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Untitled
Cáb, Martin ; Hodboď, Tomáš (referee) ; Stratil, Václav (advisor)
In my final work I made a portrait of Jesus Christ. Due to the historical development of Christian iconography is an abstract concept, in which Christ is depicted with only simple concrete elements which are significant for his personality as the general level and particularly in my personal.
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The representation of the biblical themes in the Czech art in the 1940s and 1950s
Frídlová, Klára ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
The thesis deals with the topic of the representation of the Christian themes in the Old and New Testament in the Czech art in the forties and fifties of the twentieth century. There are two time spans that are observed. The first one begins with the commencement of the Second World War and ends in 1948. The second period dates from 1948 until 1960. The text attempts to capture the biblical motifs that appeared most frequently in the works of artists during the 1940s and 1950s. Furthermore, it tries to explain why authors chose the given biblical motifs. This work is dedicated to the artists who were working with the Christian themes for their whole life as well as to those whose works were influenced by these subjects for only a short period of time. Keywords biblical themes, the Old Testament, the New Testament, crucifixion
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Zavis cross - splendor mysticus
Holasová, Anežka ; Sojka, Jaroslav (advisor) ; Šmied, Miroslav (referee)
Zavis cross from Cistercian abbey Vyšší Brod Abstract Zavis cross from Cistercian abbey Vyšší Brod Zavis cross has been the national cultural monument of the Czech republic since 2010. Not only is Zavis cross a great example of medieval goldsmith's art, but also a reliquary of particle of the Holy Cross. The reliquary cross was restored in the eighties of the last century, so today we can admire it in this form. The aim of this work is to collect existing results of artistic and historical research focused on the origin of this reliquary as well as to characterize artistic and craft processes of Zavis cross and with emphasis on used materials introduces its as a Splendor Mysticus-visibility eternal light of truth.
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Jiřina Adamcová and Christian themes in her artwork
Kurcová, Eliška ; Kolářová Takácsová, Kornélia (advisor) ; Czumalo, Vladimír (referee)
Bibliographic Citation Jiřina Adamcová and Christian themes in her artwork: bachelor thesis / Eliška Kurcová; supervisor: Mgr. et Mgr. Kornélia Kolářová Takácsová, Th.D. -- Prague, 2021. -- 74 p. Abstract The bachelor thesis presents the work of the artist - Jiřina Adamcová coming from evangelical origins and who has not been so far researched that much. The thesis focuses on her painting with a Christian topic and presents the way of delivering Adamcová's inner spiritual view in the form of combined technique. Actually, the combination of the painting drawing and the graphics with biblical verses, poems and her text from diary it is very much important part of her work. The thesis sets her art in the context of Christian symbolism, her life and the personal conception of Jiřina Adamcová faith. For this analysis of her work, bachelor thesis focuses especially on the cycles of the Resurrection and Pieta, which are examined from iconographic perspective as well as from the method of iconology. Keywords Jiřina Adamcová, evangelical spirituality, Czech art of 20. century, Christian motifs in art, Bible in art, Christian iconography, collage, graphic arts, painting, resurrection of Jesus in art, pietà
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The work of Jan Polack and its impact in the Bohemian painting around 1500
NAUŠ, Stanislav
In comparison with the art production at Nurnberg or at the cities of the so-called Danube School at the end of 15th century stands the simultaneous painting at Munich in the background. Therefore is sometimes forgotten, that there, in this period, a painter Jan Polack with his workshop was active. To his important customers/patrons belonged the dukes Sigmund and Albrecht of Wittelsbach and the Bavarian monasteries (Weihenstephan near Feising), for which he made few altars or portraits. A most of these altars were after that removed from the original sacral areas and today they are presented in the Bavarian National-museum at Munich or in other galleries. Only a few altars, for example three altars for the chapel in Blutenburg near Munich, have been staying on the original place in this small chapel. These Master thesis would like to compare his most representative pictures in the context with the others paintings, which were created in the middle or at the end of the 15th century in Bavaria (circle of Hans Pleydenwurff, Wolfgang Katzheimer etc.). This comparison can help to find the sources of the Polacks artistic expression. A special attention should be devoted his cooperation with Mair of Landshut, because few pictures of Polacks altar from the church of St. Peter in Munich have just been to Mair inscribed. It is also important to point to same compositional connections between the altar-pictures of Jan Polack and the graphics (Master E. S., Martin Schongauer) One highly-valued contribution of this thesis could be a capitol about the possible inspiration of the Polacks artistic expression for the artists, who came from Bohemia and who have been working here for a long times, but who could gain their training in the Bavaria (Munich). At the literature (Jaroslav Pešina) was one opinion expressed, that an altar in a church in Chudenitz concludes the formal features, which reveal a connection to the art at Munich in the middle of the 15th century. However, other authors (Roman Lavička) think that the painted boards of an original altar of Doudleby were inspired by Polacks artistic expression, although any concrete related features were not in the literature mentioned. It is appropriate too, point to the several compositional connections between the pictures of Jan Polack und a so-called Master of an altar from Litoměřice. This anonymous Bohemian painter, who is knowed only according to his most important commission, would be supposed to study in the Bavaria (an artistic circle of Rueland Frueauf at Passau) at the end of the 15th century. It is possible, that he could visit Munich und he could be inspired by the Polacks paintings.
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Zavis cross - splendor mysticus
Holasová, Anežka ; Sojka, Jaroslav (advisor) ; Šmied, Miroslav (referee)
Zavis cross from Cistercian abbey Vyšší Brod Abstract Zavis cross from Cistercian abbey Vyšší Brod Zavis cross has been the national cultural monument of the Czech republic since 2010. Not only is Zavis cross a great example of medieval goldsmith's art, but also a reliquary of particle of the Holy Cross. The reliquary cross was restored in the eighties of the last century, so today we can admire it in this form. The aim of this work is to collect existing results of artistic and historical research focused on the origin of this reliquary as well as to characterize artistic and craft processes of Zavis cross and with emphasis on used materials introduces its as a Splendor Mysticus-visibility eternal light of truth.
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Untitled
Cáb, Martin ; Hodboď, Tomáš (referee) ; Stratil, Václav (advisor)
In my final work I made a portrait of Jesus Christ. Due to the historical development of Christian iconography is an abstract concept, in which Christ is depicted with only simple concrete elements which are significant for his personality as the general level and particularly in my personal.
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