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American approach of directing actors in film
Nvotová, Tereza ; KAJÁNKOVÁ, Lucia (advisor) ; GEDEON, Saša (referee)
The thesis focuses on contemporary the American approach of directing actors in film. It reflects different techniques with an emphasis on director's preparation. Chapters inquire into the collaborative process - from getting to know different acting approaches, script analysis, casting, rehearsal and shooting. The main aim is to illustrate the techniques used while working with actors in American films.
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The beginnings and ends of Peter Jackson
Navrátilová, Lucie ; BROTHÁNEK, Adam (advisor) ; Mišúr, Martin (referee)
This bachelor thesis deals with the cinematographic work of New Zealand director Peter Jackson. It explores his transformation from a film enthusiast to a renowned creator with many million dollar budgets. By analyzing his early films and comparing with contemporary films, I am discovering how his formal and narrative practices have changed in connection with his entry into mainstream production.
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SPECIFICS OF CREATING SOUND DESIGN OF ANIMATED FILM
Karhánková, Kateřina ; KUBÍČEK, Jiří (advisor) ; GREINER, Ladislav (referee)
The thesis explores the production of sound for animated film – its specifics as well as aspects of realization and of preparation and audio dramaturgy. It examines how they impact storytelling and the extent to which it is possible and useful to work with them from the very beginning of development of an animated film. The thesis also presents the practical and creative possibilities of cooperation between director and sound designer, alongside factors that may have a positive or negative influence in this regard. It draws on literary sources, interviews with the makers of animated films and knowledge acquired by the author in the field of directing and screenwriting of animated films. The thesis confirms the importance of the role of sound in animated film and its positive influence on the resulting quality of AV work (unless it has been omitted from the start of the filmmaking process). It summarizes the basic approaches that allow animators to work with sound in animated film as a fully-fledged narrative component.
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Romanian New Wave approaches to background action directing
Hecht, Jan ; MAREK, Petr (advisor) ; ŠPAČEK, Radim (referee)
This bachelor thesis focuses on the director's approach to the so-called "background action directing". Its theoretical frame and formal aspects, which can be used by the director when creating the background action, is discussed in the first part of this work. The focus in the work's analytical section is on the way these aspects are practically applied. This is shown on some films chosen from the Romanian New Wave, which is seen in this work as an original national-cinematographic phenomenon. The thesis finishes with the author's evaluation of his own experience with the given topic and summarises the outcomes of the analysis of the cinematographic works.
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Studies and a career of Czech animator in terms of market economy
Kotlářová, Hana ; BUBENÍČEK, Jan (advisor) ; PAVLÁTOVÁ, Michaela (referee)
"Studies and a career of Czech animator in terms of market economy" answers all basic, practical questions that Czech animation student asks about his future career. It is an information link between school and practice. It delivers facts about current situation on Czech animation scene and presents practical skills which are necessary for setting up an animation career. The goal of a writer was to deliver undistorted information which might be surprisingly realistic or skeptic. Understanding these facts is fundamental, because readers should come up with their own solutions for their future jobs in animation. A broad topic contains information about film or artistic animation, commercial and comissioned jobs, internet animation, basics about animation studios, animation industry and economic aspects of a freelance work. It summaries a purpose of animation schools, including 10 commandments of a student aimed on practical skills to gain during studies.
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Auteur Execution of Film Dialogue
Kocábek, Daniel ; KAJÁNKOVÁ, Lucia (advisor) ; VAJCHR, Marek (referee)
This thesis is about auteur execution of film dialogue in screenplays and also in film. By analysing four different feature films, Reservoir Dogs, Chasing Amy, Before Sunset, and Rushmore this work shows how their authors shoot conversational scenes in an innovative manner. The American Independent cinema is briefly introduced as well as the auteur theory. The choice of filmmakers and specific films is explained. The thesis subsequently demonstrates how film dialogue is being viewed by film handbooks and how a conventional dialogue scene looks like. The four analyses are based on all of this information.
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Serge Reggiani, the importance of inconspicuousness
Hrzina, Václav ; VALAK, Radim (advisor) ; Slavíková, Nataša (referee)
I would like to understand the importance of an actor in a movie. I choosed Serge Reggiani, a french actor, who never became a star number one. Reggiani went through a lot of important movies in principal or small roles. What it really means acting in a movie, what brings freedom to an actor in front of a camera and is one actor able to play different characters in every other movie. A diversity and length of his filmography, different directing styles he went through will help me to concretize attitude of an actor and perception of his „different“ characters by audience. I would like to bring up some acting metodes in cinematography in my work too.
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