National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Aesthetic Judgement from Philosophical, Psychological and Neuroscientific Perspectives
Hadravová, Tereza ; Zuska, Vlastimil (advisor) ; Peregrin, Jaroslav (referee) ; Zátka, Vlastimil (referee)
Title: Aesthetic judgement from philosophical, psychological, and neuroscientific perspectives Author: Tereza Hadravová Department: Aesthetics Department Supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract: How does science relate to aesthetics? This question usually reads as a question concerning scientific contribution to aesthetics. Philosophers are most- ly skeptical about the application of scientific results in their domain, wheras psychologists and, in recent years, neuroscientists are optimistic. In the thesis, I argue that both of these positions, in their extreme versions, impede the mutual enrichment of science and aesthetics. The starting-point of the thesis is George Dickie's radical claim that no scientific information has ever been relevant for aesthetics. The claim, I argue, is firmly embedded in the aftermath of logical positivism: it is related to the e↵ort to "rescue" aesthetics from progressive eli- mination. As a consequence, most of analytic aesthetics discourse has ignored psychologically informed conception of aesthetic judgement, including some fine distinctions that such a conception enables, e.g. the di↵erence between judgements about pleasure and aesthetic judgements. The distinctions are further elaborated and, in the last part of the thesis, the results of this elaboration are...
Ontology of the aesthetic object and the value of the artwork, reproductions and forgery
RIGANOVÁ, Šárka
This bachelor thesis is focused on issues originals and copies of works of art (reproductions and forgeries), namely problems of constitution of the aesthetic object and its value. In this purpose I compare Nelson Goodman´s theory of autheticity of works of art to Eddy Zamach´s theory of identity of works of art. I compare these theories with Roman Ingarden´s theory of aesthetic object. I am focusing too on influence of non-aesthetic´s informations about artefacts (originals, reproduction, forgery) on constitution of aesthetic object and its judgment of value marginally.
Thomas Stearns Eliot and the New Criticism
VOŠTOVÁ, Žaneta
The content of my bachelor is T. S. Eliot's theory of art criticism. Eliot was and still is one the most important figures of thoughts not only for English, but for European literary criticism, I dare say. I will focus primarily on the major questions in his critical theory, and show Eliot's answers. The aim of this work is to outline Eliot's essential critical ideas and compare them with the ideas of the representatives of the so-called New Criticism, for Eliot is considered to be a source of inspiration of this literary movement. And based on this comparison I want to show what could new critics continue on Eliot, and in which issues they differ from him.

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