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Bez názvu
Hromadová, Michaela ; Vlková, Veronika (referee) ; Rathouský, Luděk (advisor)
I decided to conduct my bachelor's thesis as a further continuation and stage of development of my concept based primarily on the psychology of C.G. Jung, specifically on the method of active imagination. The output of this work is the realization of a series of drawings of various sizes made with white pencil on black paper, which is complemented by my music records created simultaneously with the drawings. In this series, I focus on the interweaving and synthesis of individual parts into one common whole using the synesthesia of sound and image. Here I am investigating the essence and possibilities of converting visual creation into the sound plane, for example by means of freely associating sounds and shapes, but it is generally a concept of creation in the form of pure improvisation, the goal of which is the gradual development of these two intertwining poles as one whole.
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Pollock and Jung
Dvořáková, Simona ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
To be able to demonstrate Jung's symbolic archetypes of the collective unconscious, I have taken as an example the relation between Jackson Pollock and the analytical psychology of Carl Gustav Jung. At the beginning I have aimed to describe the wider context, the meaning of the unconscious, and key psychological aspects that are necessary to be understood for being able to interpret some of Pollock's early works. At my thesis, I am not talking only about psychotherapy, which he attend for the first time in 1938, but also about his deeper interest of Jungian concepts and archetypes were expressed in his paintings. Since 1941 is obvious that his work contains more elements of imagination. Base on Jung's principles, his work is also more focused on myths and cultures of early civilizations - Assyrian, Egyptian, Mayan and early Colombian art. This impact of unconscious symbolism was also caused by John Graham's theories, and by "Modern Man literatue" of Joseph Campbell or Harvey Fergusson. At the end of my thesis, I am looking for ways of implications of Pollock's experiences within psychoanalysis on visual style of his work. I am trying to find an answer; to what extent is possible to demonstrate the impact of psychoanalytic interpretations on his art. Powered by TCPDF (www.tcpdf.org)
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