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Narration and characterization of figure in the movie's of David Lynch with sound
Dolejší, Dominik ; DOLENSKÝ, Martin (advisor) ; HART, Marek (referee)
The basis of this work is to look at the development of sound dramaturgy across the work of David Lynch. I work mainly on the principle of the screening of scenes and their operations from the broader perspective of the film. In the film, I analyze two films "Mulholland Dr." and "The Elephant Man", which became milestones for my work in the creation of David Lynch. It follows that the nature of my work: the author is not telling just limited to painting, as it is still going on, which is a testament not only to Czech films, but also in the world. Development work demonstrates the analysis of all components of sound films.
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The Tin Drum - Cild's character as a reflection of a revolt, revolution and war
Příhodová, Tereza ; MUSILOVÁ, Helena (advisor) ; POSPISZYL, Tomáš (referee)
Theses "The Tin Drum - the character of a child as a symbol of revolution, rebellion and war in the film" explores development of a child's character in film. Also in films about the war and revolution. (Go and see ,The White Ribbon, Alice in Wonderland, Threesomes of morals, Long live the Republic, etc ...) The work primarily analyzes the character of Oscar (The Tin Drum) and compares literary text and the movie. At the same time, the thesis further elaborates on the issue of film adaptations of literary works and also raises question of author's own projection into the main character.
Although the focus is primarily on analysis of literary and cinematic form of The Tin Drum, this text also mentiones other key frames, on which different ways of working with child actors are portrayed.
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Web Production of David Lynch
Grajciar, Marek ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
Bachelor's thesis deals with production of David Lynch, which was focused for his web page, namely with: Dumbland, Rabbits, Darkened Room, The Boat, Bug Crawls, Industrial Soundscapes and Intervalometer Experiments. The goal of this thesis is to try to categorize and analyze this production. On bases of this analysis than try to find connections to author's previous work and with help of these, try to put it into context of author's lifework.
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Vizualization of music in animation film
Ishida, Kaoru ; WANEK, Miroslav (advisor) ; MERTA, Vladimír (referee)
Purpose of this work in to find possibilities of vizualization of music, analyze masterpiece of vizual music. There are written about relationships between arts and five senses ? mostly sight and hearing, to make clear how pictures and music work differently, several experiments of visual music on history, animation films as vizual music, composer inspirated by pictures, and writer inspirated by music. Finally there is mention about meaning of expression of art works in different forms.
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Cult of Kevin Smith's Work
Kocábek, Daniel ; POZZI, Jaroslav (advisor) ; VAJCHR, Marek (referee)
This thesis is analyzing life and work of an American screenwriter, film director, and storyteller Kevin Smith. It is mainly concentrating on a fictional universe called View Askewniverse which Kevin Smith created in his films.
The goal of this thesis is also to analyze if Kevin Smith is a cult filmmaker, what this status actually mean, how a filmmaker can achieve this status, and how to maintain it.
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Reflection of Ingmar Bergman's life and personality in his selected productions
Krsová, Lenka ; VINAŘ, Josef (advisor) ; SÍLOVÁ, Zuzana (referee)
This thesis is focused on the main sources of inspiration of Swedish director Ingmar Bergman, how they stem from his personal life and how are those reflected in his film and theatre productions.
A closer examination of films of Ingmar Bergman shows strong recurring autobiographical elements. I wondered whether we can find a common starting point for them in his personal life. After thorough investigation of literature I found out that director?s childhood, upbringing and complicated family background were essential for the constitution of his personality. These are the sources from which Bergman?s dreams, fantasies and ?demons? came from. This thesis altogether introduces them as the important sources of inspiration and the means through which should be Bergman?s works looked on as well.
Emphasis is also focused on August Strindberg?s importance in Bergman?s life and his A Dream Play, which connects the personal life, film and theatre works of the Swedish director. This thesis tries to point out how the influence of Strindberg on Bergman is reflected in his selected films and theatre career, which is further elaborated. Common motifs and themes of dreams, fantasies and ?demons? of both authors and big influence of A Dream Play on Bergman?s work are documented on his two films: Wild Strawberries and After Rehearsal that both summarize Bergman?s life.
Because of the scale of this thesis the topic cannot be covered in its full scope, therefore this work may be perceived as a platform for further in-depth exploration. In my opinion, Ingmar Bergman?s theatre career due to his global significance deserves more detailed study.
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Mamoru Oshii and his Ghost in the Shell
Hoffová, Michaela ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
This undergraduate thesis deals with an in-depth analysis of the animated film Ghost in the Shell by Mamoru Oshii. It approaches this film from the most relevant perspectives of its production in relation to the medium in which it was created. This analysis breaks down the relationship of the film to the work, style and national culture of its creator, to the cyberpunk genre and to the theme and philosophy which this film deals with. This thesis enlightens the reader to understand the symbolical meanings of the films imagery and narative structure as well as its technical aspects, regarding both the animation technique, sound, music and voiceover as well as its visual aspects analysed in context with the style and distinctivness of japanese animation. The film, with its thought-out detailed structure is intertwined with symbols and hidden meanings, which do not have to be straightforwardly understandable by the viewer. The aim of this thesis is to explain these meanings not only in the relation to the themes with which it deals, but also in the context of the unique culture and traditions of the country in which it was produced. The final part of this thesis also refers to the legacy and influence of this film on other filmmakers all around the world within the boundaries of the cyberpunk and sci-fi genre.
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Stereoscopy in czech auteur film
Moravčíková, Darina ; PETRÁŇ, Tomáš (advisor) ; DAŇHEL, Jan (referee)
This thesis explores the contribution of the first Czech stereoscopy auteur feature film, Heart Beat 3D (2010) directed by Jan Němec, in context of the historical development of the medium and discoveries in the filed of its expressions. The thesis uses a theoretical prototype model presented by André Gaudreault and Philip Marion in their essay 'The Medium is Always Born Twice', that is an attempt to delineate the birth of a new medium in its complexity. Second part of the thesis is a film analyze which is focused on a way how the expressions of a stereoscopic medium are used in the film Heart Beat 3D.
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