consists of an intervention in the space of the school canteen, which was created by transferring drawing records to the wall with the help of cutting cardboard with a scalpel.
|
|
|
Interpretation of organ music
Bařák, Hynek ; Daněk, Josef (referee) ; Malý, Břetislav (advisor)
In my diploma thesis I want to deal with another topic which is very interesting and important for me and that is organ and organ music in general and everything that belongs to them. From history, production, maintenance to play itself. In most of my previous works, not only at college but also earlier, fragments of this instrument appear in my paintings (mainly whistles, which are actually the most visible and their size determines the size of whole organs and is their precept) even though I have devoted myself on another topic, these fragments I had some need to plant there. Organs are referred to as the royal instrument, they are the largest and mechanically the most complicated musical instrument. That is the complexity I would like to express in my pictures, I do not mean the complexity of the organ for the technical, construction, but especially the complexity of playing. The need for the right combinations of different registers with differently colored tones and tools. Swap pedal handbooks, etc. This is all about fascination for me. In this diploma thesis I want to use the themes that appeared on the surface often as secondary or I did not put such emphasis or were the main topic for example only one semester, but in fact I continued to work with them subconsciously in the same way, Layers, Recycling, Reaction to Substrates, etc. It could be said that such organ compositions are such layers as Bach's or any fugues that are gradually being added, layers of new and new tones often result in the the full extent that the organ is able to administer. The layer I used to work with before, and actually always appears in my works, has actually become an integral part of my paintings. I want to express the complexity of the organ compositions in my paintings, as I do. Not only by layering, but also by using different techniques, not just acrylic. I also used this in my previous work, and examined how they work with each other. I have responded to differently produced backgrounds. Organ music can be considered complicated because all we hear is produced by one person. Who must play and cater everything else that is associated with it, except perhaps the bells pedaling. This series of images will not, in the end, express myself visually, at first sight nothing concrete, over time I have come to a pretty abstract image. I do not mean to say that organ music is abstract, especially if I talk about Baroque or Classicism. Maybe in romanticism, for example, F. Liszt and his organ compositions are so complex and terribly crazy that I might consider them quite abstract. But just the organ music of Liszt, which I admire most, I think it is not possible to express it in abstract form. It's a mad, complicated tangle of different, tones, colors, games with registers, blinds, and so on, and I want to express it all on the canvas.
|
|
|
DESIGN, STRESS ANALYSES AND LIMIT LOAD OF SANDWICH STRUCTURES
Löffelmann, František ; Pavlínek,, Vladimír (referee) ; Klement, Josef (referee) ; Píštěk, Antonín (advisor)
Disertační práce začíná rešerší výpočtů pro návrh sendvičových nosníků, desek a složitějších konstrukcí, kde zaujímá významnou roli MKP. Dále jsou popsány optimalizační metody pro ujasnění široké oblasti matematického programování a základních principů topologické optimalizace až po její implementaci na kompozitní konstrukce jinými autory. Pro názornost jsou zmíněny jak analytické, tak i numerické přístupy k optimalizaci sendvičů, kde numerické přístupy umožňují řešit daleko širší oblast úkolů. Cíl disertační práce je stanoven jako implementace zautomatizovaného algoritmu pro optimalizaci za účelem vylepšení návrhového procesu sendvičů s ohledem na napjatost a únosnost. Cíle je dosaženo prostřednictvím vlastní implementace gradientní optimalizace založené na principech topologické optimalizace, známé jako diskrétní optimalizace materiálu (Discrete Material Optimization - DMO) a jejích variant, které pomáhají najít optimální vrstvení. Přístup k materiálové interpolaci a interpolaci poruchový omezujících podmínek je vyvinut a naprogramován v pythonu za použití teorie smykových deformací prvního řádu (First Order Shear Deformation Theory - FSDT) pro vyhodnocení napětí na elementech na základě zatížení daného MKP řešičem Nastran. Gradientní optimalizér hledá nejlepší materiály pro každou vrstvu potahu sendviče a jádra z definovaných kandidátů. Program je odzkoušený na příkladech různé složitosti od nosníku tvořeného jedním elementem, kde je skutečné optimum známé, až po praktickou úlohu sendvičové kuchyňky z dopravního letadla. Výsledky ukázaly, že algoritmus je schopen dosáhnout diskrétního řešení bez (významného) narušení omezujících podmínek a může tedy být prakticky využit ke zefektivnění koncepčního návrhu sendvičů.
|
|
|
FROM EAST TO WEST: RELATIONS, COLLISIONS, AND DIVERGENCE OF CZECH AND JAPANESE CULTURE
Vaculík, David ; Čapková, Helena (referee) ; Mitášová, Monika (advisor)
The diploma thesis follows up the pre-diploma research dealing with the investigation of selected literature on Japanese traditional and modern architecture and gardens, archival research of extant 20th century buildings in Czech republic influenced by Czech-Japanese relations and the contemporary perception of Japan in the eyes of the Czech professional and uninitiated audience. It also includes a selective glossary of Japanese words and terms, containing study translations from English of selected architectural literature related to the topic. The output took the form of a Discovery Book with a short glossary, pictorial data and an anthology of translated texts. The thesis follows this preliminary "introductory research" with two main parts. The first part (A) explores concepts of space-making and spatial elements deeply rooted in Japanese traditional buildings as they were rediscovered and rethought, particularly by 20th century Japanese architects – who continued to use and revive these concepts in their own work. The text traces their understanding of Japanese traditional architecture. Then, using the example of three Japanese traditional spatial "icons", four works by 20th century Japanese architects, and three works by Czech architects in different phases of the 20th century, the thesis probes the relationship between these two architectural cultures in a European context. The second part (B) consists of texts on the architectural designing of model, utopian housing. The whole design follows a narrative – a scenario that shapes a temporal and spatial sequence that is not in line with the classical perception of time and space but spirals upwards. The next subsection interprets this story into spatio-temporal gradients and elements. Parts C and D contain conclusions and literature used. Model buildings are proposed on a range of scales: the smallest dwelling (a capsule), minimal dwelling, community dwelling, house, villa, city, and a coffin. The composition of the different scenarios and structures respects the movement along a spiral, where we can also observe the cyclical nature of life itself, which ends with the last terminal phase that escapes the gradient of scales – the coffin. These individual proposals are inspired by the studied phenomena and elements, texts and buildings of Japanese and European architecture with their interrelationships. The aim of this thesis is first to study the spatial, temporal, but also light and colour possibilities of Japanese traditional and modern architecture in the context of European, especially Czech, ones. Another aim is to propose a model-based, utopian housing project with a gradient layering of spaces, structures, materials, views and lighting based on various game strategies as well as the maxims of “Form follows fiction”.
|
|
|
DESIGN, STRESS ANALYSES AND LIMIT LOAD OF SANDWICH STRUCTURES
Löffelmann, František ; Pavlínek,, Vladimír (referee) ; Klement, Josef (referee) ; Píštěk, Antonín (advisor)
Disertační práce začíná rešerší výpočtů pro návrh sendvičových nosníků, desek a složitějších konstrukcí, kde zaujímá významnou roli MKP. Dále jsou popsány optimalizační metody pro ujasnění široké oblasti matematického programování a základních principů topologické optimalizace až po její implementaci na kompozitní konstrukce jinými autory. Pro názornost jsou zmíněny jak analytické, tak i numerické přístupy k optimalizaci sendvičů, kde numerické přístupy umožňují řešit daleko širší oblast úkolů. Cíl disertační práce je stanoven jako implementace zautomatizovaného algoritmu pro optimalizaci za účelem vylepšení návrhového procesu sendvičů s ohledem na napjatost a únosnost. Cíle je dosaženo prostřednictvím vlastní implementace gradientní optimalizace založené na principech topologické optimalizace, známé jako diskrétní optimalizace materiálu (Discrete Material Optimization - DMO) a jejích variant, které pomáhají najít optimální vrstvení. Přístup k materiálové interpolaci a interpolaci poruchový omezujících podmínek je vyvinut a naprogramován v pythonu za použití teorie smykových deformací prvního řádu (First Order Shear Deformation Theory - FSDT) pro vyhodnocení napětí na elementech na základě zatížení daného MKP řešičem Nastran. Gradientní optimalizér hledá nejlepší materiály pro každou vrstvu potahu sendviče a jádra z definovaných kandidátů. Program je odzkoušený na příkladech různé složitosti od nosníku tvořeného jedním elementem, kde je skutečné optimum známé, až po praktickou úlohu sendvičové kuchyňky z dopravního letadla. Výsledky ukázaly, že algoritmus je schopen dosáhnout diskrétního řešení bez (významného) narušení omezujících podmínek a může tedy být prakticky využit ke zefektivnění koncepčního návrhu sendvičů.
|
|
|
Design and analysis of the road bike made from composite material
Dvořáková, Barbora ; Kubík, Petr (referee) ; Šebek, František (advisor)
This diploma thesis is focused on the design and analysis of road bike frame made of composite material. The thesis is divided into two parts. In the first part, there is a research focused on the usage of composite materials in relation to making bike frames. The main emphasis is placed on fiber composites, which are most common in cycling. Manufacturing process and production technology are discussed. The aim of the second part is design and the numerical simulation of frame in relation to stand-ard, which is used for the testing of frames. Rigidity and strength are evaluated. The final frame is obtained from the initial design due to several iterations. In conclusion, results are evaluated and recommendations for future work are given.
|
|
|
Untitled
Nápravník, Petr ; Hošek, Jakub (referee) ; Sterec, Pavel (advisor)
The bachelor's thesis builds on the student's current artistic work. It consists of an intervention in the space of the school canteen, which was created by transferring drawing records to the wall with the help of cutting cardboard with a scalpel.
|
guest ::
