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Analysis of the role of representation of pathological models of intrapersonal relationships in romantic comedies in the formation of cultural perceptions and behavioral standards of modern society
Pekaryk, Polina ; Soukup, Martin (advisor) ; Poliaková, Karolína (referee)
This bachelor's thesis is going to focus on the analysis of the representation of the pathological models of romantic relationships in films of romantic comedy genre and its impact on the formation of cultural perceptions and consequently, of behavioral standarts in modern society. The discouse of the thesis is also examination of the essence of psycological, particularly of cognitive processes, which are the foundation of formation of interaction models of viewers and media content of audiovisual nature. These cognitive processes will be analyzed through the utility of the selective exposure theory, social cognitive theory the cultivation theory of G.Gebner. Subsequently I study the topic of the romantic comedy genre and, on the basis on the selected films, I discribe and analyze pathological social phenomenons, which are propagated overtly or covertly in listed films. The main instances of those pathological phenomenons are sexism, normalization of psychological and sexual abuse, gender representation and stereotypization and others. The last part of the thesis is dedicated to the ilustration of the consequences of disemination of media messages of such character on the grounds of the selected studies.
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Analysis of the role of representation of pathological models of intrapersonal relationships in romantic comedies in the formation of cultural perceptions and behavioral standards of modern society
Pekaryk, Polina ; Soukup, Martin (advisor) ; Poliaková, Karolína (referee)
This bachelor's thesis is going to focus on the analysis of the representation of the pathological models of romantic relationships in films of romantic comedy genre and its impact on the formation of cultural perceptions and consequently, of behavioral standarts in modern society. The discouse of the thesis is also examination of the essence of psycological, particularly of cognitive processes, which are the foundation of formation of interaction models of viewers and media content of audiovisual nature. These cognitive processes will be analyzed through the utility of the selective exposure theory and the cultivation theory of G.Gebner. Subsequently I study the topic of the romantic comedy genre and, on the basis on the selected films, I discribe and analyze pathological social phenomenons, which are propagated overtly or covertly in listed films. The main instances of those pathological phenomenons are sexism, normalization of psychological and sexual abuse, gender representation and stereotypization and others. The last part of the thesis is dedicated to the ilustration of the consequences of disemination of media messages of such character on the grounds of the selected studies.
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It's a boy! (Not only) the gender issue of the ways childbirth is shown in film
Černá, Natálie ; Svatoňová, Kateřina (advisor) ; Přádná, Stanislava (referee)
This bachelor thesis deals with the depiction of birthing woman in film through the perspective of gender and feminist theories. The first part makes the reader familiar with the history of obstetrics in relation to the issues of gender. It sketches a parallel between the social roots of obstetrics and impulses for the first feminist movement. In the second part the thesis looks closer into the constructive and performative nature of gender and gender roles and most importantly it deals with benefits and pitfalls of motherhood according to feminist theoreticians. For this purpose, it introduces selected concepts of Shulamith Firestone, Adrienne Rich and Julia Kristeva. The third part analyses potential reasons, why the portrayal of childbirth has been historically pushed aside and why, as a consequence, there is no female childbirth narrative, which would equip women with means to express their experience. The fourth part seeks this missing narrative in particular examples among nonfiction as well as fiction works from contemporary cinema as well as from from its history.
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It's a boy! (Not only) the gender issue of the ways childbirth is shown in film
Černá, Natálie ; Svatoňová, Kateřina (advisor) ; Přádná, Stanislava (referee)
This bachelor thesis deals with the depiction of birthing woman in film through the perspective of gender and feminist theories. The first part makes the reader familiar with the history of obstetrics in relation to the issues of gender. It sketches a parallel between the social roots of obstetrics and impulses for the first feminist movement. In the second part the thesis looks closer into the constructive and performative nature of gender and gender roles and most importantly it deals with benefits and pitfalls of motherhood according to feminist theoreticians. For this purpose, it introduces selected concepts of Shulamith Firestone, Adrienne Rich and Julia Kristeva. The third part analyses potential reasons, why the portrayal of childbirth has been historically pushed aside and why, as a consequence, there is no female childbirth narrative, which would equip women with means to express their experience. The fourth part seeks this missing narrative in particular examples among nonfiction as well as fiction works from contemporary cinema as well as from from its history.
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The Sense of Humor in the British Sound Comedies in the Comparison with some Czech Film's Examples
MÁDLO, Gabriela
This thesis targets the British sound film especially comedies from 1930{\crq}s till mid 1970{\crq}s because after this period there is greater TV production which took over feature film production. There is described the production of the main studios such as Gainsborough Pictures and Gaumont-British, Ealing Studios and Rank Organisation. I aim then to classify some film styles such as farce, slapstick, burlesque, screwball and romantic comedy, satire and parody. The last target is to find some famous Czech film makers or actors, who worked or are still involed within the British film production. There are name such as Herbert Lom and Anny Ondráková.
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