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Collective self-representation of "the 3. wave" Russian emigrants and the general vision of them in the P. Vail's and A. Genis's publicistic pieces
Maslakova, Zhanna ; Hlaváček, Antonín (advisor) ; Hříbková, Radka (referee)
The aim of this thesis is to analyze the characteristic features of "the 3rd emigrational wave" authors' creative mentality; and to establish a model of the collective self-representation of the Russian emigrants in 1960-70s using publicistic pieces and essay collections by Pyotr Vail and Alexander Genis. The research illustrated in this thesis belongs to one of the most relevant and topical areas of literary studies. There have been made several scientific researches in order to achieve the goal. The methods used are: the analysis of socio-cultural, economic and political background which had place during "the 3rd wave" of emigration; a review of the scientific literature regarding the emigrant writers' creative methods; an investigation and classification of writers' methods peculiarities which correlate with the topic established; conclusions. As a result we get a holistic model of the collective self-representation of the Russian "3rd wave" emigrants which includes key features of their mentality, character, mood, habits, daily life etc.
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Fashion and self-concept at older school age children
Medalová, Lenka ; Levínská, Markéta (advisor) ; Doubek, David (referee)
The bachelors thesis is focused on the relation between fashion and self-concept, particulary in older schooled-aged children. The text is structured into two parts - theoretical and empirical. The first section of the theoretical part is devoted to give a definition of terms related to self-concept, such as self-esteem and self-representation. The second section is focused on the relation between fashion and self-concept then. A view on the fashion as a reflection of time and changes of the women role is provided at first. Changes of fashion and beauty ideal arise from manners of the time and status of the sociaty. The force for fashion changes and interest in fashion is introduced in context of wish to express sexual attractivness, social status or individual personality. Those are in connection with identity of individual on a personal, social and gender level. The theoretical part is based on theoretical resources to clarify what is the origin of self-representation involving clothing on those three levels, what is the infuence of fashion on them and how the fashion is affected by them. Empirical part is devoted to qualitative research, which was conducted in secondary school. The aim was to explore how the phenomenon of fashion is reflected in the life of adolescents and what is the role of it...
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The Self-Representation of Bretons in the Regionalist Discourse between the late 19th Century and the First World War.
Reiterová, Martina ; Hajdinová, Eva (advisor) ; Ozouf Marignier, Marie Vic (referee)
Résumé Ce mémoire de master II se concentre sur le régionalisme breton de la fin du XIXe siècle jusqu'à la Première Guerre mondiale représenté par deux organisations régionalistes, l'Union régionaliste bretonne (URB) fondée en 1898 et la Fédération régionaliste de Bretagne (FRB) créée suite à la scission de l'URB en 1911. Au-delà de leurs activités régionalistes visant à acquérir des droits d'autonomie de la Bretagne à l'égard de l'Etat français, leurs membres menaient des activités communes avec les élites galloises sur la base du passé commun « celtique » supposé et de l'existence des langues « celtiques » similaires parlées dans les deux pays. Cela nous a amené à nous interroger sur le rapport de ces activités « celtiques » avec le mouvement régionaliste breton, et ainsi sur la manière dont les régionalistes voulaient que les Bretons et la Bretagne soient perçus et pourquoi. Bref, notre recherche consiste en une étude de l'ensemble des caractéristiques de ce qu'on appelle ici l'auto-représentation des Bretons dans le discours régionaliste afin de découvrir les formes des stratégies discursives que les régionalistes utilisaient pour atteindre leur but d'autonomie. Cette recherche s'appuie sur l'analyse du discours dans les bulletins officiels de l'URB et de la FRB. Pour les besoins du contexte et en étant...
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The Self-Representation of Bretons in the Regionalist Discourse between the late 19th Century and the First World War.
Reiterová, Martina ; Hajdinová, Eva (advisor) ; Ozouf Marignier, Marie Vic (referee)
Résumé Ce mémoire de master II se concentre sur le régionalisme breton de la fin du XIXe siècle jusqu'à la Première Guerre mondiale représenté par deux organisations régionalistes, l'Union régionaliste bretonne (URB) fondée en 1898 et la Fédération régionaliste de Bretagne (FRB) créée suite à la scission de l'URB en 1911. Au-delà de leurs activités régionalistes visant à acquérir des droits d'autonomie de la Bretagne à l'égard de l'Etat français, leurs membres menaient des activités communes avec les élites galloises sur la base du passé commun « celtique » supposé et de l'existence des langues « celtiques » similaires parlées dans les deux pays. Cela nous a amené à nous interroger sur le rapport de ces activités « celtiques » avec le mouvement régionaliste breton, et ainsi sur la manière dont les régionalistes voulaient que les Bretons et la Bretagne soient perçus et pourquoi. Bref, notre recherche consiste en une étude de l'ensemble des caractéristiques de ce qu'on appelle ici l'auto-représentation des Bretons dans le discours régionaliste afin de découvrir les formes des stratégies discursives que les régionalistes utilisaient pour atteindre leur but d'autonomie. Cette recherche s'appuie sur l'analyse du discours dans les bulletins officiels de l'URB et de la FRB. Pour les besoins du contexte et en étant...
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Figure portrayal in Czech painting of the second third of the 19 century in European context
Řezáč, Jan ; Prahl, Roman (advisor) ; Machalíková, Pavla (referee) ; Musil, Roman (referee)
In my Ph.D. Thesis I suggest methodological approach to the figural painting of the middle of the 19 century, creation of the Czech painter Josef Manes in particular. In this period figural artists still learned to copy historic models in both academic and non-academic institutions. But the figure starts to be also presented as identifying element of the society, newly establishing nations in particular. Also emancipation of artists and their effort for conceptual expression (self-representation) is reflected in the presented figural form. Painting of the European late romanticism is characterised by adoptions of Michelangelo's and manieristic way of portrayal of human body. Thus there is a remarkable shift from so far popular classical Raffaelo's renaissance figure. For Josef Manes, usually only graphic patterns were available. In this thesis I also analyse Manes's anthropomorfisations and his tendencies to deform anatomic proportions of depicted figures. I show that these features of Manes's art have social, mental and formal background. I aimed to find interpretations of Manes's artistic approach, probably influenced by ideas from Munich, Düsseldorf and Vienna. Powered by TCPDF (www.tcpdf.org)
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Figure portrayal in Czech painting of the second third of the 19 century in European context
Řezáč, Jan ; Prahl, Roman (advisor) ; Petrasová, Taťána (referee) ; Machalíková, Pavla (referee)
In my Ph.D. thesis I suggest methodological approach to the figural painting of the middle of the 19 century, creation of the Czech painter Josef Manes in particular. In this period figural artists still learned to copy historic models in both academic and non-academic institutions. But the figure starts to be also presented as identifying element of the society, newly establishing nations in particular. Also emancipation of artists and their effort for conceptual expression (self-representation) is reflected in the presented figural form. Painting of the late romanticism is characterised by adoptions of Michelangelo's and manieristic way of portrayal of human body. Thus there is a remarkable shift from so far popular classical Raffaelo's renaissance figure. For Josef Manes, usually only graphic patterns were available. In this thesis I also analyse Manes's anthropomorfisations and his tendencies to deform anatomic proportions of depicted figures. I show that these features of Manes's art have social, mental and formal background. I aimed to find interpretations of Manes' artistic approach, probably influenced by ideas from Munich, Dresden, Vienna and Düsseldorf. Powered by TCPDF (www.tcpdf.org)
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Islam in Contemporary Czech Discourse: perception and representation of "the other"
Franioková, Tereza ; Yasar, Abu Ghosh (advisor) ; Militello, Paolo (referee)
Islam and its believers who reside in the Czech Republic are the main theme of this master thesis. My research focuses, first of all, on the Muslim presence in the country over the last ten years. Secondly, I aim to present Islam through the Czech media which is rather unexplored field till today. The text is divided in two parts: a theoretical one and a practical one. The first mentioned deals with the following topics: religiosity in the Czech Republic, history of Islam in the country (especially in Prague and in Brno), Muslims residing in the Czech Republic, image of Islam in the literature and widely debated Muslim question in Europe. The second part of the text is more pragmatic and it is exactly in this part that I lead an analysis of several blogs and Facebook pages emerged from a preliminary research on the Internet. Besides the Internet that is my source number one, I place emphasis also on other Czech mass media such as book market, audiovisual productions or press.
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Fashion and self-concept at older school age children
Medalová, Lenka ; Levínská, Markéta (advisor) ; Doubek, David (referee)
The bachelors thesis is focused on the relation between fashion and self-concept, particulary in older schooled-aged children. The text is structured into two parts - theoretical and empirical. The first section of the theoretical part is devoted to give a definition of terms related to self-concept, such as self-esteem and self-representation. The second section is focused on the relation between fashion and self-concept then. A view on the fashion as a reflection of time and changes of the women role is provided at first. Changes of fashion and beauty ideal arise from manners of the time and status of the sociaty. The force for fashion changes and interest in fashion is introduced in context of wish to express sexual attractivness, social status or individual personality. Those are in connection with identity of individual on a personal, social and gender level. The theoretical part is based on theoretical resources to clarify what is the origin of self-representation involving clothing on those three levels, what is the infuence of fashion on them and how the fashion is affected by them. Empirical part is devoted to qualitative research, which was conducted in secondary school. The aim was to explore how the phenomenon of fashion is reflected in the life of adolescents and what is the role of it...
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Collective self-representation of "the 3. wave" Russian emigrants and the general vision of them in the P. Vail's and A. Genis's publicistic pieces
Maslakova, Zhanna ; Hlaváček, Antonín (advisor) ; Hříbková, Radka (referee)
The aim of this thesis is to analyze the characteristic features of "the 3rd emigrational wave" authors' creative mentality; and to establish a model of the collective self-representation of the Russian emigrants in 1960-70s using publicistic pieces and essay collections by Pyotr Vail and Alexander Genis. The research illustrated in this thesis belongs to one of the most relevant and topical areas of literary studies. There have been made several scientific researches in order to achieve the goal. The methods used are: the analysis of socio-cultural, economic and political background which had place during "the 3rd wave" of emigration; a review of the scientific literature regarding the emigrant writers' creative methods; an investigation and classification of writers' methods peculiarities which correlate with the topic established; conclusions. As a result we get a holistic model of the collective self-representation of the Russian "3rd wave" emigrants which includes key features of their mentality, character, mood, habits, daily life etc.
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