National Repository of Grey Literature 6 records found  Search took 0.01 seconds. 
The influence of musical activity on human personality
Dombaiová, Lenka ; LEICHNER, Emil (advisor) ; KLÁNSKÝ, Ivan (referee)
The aim of this work is to acquaintance the reader with the unique influence of instrumental activities of instrumentalists on their physical, psychological and mental qualities and to summarize the available expertise on how long-term play a musical instrument operates on neurological development of player and affect the function and structure of his brain. The work also describes specific differences in the brain of a musician and a musician and course of studies that have come to these findings. Finally, also includes health problems that relates to instrumentalists.
Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and Internation Master Classes Ostrava
Čermáková, Kateřina ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Bachelor thesis Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and International Master Classes Ostrava especially concentrates on practical side of two above-mentioned interpretation and master courses. Since hungarian virtuoso Franz Liszt laid their principles, they became an important part in developement of every young music interpreter. This thesis aims to show on particular examples how are such courses started and what is required for their fluent course. Both courses have their specific approaches and goals. From the organizational point of view, easier way was chosen by Ludmila Peterková in courses in Domažlice. She invites only one foreign lecturer and focuses on young musicians. In contrast, Igor Františák, a lead organizer of Ostrava courses, has a difficult task ahead of him every year. He needs to raise funds to pay several lecturers from abroad. On the other hand, such courses draw larger attention of both older and professional musicians.
The important women interprets in trombone playing
Štainerová, Kateřina ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
The main goal of this thesis was to process the information about important woman trombonists performers that worked mainly in the symphonic orchestras all over the world. The thesis contain biography of those women interprets and describe beginning of theirs careers in music, study and achievement in competitions and auditions which they participate.
Physiological aspect in violin playing
Kubánková, Jana ; MATOUŠEK, Bohuslav (advisor) ; ČEPICKÝ, Leoš (referee)
The following dissertation deals with anatomy and function of all the systems that take part in playing the violin. It also deals with complications that may appears as a result of playing or right during the playing the violin. Last but not least it deals with appropriate compensation of these problems.
Connections between breathing and playing string instruments
Kellerová, Anna ; ŽALUD, Radomír (advisor) ; HUDEC, Jiří (referee)
In my bachelor thesis I concentrate on the topic of relationship between breathing and various aspects of playing a string instrument. I approach the issue complexly, working with conditions that affect playing a string instrument as such and areas influencing the overall quality of life of an artist, and I search for their interrelations with breathing. The work consists of three major sections. The first chapter deals with the connection of breathing with physical aspects of playing a string instrument (position and movement by the instrument), the second is focused on the affect of breathing on psyche (especially the phenomenon of stage fright) and the third explores breathing in the context of musical expression. The work is based mainly on kinesiologic, psychological, musicologic and methodological literature, as well as on experts knowledge of special topics (obtained by means of personal consultation).
Breathing when playing the brass instruments
Žáková, Petra ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
In my diploma thesis I deal with breathing when playing the brass instruments. In the first chapter called Process of Breathing I describe the respiratory system, its breathing mechanism and a separate breathing process with the main emphasis on the types of breathing, control of breathing and a lung capacity. Subsequently I occupy with the breathing process when playing, it means with breathing in cooperation with creation of tones, embouchure, activity of tongue and with the finger technique. In the second chapter I mention some important brass players and teachers of the breathing in brass instrumental music; the view of the East Cultures on ordinary breathing is also supplemented to this overview. In the third chapter I quote some methods of breathing development. Firstly I focus on the evolution and usage of various types of breathing, secondly on the methods of breathing development. This chapter includes many breathing exercises done with or without an instrument, which should lead to liberty and speed of inhalation and smoothness and holding of exhalation. The exercises help to the complete fastening of the muscles of respiration.

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