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Effective study of musical piece
Růžičková, Michaela ; HAJÓSSYOVÁ, Magdaléna (advisor) ; BÁRTA, Martin (referee)
This bachelor´s thesis is targeted on finding the most effective way of working on a musical piece. It aims especially on the work of an opera singer, however, the author is operating with knowledge acquired by studying also two other classical specializations - piano and conducting. By combining of these three musical departments, this thesis tries to find the fastest and concurrently the most precise way of how to prepare a musical piece in the best possible quality. This thesis also deals with the issue of public performace, the question of stage fright and how to deal with it.
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Slovak female sopranists from past until now
Mikšíková, Katarína ; KUSNJER, Ivan (advisor) ; MÁROVÁ, Libuše (referee)
In this thesis I focused on life, development, artistic career and the career peak of our important Slovak female sopranos. I tried to capture and record their musical beginnings, studying singing, first achievements, starting in theaters and concert halls and stages. I focused on the finding of the studied repertoire during their careers and attempted to summarize all the major significant theater stages and concert platforms in the course of their professional life they performed. I also wanted to bring their views on major global career each of them experienced and their views on theater and the world of singing.
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PERSONALITY OF MILADA ŠUBRTOVÁ
Pashayeva Škopková, Adéla ; JANÁL, Roman (advisor) ; KAUPOVÁ, Helena (referee)
Master thesis, The personality of Milada Šubrtová, focuses on the artistic and family life of the Czech opera singer. Firstly, it looks at her beginnings and her background. Then it describes Milada Šubrtová’s adolescence and her education. Professors who influenced Lady Šubrtová greatly. The thesis focuses on the beginning of her career, the first role in which she played. On the first engagement she ever received. On her successes and failures. The thesis describes how much she loved her husband and the two closest friends - Professor J. Mrázek and Professor Christina Kluge-Mrázková. You will have the opportunity to read about her engagement and the hosting in Czech theaters. In this thesis you can also read about her achievements, many great roles in her repertoire and about her personality. The thesis includes two interviews. The first one is an interview with PhDr. Christina Kluge-Mrázková who knew Mrs. Milada Šubrtová personally and who was her close friend. The second one is an interview with Ing. Petrlík, the mayor of a village Chříč. Thanks to his initiative, there was established a museum of Milada Šubrtová in this village after her death. At the conclusion of my thesis I have made an analysis of the questionnaire regarding "Personality of Milada Šubrtová" which I created in order to know how many respondents know this great opera singer.
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Development of coloraturas arias
Havránková, Petra ; JONÁŠOVÁ, Jana (advisor) ; MÁROVÁ, Libuše (referee)
This master thesis entitled "Development of coloraturas arias " is divided into several parts, which branch out into individual sections.
The first part deals with an explanation of basic terms of coloratura and aria, as they are described in encyclopedic dictionaries and encyclopedias. This part is followed by brief formal development of aria throughout ages.
I continue with the historical development of coloratura from the chapter Middle Age through the following era of renaissance and polyphony to the baroque, where I am describing the origins of opera as a dramatic genre. This part is divided into two parts , in which I describe the formation of coloratura aria and recitative and also the birth of other genres in which are coloratura arias widely used. The next chapter is devoted to the phenomenon of the eunuchs, who contributed to the expansion of coloratura arias around the world. The chapters Alessandro Scarlatti, Georg Friedrich Handel and Johann Sebastian Bach, mention their compositional techniques and also examples of work with coloratura and their contribution to the future generations. The following Classicism brings compositional techniques of Wolfgang Amadeus Mozart and his work. The next chapter, the romantic period, is dedicated to "Belcanto composers" Rossini, Bellini and Donizetti, who had contributed to the trend of coloratura techniques. Giuseppe Verdi was the last representative of belcanto era. In the penultimate chapter I write about selected roles that might be suitable for coloratura soprano and in the end I describe my relationship with the soprano voice in coloratura field.
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Pronunciation of French a opera Text for czech-speaking Singers
Jirovská, Anita ; KAUPOVÁ, Helena (advisor) ; DOLEŽAL, Vladimír (referee)
The diploma thesis "Pronunciation of French text for the Czech opera singers" is
dedicated to French phonetics necessary for singer. The work individually
analyses all the vowels and consonants. The description of phonemes is based on
Czech phonetics. It compares known phonemes of Czech language with French
language phonemes. The work is also focused on necessary division of syllables,
as well as accent, voicing assimilation, or binding, so common in French.
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