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Motive of dehumanization of a man in the contemporary mexican drama: Edgar Chías, Jaime Chabaud.
Melicharová, Tereza ; Housková, Anna (advisor) ; Kazmar, Vít (referee)
(in English) This thesis concerns of motive of the dehumanization in two contemporary pieces of mexican drama, play Rashid 9/11 of playwright Jaime Chabauda and play Crack o de las cosas sin nombre of Edgar Chías. First part of the thesis is concerned with the concept of dehumanization, as it is percieved by contemporary thinkers as K. P. Liessmann, K.P. Lorenc, M. F Foucault, J. F. Lyotard and others. The thesis investigate causes of phenomena, that a lot of sociologist and philosophers call "dehumanization" or "vanishing of humanity" and try to investigate it's traces in contemporary hypermodern society. Second part of thesis is dedicated to introducing studied plays in the context of world's dramatic creation of 20 and 21. century with the emphasy on the inspirational sources, that are meanted by authors of the plays. Third part of the thesis concerns of categories of dramatic space, time and characters with the accent on the analysis and interpretation of the theme of the dehumanization in all levels of the plays. Key words (in English): mexican drama Edgar Chías Jaime Chabaud Dehumanization Political theatre
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Motive of dehumanization of a man in the contemporary mexican drama: Edgar Chías, Jaime Chabaud.
Melicharová, Tereza ; Housková, Anna (advisor) ; Kazmar, Vít (referee)
(in English) This thesis concerns of motive of the dehumanization in two contemporary pieces of mexican drama, play Rashid 9/11 of playwright Jaime Chabauda and play Crack o de las cosas sin nombre of Edgar Chías. First part of the thesis is concerned with the concept of dehumanization, as it is percieved by contemporary thinkers as K. P. Liessmann, K.P. Lorenc, M. F Foucault, J. F. Lyotard and others. The thesis investigate causes of phenomena, that a lot of sociologist and philosophers call "dehumanization" or "vanishing of humanity" and try to investigate it's traces in contemporary hypermodern society. Second part of thesis is dedicated to introducing studied plays in the context of world's dramatic creation of 20 and 21. century with the emphasy on the inspirational sources, that are meanted by authors of the plays. Third part of the thesis concerns of categories of dramatic space, time and characters with the accent on the analysis and interpretation of the theme of the dehumanization in all levels of the plays. Key words (in English): mexican drama Edgar Chías Jaime Chabaud Dehumanization Political theatre
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Theatre and Politics: The Weimar Republic 1927-1933
Rudý, Jakub ; Kučera, Jan (advisor) ; Franěk, Jakub (referee)
This thesis aims at avant-garde theatre movement in Weimar Republic, namely at stage manager Erwin Piscator and playwright Bertold Brecht, as well as at characteristics of political and social surroundings of Weimar Republic. Intellectually is the aim of this thesis at mutual relation between theatre and politics. Thesis is set into years 1927 - 1933, however, broader context of post-war Germany is necessary, while setting both men in the context and surroundings of Weimar Germany. The thesis is divided into three parts. In the first one, culture, political and social conditions of Weimar Republic are analysed, matters of censorship, culture politics a political conditions of Weimar Republic are accented. The second part aims at Erwin Piscator, principles of his work and his public functioning in the years 1927 - 1933, as well as the response he became in the public. The third part aims in the same way at Bertold Brecht, principles of his playwriting, two plays written in the years 1927 - 1933 and again the response he became in the public. Relation between theatre and politics is analysed from two points of view. The first is point of view of Weimar Republic - its politics in culture and censorship. The second one is the point of view of both men, who had undoubtedly political targets set into...
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