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Theatre Na zábradlí in the period from the leaving of Jan Grossman till the coming of Evald Schorm
Fialová, Daniela ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
This thesis deals with the Theatre Na zábradlí in the period since the leave of director Jan Grossman in 1968 until the arrival of director Evald Schorm in 1976. The work at first summarizes the social and political situation after the invasion of Warsaw Pact troops in August 1968 and put this situation into the context of culture. Then there is summarized the first ten years of the Theatre Na zábradlí and described the reason why the artistic director Jan Grossman had left.The main part is devoted to the Theatre in the years 1968-1976, and personalities which at that time worked in the theater. They were especially Jaroslav Gillar, Jaroslav Chundela and film directors - Jiří Menzel, Juraj Herz, Jiří Krejčík, Jaromil Jireš and Evald Schorm. The face of this scene in the difficult period of the Czech history is created through the contemporary reviews. The years 1976-1978 (time until the emigration of Jaroslav Chundela) are then described shortly to make complete documentation of this period.
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Andrej Krob
Jančálková, Petra ; Topolová, Barbara (advisor) ; Jiřík, Jan (referee)
Dissertation work Andrej Krob follows Krob`s remarkable journey to theatre from meeting Vaclav Havel during his military service in 1957, through Krob`s arrival to Divadlo Na zabradli in the early sixties of 20th century and especially his collaboration with director Jan Grossman, next to who Krob gradually work his way up from stage technician to the director. From the numerous Krob`s productions is the attention paid to the very first one, almost unknown directorial act, student production of Kral Ubu, presented on chateau Breznice in 1964, however this dissertation is mostly dedicated to the selected and key Krob`s productions of Vaclav Havel`s plays. Meeting this author was for Krob personaly as well as for his directorial poetics progress entirely fundamental. That`s why this work describes and analyses in detail semi illegal production of Havel`s play Zebracka opera, presented by Krob in Horni Pocernice in 1975, which has became establishing production of Divadlo na tahu, as well as Krob`s production of the same play from 1995. Separate chapter of dissertation has been also dedicated to Krob`s video production of Havel`s play Pokouseni from 1988 that brings unique opportunity of artistic performance observation. This dissertation determines at the very end, based on in-depth analysis of the...
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Analysis of the current state of information services in the field of theatre arts and their impact on public relations
Procházková, Kateřina ; Vlasák, Rudolf (advisor) ; Dombrovská, Michaela (referee)
With the aid of a "case study" research design, this thesis analyses the typology of informational services, whose prudent application can influence relations of institutions existing within the drama industry with the broader public. The theoretical part sheds light on the problematic definition of "information services", which is placed in the context of online marketing, and introduces ways, in which this term possesses an added value in the form of affecting the applied processes of public relations within particular institutions. Secondly, it includes basic methodological perspectives on quantitative research, the rules of performing case study research as the selected research design, and last but not least, it describes utilised methods of data collection. The last and most key part of the thesis is based on resulting application of the typology of information services, discussed in the previous parts, and concerns itself with the aforementioned question of their influence on public relation processes of individual institutions. These include the information portal divadlo.cz, which serves caters for the domestic sphere of theatre, and an official web presentation of the Divadlo na Zabradli theatre. The analysis is of inductive nature and is not directed by a previously determined...
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Theatre Na zábradlí in the period from the leaving of Jan Grossman till the coming of Evald Schorm
Fialová, Daniela ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
This thesis deals with the Theatre Na zábradlí in the period since the leave of director Jan Grossman in 1968 until the arrival of director Evald Schorm in 1976. The work at first summarizes the social and political situation after the invasion of Warsaw Pact troops in August 1968 and put this situation into the context of culture. Then there is summarized the first ten years of the Theatre Na zábradlí and described the reason why the artistic director Jan Grossman had left.The main part is devoted to the Theatre in the years 1968-1976, and personalities which at that time worked in the theater. They were especially Jaroslav Gillar, Jaroslav Chundela and film directors - Jiří Menzel, Juraj Herz, Jiří Krejčík, Jaromil Jireš and Evald Schorm. The face of this scene in the difficult period of the Czech history is created through the contemporary reviews. The years 1976-1978 (time until the emigration of Jaroslav Chundela) are then described shortly to make complete documentation of this period.
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Andrej Krob
Jančálková, Petra ; Topolová, Barbara (advisor) ; Jiřík, Jan (referee)
Dissertation work Andrej Krob follows Krob`s remarkable journey to theatre from meeting Vaclav Havel during his military service in 1957, through Krob`s arrival to Divadlo Na zabradli in the early sixties of 20th century and especially his collaboration with director Jan Grossman, next to who Krob gradually work his way up from stage technician to the director. From the numerous Krob`s productions is the attention paid to the very first one, almost unknown directorial act, student production of Kral Ubu, presented on chateau Breznice in 1964, however this dissertation is mostly dedicated to the selected and key Krob`s productions of Vaclav Havel`s plays. Meeting this author was for Krob personaly as well as for his directorial poetics progress entirely fundamental. That`s why this work describes and analyses in detail semi illegal production of Havel`s play Zebracka opera, presented by Krob in Horni Pocernice in 1975, which has became establishing production of Divadlo na tahu, as well as Krob`s production of the same play from 1995. Separate chapter of dissertation has been also dedicated to Krob`s video production of Havel`s play Pokouseni from 1988 that brings unique opportunity of artistic performance observation. This dissertation determines at the very end, based on in-depth analysis of the...
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