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Methodology of documentation, archiving and access for non-cinematographic works of art with audiovisual content
Klodner, Michal
The methodology is intended for museum and archival memory institutions that already manage or are interested in collecting moving image art for long-term digital preservation and access in digital form. Due to the obsolete nature of historical moving image media comprising a wide range of electromagnetic or optoelectronic image formats, the risks of degradation are increasing, while the availability of original playback devices is progressively more limited. The methodology provides a combination of existing archival standards and practices that are necessary or appropriate to apply in the field of moving image art in order to guarantee the trustworthiness of the archival record and the entire curatorial process.
Slides:  PDF
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Nature as an art workshop
Zajíčková, Magdaléna ; Skarlantová, Jana (advisor) ; Brejcha, Šimon (referee)
This thesis is oriented on use of nature in art education. It consists of teortical and practial part. Theoretcial part describes possibiliteis of using nature and natural materials in art education in relationship with environmental education, history of art and art education in relationship with nature as inspiration or source of material. Practical part consits of two guidelines. The first one is focused on work with natural materials directly in nature. The second one is sectioned into another four guidelines inspirated by seasons of the year. Intention of this thesis is to point to the value of the nature in art education and offer number of possibiliteis how to use this topic. The main asset of this thesis is in summarizing knowledge about nature in relationship to art education and suggestions for activities inspirated by nature or realized directly in nature.
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Intimate illumination
TICHÁČKOVÁ, Barbora
The Work in the first half deals with the theory of light, answering the question what the light is. It thus encompasses the physical study of light. A large part is also devoted to optics and its history. In the second half of the work we can find chapters that deal with the issue of light in art, accordingly the light as an expressive element of art and also the development of composition of light in the history of visual culture. Not even the theme of light in photography was left out and that is together with the drawing techniques the base of the practical part of this thesis. The analysis concludes with a case study which deals with the composition of light in the medium of drawing.
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