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Historical block of flats development with its impact on market prices of flats on the present in Liberec
Starý, Jan ; Khaddour, Ahmed (referee) ; Cupal, Martin (advisor)
This thesis on historical development of the construction of residential buildings and its effect on market prices of dwellings currently in Liberec accompanies the issue of correlation between architectural styles and price currently. It is divided into two parts, theoretical and practical. The theoretical part is focused on explaining concepts such as housing, housing stock, housing market and its failure, which follows the historical description of the construction of residential buildings. In other chapters of this part is talking about urban planning and housing policy. The practical part looks at this issue from the perspective of a particular town, which is Liberec. For him the basic information about the local conditions, history of architecture and subsequently through the commodities market tested real estate prices mentioned correlation and era of construction. The main source of research is in the thesis comparing average prices per m2 for each building type. During and at the end, the results are commented and compared.
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City within the City / "Trnitá City Block"
Menšík, David ; Hybská, Bohumila (referee) ; Nový, Vítězslav (advisor)
The assignment of the work was the elaboration of two planned blocks of the new Brno southern center. In cooperation with the Office of the Architect of the City of Brno, we adjusted them to the final form, from which twelve plots were created, for twelve graduates of the Nový-Palasčák studio. The land solved by me is located at the meeting of Opuštěná Street and the Svratka River. It thus forms an important urban corner, marking the newly emerging district. Due to its character, significance, size and multifunctional arrangement, I called this corner building „Opuštěná Palace“.
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The Italian Romantic Polemic
Piptová, Ivana ; Hrbata, Zdeněk (advisor) ; Pelán, Jiří (referee)
This master thesis discusses the roots, concepts and the subsequent interpretations of the so- called "romantic discussion", which took place in Italy between the years 1816-1826. Based on the overview of selected debate entries and their critical interpretations, we will try to explain the relatively scarce attention paid to the Italian romanticism by critics outside of Italy. The polemic on romanticism started with the article "On the Manner and Usefulness of Translations" by Madame de Stael, in which the author as a solution to the crisis affecting Italian literature suggested to translate more of French and German production, as it already reflected the upcoming romantic aesthetics. This modest proposal sparked a fierce debate which gradually dealt not only with the question of adopting foreign cultural impulses, but also with need to redefine the roots of Italian cultural traditions and build a modern Italian identity. The most important responses to Madame de Staël's article - written by Ludovico di Breme, Giovanni Berchet and Pietro Borsieri - are now considered "manifestos" of Italian romanticism. Unfortunately the inputs by Giacomo Leopardi and Alessandro Manzoni, even though they are considered very interesting and intellectually stimulating, cannot be considered part of the discussion as...
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Ervin Schulhoff in the interwar cultural context for needs of modern school
Drahošová, Adéla ; Nedělka, Michal (advisor) ; Hurníková, Kateřina (referee)
Ervin Schulhoff in the interwar cultural context for needs of modern school This thesis deals with life and works of a Czech-German music composer of the interwar period Ervin Schulhoff. The first part of the thesis is concerned with composer's life in the interwar cultural context, the second part focuses on his works. Detailed attention is paid to the period when Schulhoff was influenced by interwar avand-garda movement, particularly by Dadaism and jazz dance music and also Neoclassicism. The third part handles the issue of the use of Schulhoff's work related to his life at nowaday school and brings some ideas and possibilities of use in school music lessons with intersubject overlap. All work is completed with sheet music examples and images serving for better illustration of the subject. In the Appendices are included more pictures and photographs illustrating the composer's life and also the list of Ervin Schulhoff's compositions.
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Jiří Laburda - the Composer and Teacher (the Concert Practice in Russia)
Morozová, Naděžda ; Nedělka, Michal (advisor) ; Maykovskaya, Larisa (referee) ; Turčinskij, Boris (referee) ; Gvozdevskaia, Galina (referee)
The name of Jiri Laburda is well-known in the world of music. Laburda is active both as a composer and a social activist, whose works are published and constantly performed in lots of countries of the world. In Russia Jiri Laburda's music was first played in the capital of Karelia - Petrozavodsk. A conservatoire trumpet tutor Leonid Petrovich Budanov (1946-2000) - an outstanding Russian performer and a teacher, Petrozavodsk Conservatoire professor, Honoured Artist of Karelia - was directing the then famous performing ensemble - brass quintet where junior tutors played. Some time later the ensemble took the name of Karelia- brass. Jiri Ladurda and Leonid Budanov got acquainted in 1983 which was the result of the composer's initiative. After hearing about Budanov's ensemble Laburda sent some of his works to his Conservatory Chair hoping that they would be performed there. In his letter the composer noted that his music was becoming to be performed by Czechoslovakian and European musicians more and more often and he expressed his hope for the Russian audience to hear it. Now, at the beginning of the XXI century Jiri Laburda's music has been performed in Karelia many times, lots of musicians and concert-goers are familiar with it and love it. Annual festival PIANO DUO, which has been held in Petrozavodsk since...
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City within the City / "Trnitá City Block"
Menšík, David ; Hybská, Bohumila (referee) ; Nový, Vítězslav (advisor)
The assignment of the work was the elaboration of two planned blocks of the new Brno southern center. In cooperation with the Office of the Architect of the City of Brno, we adjusted them to the final form, from which twelve plots were created, for twelve graduates of the Nový-Palasčák studio. The land solved by me is located at the meeting of Opuštěná Street and the Svratka River. It thus forms an important urban corner, marking the newly emerging district. Due to its character, significance, size and multifunctional arrangement, I called this corner building „Opuštěná Palace“.
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Classicism in Czech architecture of the 19th and 20th centuries
Ďurža, Karel ; Czumalo, Vladimír (advisor) ; Šmied, Miroslav (referee)
The thesis is aimed at the subject of classicism in a broader sense of this term and is based on the classicism period architecture in the Czech Republic. The introductory chapter intends to briefly and independently define and clarify the terms classical, classicism and neoclassicism, deal with the shaping of the classical canon in Europe and outline the evolution of classical features in the history of the Czech architecture in the European context. In separate chapters the thesis systematically follows the matters of classicism in the first half of the 19th century, in the periods of pure and late historicism and early and paramount modernism. Special attention has been paid to the matters of classicism in the Czech thoughts on art in the interwar period and during the German occupation. Having analysed the classicism-style tendencies in the socialist realism architecture the thesis identifies basic classicism-style aspirations in the 2nd half of the 20th century and in the beginning of the 21st century. The final chapter is dedicated to the identification of the main overall specifics of classicism in the Czech architecture based on a list of examples.
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The Italian Romantic Polemic
Piptová, Ivana ; Hrbata, Zdeněk (advisor) ; Pelán, Jiří (referee)
This master thesis discusses the roots, concepts and the subsequent interpretations of the so- called "romantic discussion", which took place in Italy between the years 1816-1826. Based on the overview of selected debate entries and their critical interpretations, we will try to explain the relatively scarce attention paid to the Italian romanticism by critics outside of Italy. The polemic on romanticism started with the article "On the Manner and Usefulness of Translations" by Madame de Stael, in which the author as a solution to the crisis affecting Italian literature suggested to translate more of French and German production, as it already reflected the upcoming romantic aesthetics. This modest proposal sparked a fierce debate which gradually dealt not only with the question of adopting foreign cultural impulses, but also with need to redefine the roots of Italian cultural traditions and build a modern Italian identity. The most important responses to Madame de Staël's article - written by Ludovico di Breme, Giovanni Berchet and Pietro Borsieri - are now considered "manifestos" of Italian romanticism. Unfortunately the inputs by Giacomo Leopardi and Alessandro Manzoni, even though they are considered very interesting and intellectually stimulating, cannot be considered part of the discussion as...
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Piano in Contemporary Albanian Music
Prifti, Egli ; Nedělka, Michal (advisor) ; Palkovská, Jana (referee) ; Kusák, Jiří (referee)
This dissertation deals with comprehensive analysis of contemporary Albanian piano pieces. There have been selected compositions with artistic and educational value for these purposes. The pieces also represent different genres of Albanian piano music. Genres are exceptionally important in this view; the stylish range was reduced, in recent past. The reason was based not on cultural field, but on strict ideological rules. Piano music is embedded in a broader historical context that allows to stress the peculiarities of the Albanian musical language and thereby to clarify the uniqueness and value of selected compositions for the educational needs. Keywords Piano; album, folk-music; neoclassical style; analysis; pedagogical interpretation
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Ervin Schulhoff in the interwar cultural context for needs of modern school
Drahošová, Adéla ; Nedělka, Michal (advisor) ; Hurníková, Kateřina (referee)
Ervin Schulhoff in the interwar cultural context for needs of modern school This thesis deals with life and works of a Czech-German music composer of the interwar period Ervin Schulhoff. The first part of the thesis is concerned with composer's life in the interwar cultural context, the second part focuses on his works. Detailed attention is paid to the period when Schulhoff was influenced by interwar avand-garda movement, particularly by Dadaism and jazz dance music and also Neoclassicism. The third part handles the issue of the use of Schulhoff's work related to his life at nowaday school and brings some ideas and possibilities of use in school music lessons with intersubject overlap. All work is completed with sheet music examples and images serving for better illustration of the subject. In the Appendices are included more pictures and photographs illustrating the composer's life and also the list of Ervin Schulhoff's compositions.
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