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National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Understanding to TV
 Králová, Lucie ; Hirt, Tomáš (advisor) ; Česálková, Lucie (referee)
The ethnographical study of production culture of Czech television, its character is interdisciplinary.
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The First day of Czechoslovak Television's Channel Two.
 Čížkovská, Jana ; Klimeš, Ivan (advisor) ; Szczepanik, Petr (referee)
The thesis follows the preparation of Czechoslovak TV's Channel Two, covering a period of twelve years from the start of the preparation process in 1958 till the first day of Channel Two's regular broadcast on May 10th 1970. The thesis' area of interest covers the proposals, plans and ensuing organisational measures that resulted in the historical event of launching a multi-channel television broadcast in Czechoslovakia. The period of 1958-1970 is split into sections, according to the stages of preparation for the launch. The introductory part of the thesis deals with the political grounding for the implementation of a multi-channel broadcast in Czechoslovakia, as well as with the initial steps in creating the technological support for Channel Two. The second part introduces the evolution and finalisation of the Channel Two project and its organisation in relation to the majority Channel One. The following chapter(s) focus on the formation of Channel Two's independent head division as well as the department's evolution until the launch of the regular broadcast. This section covers the changes in personnel within the department, an outline of its key creative collaborators and supplies a schema of how Channel Two's production was organised. The final part of the thesis offers an overview of...
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Transformations of Drama department of Czechoslovak television Prague in the period of consolidation
 Jiřiště, Jakub ; Czesany Dvořáková, Tereza (advisor) ; Klimeš, Ivan (referee)
The bachelor's thesis follows impacts of consolidation process after 1968 on Literary department of Czechoslovak television. Therefore the area of interest is not individual pieces of work of television dramatic production, but their organizational background. It is analyzed from the point of view of dramaturgy development and personal changes that had direct impact on dramaturgy conception. Since consolidation was not the only change of state but also return before the previous state, the determinants of power of the two stated points of view are followed even during the period before 1968. Only by taking account of such period of time it is possible to capture essential changes of relation of power to the television dramatic production. In the introduction of the thesis is described the activity of followed television department including relevant terminology. The introduction also contains description of the roots of dramaturgy crisis which has exceeded even into the period of Prague spring. The next part of the thesis and mainly its merit monitor specific and in terms of time shifted consolidation process in the Literary department. It is monitored on the background of general development in television and society. This period of time is divided in phase of minimum interest of power...
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