|
|
Antonio Campi (1523-1587). Between Mannerism and Baroque.
Hlušičková, Pavla ; Zlatohlávek, Martin (advisor) ; Daniel, Ladislav (referee) ; Přibyl, Petr (referee)
The dissertation evaluated the formal, stylistic and contextual analysis of the painting oeuvre of the Cremonese native Antonio Campi. Monographic elaboration of Campi's oeuvre complement to the existing range of syntheses a number of information that has been in the literature so far omitted. The work assessed Antonio's oeuvre on the revision of archival material preserved in Milanese and Cremonese state and church archives, as well as by the means of thorough study of the secondary literature. Chronology of Campi's production was based on the stylistic and formal analysis and at the same time it has been enriched by a number of comparisons of the Lombardy-Ligurian region. Perspective at Antonio's oeuvre was accompanied by drawings and panel paintings that have emerged in the art market in recent years. With this thorough analysis, it became clear that the simple definition of an older Italian scientific literature that had Antonio Campi understood as a painter, who by his work formed the basis of Caravaggio chiaroscuro approach in the last decades of the 16th century and in the early years of the 17th age, proved to be inaccurate. It became clear that with this view we can not identify ourselves any more. Constant changes in mood, surprise, unpredictability, restlessness and individuality, the...
|
|
|
Architect Jan Vejrych and his works
Uhlík, Jan ; Prahl, Roman (advisor) ; Macek, Petr (referee)
The thesis deals with the life and work of an eminent architect of the late 19th and early 20th century, a native of Horní Branná near Jilemnice, Jan Vejrych. Forty years of his extensive and diverse project and construction activity has left its mark both in Prague and in many places in Bohemia and, by implementation of a project of the National House in Maribor, Slovenia, it has also acquired an international dimension. The aim of the text is to offer a comprehensive view of Vejrych's life and professional activities and thus fill one of the gaps in the knowledge of architecture of the late 19th and early 20th century in the Czech lands. The thesis primarily focuses on the analysis of Vejrych's architectural work. When mapping his projects the aim was to place them consistently in the broader art-historical and socio- political context. The works are not only analyzed within each creative period, the evolution of selected building types is traced over time as well. Attention is paid to interior designs, which were an integral part of major projects, as well as to sketches and studies created for architect's own use where his general observations and comments on various aspects of architectural work can be found. Opinions on Vejrych's projects and professional activities and their transformation...
|
guest ::
