Home > Search Results: keywords:"filmová recepce"
Search:
Search Tips :: Advanced Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
The First Czech Queer Films from the Perspective of Queer Theory and Reception Studies
 Hezinová, Sandra ; Hanáková, Petra (advisor) ; Svatoňová, Kateřina (referee)
The following bachelor's thesis focuses on the queer topic in the contemporary Czech feature cinema. In detail it analyses two films - The Country Teacher and Dolls, which were the first films in the history of Czech cinema who's main characters were ingenuously homosexual. The first part examines chosen films in the context of existing cinematographic tradition and describes the principles on which the film representation of gays and lesbians works. The main part analyses The Country Teacher and Dolls from the ideological perspective and tries to expose, how the heterosexual discourse operate in chosen films. By using the methodology of the queer theory it also describes, how are the information about gender and sexual identity organized. In the following chapter the films are explored in a broader section of cinematographic institution It concerns film's PR strategies and commercial campaigns on one hand and critical responses in the contemporary press on the other hand. The final part is founded by the reception study of queer audience, which coprehend not only the spectator's experience of chosen films, but reception modes and readers strategies as well.
Detailed record
Imaginary in film: viewer's perception of the film
 Remešová, Iveta ; Řehořová, Irena (advisor) ; Borecký, Felix (referee)
This thesis deals with the film in the psycho-semiotics' meaning. We focus on the viewer's perception of the film and we emphasize the concept of imaginary that is to be explained as mere image (imago) in comparison with the reality of actual gestures and movements and such image is not usually realized by the viewer. The aim of the thesis is to analyze the film from the perspective of the viewer's perception of the film and to apply acquired knowledge to the reception of Kill Bill Vol. 1 and 2 film. We want to find out whether and under what conditions the viewer becomes aware of the imaginary that is ubiquitous in the film. We're looking for viewer's semiotic and cognitive attitudes to the film art. We also try to describe the influence of elements, which have some effects on the viewer during watching a movie, such as emotions, movement, connotative meanings in the film or positive and negative characters etc.
Detailed record

Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English