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Czech artist in the years 1968 - 1989: Servant or a hero? Stanislav Kolibal and Josef Malejovsky
Manová, Markéta ; Beneš, Zdeněk (advisor) ; Pech, Milan (referee)
Czech artist in the years 1968-1989: Servant or a hero? Stanislav Kolibal and Josef Malejovsky Introduction of the bachelor thesis outlines the political developments in Czechoslovakia in 1948-1989. The main theme will capture the difference between official and unofficial scene Czech artistic life in the years 1968-1989, represented artists Stanislav Kolibal and Joseph Malejovsky. The content will compare the conditions in which they formed during the normalization throughout their lives, before the normalization period, compare the quality of their work, and compare the regime/anti-regime attitude to art and not least their political position not only in artistic expression. Text in addition to life artists will also focus on the development of groups in which worked, exhibitions and other artistic expressions factors.
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Conscious management of expressivity
Shvachko, Elizaveta ; KUDLÁČKOVÁ, Jana (advisor) ; HLAVICA, Lukáš (referee)
Thesis deals with conscious management of expressivity on stage. Firstly the author of the thesis name basic issues related to psychical and physical tension during performance, secondly the author defines basic terminology related to tention and jitter. The core of this work is application of knowledge acquired during studies at DAMU, during first experiences of performances in front of audience during studies and also acquired from first experiences from professional environment of theatre and film. The author also analyzes her personal themes related to her own personality as possible obstacles in order to do acting profession.
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Problematics of Fixation in Acting
Vejdělek, Matěj ; KUDLÁČKOVÁ, Jana (advisor) ; HLAVICA, Lukáš (referee)
In the first chapter of my master's thesis I think about acting, resp. the problem of fixation in the actor's work as an anchor in the given circumstances of a stage act, in dialogue with my ideas of acting and the philosophical concept of the life of a creature, inclining towards the ideas of Martin Heidegger and outline of his "Dasein". In the second chapter, I focus on my personal experience of both studies and professional practice in the context of chapter one considerations.
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Authenticity and veracity of actors´s utterance
Pokorný, Vladimír ; NEBESKÝ, Jan (advisor) ; ŠIKTANCOVÁ, Jaroslava (referee)
The master theses is concerned with the authenticity and veracity of actors’s utterance during the creation of characters from different genres. In the first part, the author relies on selected technical literature, through which we get acquainted with the ways actors can theoretically achieve the authenticity and veracity of their utterance using different well-known approaches to create the character. In the second part the theoretical knowledge is confronted with the author’s personal experience as a starting actor. The absolvent productions are used to demonstrate the author’s search for authenticity and veracity in different productions and genres during his work on the characters he embodied in the Disk theatre in the final year of his studies.
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SELF-CONFIDENCE AND FREEDOM IN ACTING
Kaňoková, Beáta ; SALZMANNOVÁ, Eva (advisor) ; PAVELKA, Tomáš (referee)
My thesis deals with lack of self-confidence and lack of freedom in acting that comes with it. It tries to search and denominate single aspects which can lead to stated issue or eventually to its intensifying. Furthermore it’s a subjective reflection of my entire studies at Theatre Faculty since my first year until graduation productions at Disk theatre
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Searching for personal theme while creating a role
Ernest, Adam ; NĚMEC, Marek (advisor) ; DEÁK, Juraj (referee)
The diploma thesis deals with the searching of personal themes in the actor´s creation and their transfer to the spectator through an acting character, when the „personal theme“ in the form of „opinion content“ is, according to the author, one of the basic assumptions of artistic, personal and career development. The author first defines the basic terms related to personality and their interrelationships and then analyzes the basic assumptions, which the actor has to control in order to fulfill his profession. At the core of the work in the reflection on artist´s individuality and thenthe study of the relationship between the personal themes of the creator and the characters he creates. The author uses the knowledge gained from his previous experiences gained during his studies at DAMU, first contact with the professional stage and his views in general.The author also analyzes personal topics related specifically to his person as possible obstacles in performing the acting profession.
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The Element of Randomness and Its Effect
Vášová, Viktorie ; NOVÁK, Vladimír (advisor) ; KROBOT, Miroslav (referee)
This thesis deals with the element of randomness during the rehearsal
stage, and with integrating unpredictable impulses which arise from the process
into the prepared scope of the performance. This study is a reflection on the
author’s own experience during her Bachelor’s degree. It is based on an analysis
of specific projects, most importantly, the author’s final performance ADA. We
will focus, above all, on the question of how the rehearsal phase is influenced by
the type of material that serves as the basis for the process, and whether and to
what extent it is possible for unpredictable impulses to influence the result.
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Three caves
Hnilička, Jan ; VOSTÁREK, Karel (advisor) ; SCHWARZOVÁ, Kateřina (referee)
For my BA Thesis I chose a creation process of theatre production based on novel Three Cave Mountain by Per Olov Enquist in Dagmar Theatre Studio in Karlovy Vary. I perceived this project as a chance to agglutinate a new group of students of different age and experiences and to offer them opportunities to evolve through theatre work. At the same time it was my goal to create simple and communicatory production with help of means of puppet theatre. In my BA Thesis I describe whole process of genesis of the production from initial conditions, through plans and visions, up to the actual rehearsing and reflection of the resulting theatre piece.
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Actor or Dancer
Šurková, Julie ; NOVÁK, Vladimír (advisor) ; TRPIŠOVSKÝ, Lukáš (referee)
This thesis is a theoretical description of my study of current and modern dance at the
dance conservatory Duncan Centre. The description continues with my study at the
Department of Alternative and Puppet Theatre at the Academy of Performing Arts in
Prague. There is a comparison of acting and dancing. Both are close and, at the same
time, distant areas of performance. The goal of the thesis it to identify the elements
that are shared or unique between them. Specifically, there is a description of the
difficulties for a dancer to become an actor and, on the other hand, for an actor to
become a dancer. There is also a list of conditions that need to be met for somebody
to be a full-time dancer and actor. The first part of the thesis describes my experience
and my view of an actor and dancer. The term 'performer' is discussed as it should not
be used for all the people who do more than one artistic area. The second part of the
thesis deals with training that is needed for dancing and acting. There is a list of the
requirements needed for a dancer to become an actor. The last part of the thesis
focuses on a trial period and it finds events when the areas merge in one.
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