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The movement system of Countertechnique
Benková, Andrea ; OVSOVÁ, Libuše (advisor) ; DIATTA-REBCOVÁ, Monika (referee)
The aim of this thesis is to describe the structure of Countertechnique movement system.
The thesis itself is divided into three chapters. The first chapter describes personality of Anouk van Dijk, her interpretational and mainly choreographic experience. As the Countertechnique movement system is tightly connected with creative process of Anouk van Dijk, it is crucial not to omit her influence and contribution to it. The second chapter is fully dedicated to the description of the Countertechnique system. I try to look at the formational process of this method in a complex way and consider all influences that had some impact on its current form. I also analyze the methodology and conception of Countertechnique and add my own practical experience with the technique. In the third chapter, I compare Countertechnique with other movement systems and methods.
In the end of the thesis, I attach interviews with Countertechnique teachers Nina Wollny and Elita Cannata and Czech dancer Anna Jirmanová, who got into contact with this method during her work abroad.
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Bassoon in the chamber music of Bohuslav Martinů
Krátká, Tereza ; SEIDL, Jiří (advisor) ; HERMAN, František (referee)
The title of my diploma thesis is Bassoon in chamber music of Bohuslav Martinů. The thesis is mapping Bohuslav Martinů's chamber work for the bassoon, namely the circumstances of the creation of compositions, premieres or recordings. Another point of study is the selection of several interpretatively interesting parts of bassoon excerpts and their assessment from an interpreter point of view. In the first chapter I deal with the personality of Bohuslav Martinů in particular periods of his life with references to the most important compositions and professional influences. In the next chapter there is a catalog of chamber works for the bassoon of Bohuslav Martinů with informations on the origin and premieres of the compositions. There are also sheet music examples of interesting parts in the excerpts of the bassoon and their interpretative specifics.
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Artistic personality of Jaroslav Šaroun
Bařák, Lukáš ; KUSNJER, Ivan (advisor) ; MÁROVÁ, Libuše (referee)
This diploma thesis is dealing with the personality of Jaroslav Šaroun, contemporary composer, pianist and accompanist. It focuses on his artistic life and as well as his personal life. The main emphasis is on his artistic life, which is dealt with in several chapters. Those chapters describe his evolution from a young student to a piano player of Czech philharmony. Another important point is his view of music interpretation and of pedagogical activities and its principles, which he passed on to students, at the Prague conservatory as well as at HAMU. Furthermore a cycle of Four songs for baritone and piano with lyrics by Toquato Tasso is analyzed in this thesis and viewed from many angles.
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Bohuslav Matoušek: violinist by body and soul
Junek, Jakub ; MATOUŠEK, Bohuslav (advisor) ; ŠTRAUS, Ivan (referee)
This thesis introduces to its readers artistic and professional life of Bohuslav Matoušek, outstanding renowned czech violinist and pedagogue. It also describes his great successes in the field of music recordings, the most it zooms on recording and production of the complete works of Bohuslav Martinů for concertante violin (and viola). This extraordinary set of complete works by Martinů had a great success worldwide, because of that I also attach excerpts of reviews and critique from abroad.
These are followed by listing the most significant solo recordings and some
of the interviews for Czech press. At the very end this thesis contains an analysis
of Mr. Matoušek‘s recording of the violin concerto in D major Op. 77 by Johannes
Brahms from 1988.
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"Dialogue"between an actor and Puppets
Dušková, Ilona ; BEČKA, Marek (advisor) ; ŠÍPEK, Jiří (referee)
The presented dissertation "Dialogue" between an actor and puppets focuses on basis, assumptions and attributes of foundation of stage character. Relevant terminology and production contexts of stage implentations of dramatic piece of work are in the centre of interest in a hteoretical part on whose foundation are later presented outcomes of dialgus with actors and directors and analyzed authorś experience with classes and actual implementation
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