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The EYE - A Look at the Present as a pioneer of private television documentary production in the early 90s in Czech Republic
Tichá, Jolana ; Štoll, Martin (advisor) ; Křemen, Pavel (referee)
The bachelor thesis deals with the origins of private business in the production of TV documentary movies, as an example of FEBIO and its first TV documentary series The EYE - A Look at the Present. The bachelor thesis, using the information gained from a personal interview with a close colleague of the company founder, brings to light the circumstances in which private production film and television companies were established in Czech Republic. In this context, the thesis describes the emerging cooperation between the public broadcasting and the commercial sector. It analyses the first series of The EYE - A Look at the Present, which was broadcast by the Czech Television during the period 1992-1996. The analysis focuses on ten movies and examines them regards to the relationship between the subject and the director of the movie, the persons performing in the movie, the structure of the document and the identification of the so-called key situation that most characterizes the author's approach to the subject.
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Publicistic style elements in czech television'documentary series "13th chamber"
Štefánková, Aneta ; Štoll, Martin (advisor) ; Novotný, David Jan (referee) ; Šoltys, Otakar (referee)
The aim of my thesis is to define the publicistic style elements of characteristics within Czech television's documentary series "13th Chamber". The analysis section is based on episodes that were broadcasted within the first five years of the series between 2006- 2011. I found that the program has more features of a television journalism program than a television documentary in which the creators claimed. The project is a typical example of the terminological genre confusion of Czech television. In the theoretical section of my thesis, the concepts of television journalism, television documentary, television format and the differences of cycle and television series are discussed in detail. In context with the theme, I have designed a program structure in which the principle production, choice of topics, individuals parts and authors who participated in the preparation and shooting are involved. The program structure includes a practical component with specific parts in which I discuss the pre-defined publicistic elements. These elements are mandatory especially given structure, the presence of journalists, expert talks, the use of comments and interviews. The aim is to look at the agenda in terms of audience, the degree of fun and bulvarity within the program structure. In terms of resources, I...
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