National Repository of Grey Literature 7 records found  Search took 0.00 seconds. 
Concept of Love of Plato and Schopenhauer
Najman, Jiří ; Blažková, Miloslava (advisor) ; Hogenová, Anna (referee)
7 Summary This study tries to clarify Schopenhauer's and Plato's philosophy for the purpose of discovering their concepts of love. In both metaphysics the thesis tries to find motives which, as author believes, are still alive although it seems that nowadays are so far away.
Resemblance, Imitation, Metamorphosis
Blecha, Jakub ; Thein, Karel (advisor) ; Jinek, Jakub (referee)
The central theme of my thesis are theoretical assumptions of Plato's arguments based on the figure appearance in dialogues X. Republic and Sophist. Separated chapters are devoted to the interpretation of selected passages of dialogue. Some partial assumptions are developed in details, such as The one over many argument in dialogue X. Republic and the essence of the image from Sophist. One conclusion follows from these work: the use of figures appearance is extremely problematic, for that reason, because we can not clarify the nature of image, as its a definitional feature. Reduction of imitation and in the second case of the art of Sophists on a certain type of representation, however, does not lead to the intended goal (to know the subjects of interpretation), but pointed out some non-trivial descriptions of the philosophical framework of Plato's thought. Powered by TCPDF (www.tcpdf.org)
Concept of Love of Plato and Schopenhauer
Najman, Jiří ; Blažková, Miloslava (advisor) ; Hogenová, Anna (referee)
7 Summary This study tries to clarify Schopenhauer's and Plato's philosophy for the purpose of discovering their concepts of love. In both metaphysics the thesis tries to find motives which, as author believes, are still alive although it seems that nowadays are so far away.
Resemblance, Imitation, Metamorphosis
Blecha, Jakub ; Thein, Karel (advisor) ; Jinek, Jakub (referee)
The central theme of my thesis are theoretical assumptions of Plato's arguments based on the figure appearance in dialogues X. Republic and Sophist. Separated chapters are devoted to the interpretation of selected passages of dialogue. Some partial assumptions are developed in details, such as The one over many argument in dialogue X. Republic and the essence of the image from Sophist. One conclusion follows from these work: the use of figures appearance is extremely problematic, for that reason, because we can not clarify the nature of image, as its a definitional feature. Reduction of imitation and in the second case of the art of Sophists on a certain type of representation, however, does not lead to the intended goal (to know the subjects of interpretation), but pointed out some non-trivial descriptions of the philosophical framework of Plato's thought. Powered by TCPDF (www.tcpdf.org)

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