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Stylization of Language in Novels of Katerina Tuckova
VARGOVÁ, Markéta
The aim of this diploma thesis is linguistic analysis of two novels written by contemporary Czech writer Kateřina Tučková, The Expulsion of Gerta Schnirch (2009) and The Zitkova Goddesses (2012). The diploma thesis is divided into theoretical and practical part. Theoretical part concerns with characterization of functional style of artistic literature, its textual composition and stylistic standard. The next chapter deals with differentiation and stratification of national language. Then follows an outline of the issue of written and spoken forms of language and work of Kateřina Tučková. Practical part is focused on analysis itself which observes four linguistic levels - phonology, morphology, syntax, and lexicon. The interest is mainly devoted to marked linguistic means which differ from neutral, non-expressive or standard expressions. The final short summaries, given under each individual chapter, focus on the most frequented linguistic means.
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Dialectical elements in Czech acted cinema of the 30's and 40's
Farkaš, Petr ; Klimeš, Ivan (advisor) ; Svatoňová, Kateřina (referee)
Title: Dialectal elements in Czech acted cinema of the 30s and 40s Author: Petr Farkaš Department: Film Studies Department Supervisor: Doc. PhDr. Ivan Klimeš Abstract: The subject of this diploma thesis is a reflection on the possible uses of spoken language in films aimed at dialect as one of the substandard forms of Czech national language. In particular, the thesis focuses on the use of Moravian dialectal elements in the language of the film characters in Czech acted cinema made in the 1930s and 1940s. It evaluates the Moravian applied dialect from the phonetic and lexical point of view and analyses its function. The aim of the thesis is an evaluation and generalization of the possible uses of dialectal elements in cinematographic work. Keywords: folklore, dialect, artwork language, stylization of spoken language, spoken language in films.
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Translation of Colloquial Language Devices in Fiction: A Century of Maupassant's Ivrogne in Czech Translation
Mundevová, Lenka ; Duběda, Tomáš (advisor) ; Šotolová, Jovanka (referee) ; Drsková, Kateřina (referee)
Lenka Mundevová Translation of Colloquial Language Devices in Fiction: A Century of Maupassant's Ivrogne in Czech Translation Abstract The dissertation compares the stylization of the dialogues in the French original of Maupassant's short story Ivrogne (The Drunkard), written in 1884, with five Czech translations published between 1902 and 1997. The comparative analysis is focused on the devices of colloquial language, including dialect, which appear frequently in the dialogues of the story and prove to be extraordinarily useful when interpreting Maupassant's text. The analysis of the excerpted material is preceded by the description of the basic characteristics of colloquial French and Czech, followed by the description of their stratifications. The mutual relation of the colloquial language varieties is an important prerequisite for the evaluation of the translations of colloquial language devices and their appropriateness in the individual Czech versions of Ivrogne. The paper also deals with the development of Czech aesthetic translation standards and their relation to the standard of local fiction, outlining the important tendencies of Czech fiction translation applied when colloquial devices were conveyed from French to Czech during the specified timeframe. The individual language devices used in the...
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Dialectical elements in Czech acted cinema of the 30's and 40's
Farkaš, Petr ; Klimeš, Ivan (advisor) ; Svatoňová, Kateřina (referee)
Title: Dialectal elements in Czech acted cinema of the 30s and 40s Author: Petr Farkaš Department: Film Studies Department Supervisor: Doc. PhDr. Ivan Klimeš Abstract: The subject of this diploma thesis is a reflection on the possible uses of spoken language in films aimed at dialect as one of the substandard forms of Czech national language. In particular, the thesis focuses on the use of Moravian dialectal elements in the language of the film characters in Czech acted cinema made in the 1930s and 1940s. It evaluates the Moravian applied dialect from the phonetic and lexical point of view and analyses its function. The aim of the thesis is an evaluation and generalization of the possible uses of dialectal elements in cinematographic work. Keywords: folklore, dialect, artwork language, stylization of spoken language, spoken language in films.
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