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Kolet's mining music
Schrollová, Kristina ; Váňová, Hana (advisor) ; Gregor, Vít (referee)
Univerzita Karlova Pedagogická fakulta Katedra hudební výchovy ABSTRAKT v AJ Koletova hornická hudba Kolet`s mining music Kristina Schrollová Vedoucí práce: doc. PaedDr. Hana Váňová, CSc. Studijní program: Učitelství pro 1.st ZŠ, specializace Hv Studijní obor: Učitelství pro 1.st ZŠ 2024 ABSTRACT The diploma thesis deals with the motivation of children to play a musical instrument due to cultural impact of the Kolet's mining music orchestra coming from Jestřebí mountains region. The work is divided into two parts. The first part is devoted to the history of Kolet's mining music from its beginning to present, to musical events that took place under the leadership of various conductors of the orchestra. I am also focusing on persons thanks to whom Kolet's mining music was maintained and most significant events took place. These are Kolets brothers and Zdeněk Tlučhoř. Second part is focused on obtaining data on the motivation of pupils from ZŠ Velké Svatoňovice, Malé Svatoňovice, Batňovice, Úpice a Rtyně v Podkrkonoší and pupils from ZUŠ Úpice a Rtyně v Podkrkonoší. A research survey will also be conducted with the members of the Kolet's mining music, which will serve to obtain data about their own motivation for music. KEYWORDS Conductors, playing a musical instrument, music, Kolet's mining music, motivation
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František Jílek, distinguished conductor of Janáček Opera Brno
Kružík, Robert ; PETRÁŠ, Miroslav (advisor) ; BERNÁŠEK, Václav (referee)
Almost twenty three years after the death of František Jílek, his name is still well known in the narrow professional circles. I myself associate it since my early childhood with the Janáček music and the interpretative precision of his own, which all the musicians remember, who have worked with him for years. In this work I will focus particularly on Jílek´s period in the position of the Chief of the Brno Opera. I will demonstrate his diligence by many reviews of his premiere Opera titles, which have been a lot in almost 30 years of his acting at this position. Furthermore, I would like to mention his teaching at the music faculty of JAMU and the five year term at the position of the Chief conductor of the State Philharmonic Brno.
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Zdeněk Tomáš - Personality of Conductor and Choirmaster
Karpíšek, Tomáš ; HUDEC, Jiří (advisor) ; ŽALUD, Radomír (referee)
Bachelor thesis Zdeněk Tomáš - Personality of conductor and choirmaster (originally referred as "Osobnost dirigenta a sbormistra Zdeňka Tomáše") is dealing with depiction of one Czech musician's life story, who had decided to dedicate his life to working with an amateur ensembles and to pedagogical activities. Although this thesis follows up on both the personal life as well as the professional side of Tomáš's life, the main focus of the work is in portrayal and analysis of his artistic significance. His musical career is depicted here from his childhood and studies to his pedagogical work and the end of life in Prague. Key periods such as his engagements in Choir Křížkovský, Opera in Rakovník, Municipal musical school in Rakovník, mixed choir Hlahol and Musical school in Voršilská Street in Prague are described primarily. The thesis includes many overlaps into the realm of his personal life as well as into social-historical background of the period, apart from the description of Zdeněk Tomáš's artistic career. This work is based on one hand on former publications and on the other hand on private writings, kept as family's property, and at last but not at least on his colleagues' and family members' authentic memories.
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Personality of conductor instrumentalist
Kružík, Robert ; OLIVIERI-MUNROE, Charles (advisor) ; KOUTNÍK, Tomáš (referee)
Today is the art of conducting distinctive art direction and is considered to one of the most difficult and also it the most prized among musical disciplines from many angles. But it was not always the case. This work discusses the genesis of this relatively young discipline in terms of independence, separation from the rest of the related disciplines and the rise of the legend of conductor. The next part is devoted to short improvised interviews with celebrities, whom it directly affects. Finally the work is supplemented by author own opinions and the overall summary.
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The swedish choral phenomenon.
Hájek, Michal ; KOUTNÍK, Tomáš (advisor) ; BRYCH, Jaroslav (referee)
In Sweden there is a large amount of top-class choirs today as well as lots of excellent and demanding compositions for a cappella with professional ensembles. In my master thesis I analyse this interesing phenomenon. In the first chapter I take a look at the history. I examine various aspects which had formed Swedish choral art in the 18th and 19th centuries. In the second chapter I describe the development of the Swedish choral music in the 20th century, especially the activities of a famous choirmaster and teacher of music, Eric Ericson. In the third chapter I analyse the nature of the Swedish choral sound ( attaching also some recordings). In the last chapter I present a few excerpts from the scores of the crucial Swedish choral music pieces of the 20th century. It turns out that the Swedish choral miracle is the result of a long-time development and that numerous historical, cultural, musical and sociological aspects are involved.
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RUSSIAN TRADITION OF CONDUCTING IN ST. PETERSBURG
Macek, František ; OLIVIERI-MUNROE, Charles (advisor) ; SVÁROVSKÝ, Leoš (referee)
Bachelor thesis describes the Russian tradition of conducting in St. Petersburg. The text aims to provide a comprehensive insight into the musical culture of the city, especially focusing on the conductor. The thesis points out the major institutions of the city: the Mariinsky Theatre, the St. Petersburg Philharmonic Orchestra and the State Conservatory of Nikolai Rimsky-Korsakov. The text emphasizes the work of three prominent conductors, who have greatly influenced these institutions and brought worldwide attention to them. These conductors are Eduard Napravnik, Yevgeny Mravinsky and Ilya Musin.
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Worldwide choral Work and Capella by Francis Poulenc
Louženský, Petr ; KOUTNÍK, Tomáš (advisor) ; MÁTL, Lubomír (referee)
This thesis is a brief study of profane a capella works for mixed chorus by Francis Poulenc, the well known componist of the first half of twentieth century. On one hand the work descriebes his basic living moments important for his life and artistic work. On the other it analyze his profane works which was written for the mixed chorus a capella, i.e. without any instrumental accompaniment, reflecting mainly its musical form, harmonical structure and his technigue of composition.
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