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Daňové úniky v oblasti zdaňování příjmů umělců
Pavlíčková, Tereza
In the text of the thesis there is described, how incomes of artists are taxed. There is also dealt with legislative rules in force in the Czech Republic and double taxation treaties. In connection with legislative rules there are described some legal cases with artists which were solved by the European Court of Justice. According to the theory of taxation there is sketched the problematic of tax evasion, how it is sorted, what is causing it and how to avoid it. In the practical part of this thesis there are analysed incomes of individual artists who provided information about their incomes for the purpose of this thesis. Moreover, there is represented the particularity of the artists’ field. At the end of this thesis, the tax evasion in this field is quantified, conclusions from it drawn and solution suggested.
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THE INNER PROCESSES IN ACTOR´S MIND
Kukuczková, Anna ; SOPROVÁ, Jana (advisor) ; HYVNAR, Jan (referee)
The thesis examines the processes as they occur in the actor ́s mind during work on the character while rehearsing and acting. It also describes extensively the steps prior to the rehearsal process and acting from the actor ́s point of view regarding the actor ́s mental states. Additionally, the focus is on various approaches to character building during rehearsals and on various wals of working with the text. In her analyses, the authoress is aware of the specific differences of the theatrical genres. The thesis is based largely on her experience.
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Film in the 1940s - 1960s in the USA and Czechoslovakia
Matějíčková, Simona ; Vít, Radek (advisor) ; Morgan, Craig Alan (referee)
This work deals with films made in the 1940s - 1960s in Czechoslovakia and the USA. It is concerned with the historic events during this period of time. Moreover, it describes the political background in the USA and Czechoslovakia at that time in order to find out if it influenced the film industry. This thesis focuses on a brief description of film genres during the 1940s - 1960s. Furthermore, it mentions the most famous actors, actresses and directors who became symbols of their time and it also provides research in form of a questionnaire which shows if university students are interested in the films from this period of time. Key words: film industry, 1940s - 1960s, actors, directors, history, the USA, Czechoslovakia, genres of films.
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Psychosomatics and speech negotiations actor
Hacurová, Eva ; SZYMIKOVÁ, Regina (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
In my master thesis I focus on psychosomatic, internal and external, actors assumptions, which are an essential part of acting talent. I deal with the question of to what extent is an anctor influenced by the nature of man, his qualities and character. The work is examining the relationship between the body and the psyche, especially its impact on creating a dramatic character during the rehearsing process and the overall speaking and physical stage of negotiations. I am naming not only my own acting assumptions, but also the problems that accompanied me during the study, whether cloistered and in graduate roles in the theater Disk .
I am referring to the actor's bad habits, risks of relations between acting partners and creative team as well as the necessity of pursuing the profession responsibly and artistically, realize of my strengths and weaknesses and targeted work to eliminate them.
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Acting in theater and in front of camera
Jansová, Eliška ; PLEŠTILOVÁ, Miroslava (advisor) ; PAVELKA, Tomáš (referee)
This thesis is about acting in theater or in front of camera.
At the beginning it is focused to these directions individually and later summarizes their differences, which include: what function the audience has; what options of movement the performer has; what style direction the actor uses; what the difference of collaborations between actors on the stage or in front of the camera have.It talks about the different approach of directors and self-expressions of actors and analyzes the different effects that each actor during their performance. It doesn’t only talk about the differences, but also includes the inter-connections of both styles.
The next part is focused on creating a character and comparison of current and passed actors that were acting in theater as well as in movies.
The conclusion is about my personal acting experience in film and in theater. It evaluates my work at the school theater DISK and also asses the transition to my advanced work.
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Actor and HIs Fear
Roleček, Vít ; OTČENÁŠEK, Štěpán (advisor) ; SALZMANNOVÁ, Eva (referee)
In my master thesis, I am trying to name the origins and signals of an actor`s fear. I have came from my own existing stage experiences previously and whilst studying classical acting at the Dramatic Faculty of the Academy of Performing Arts in Prague, and also from my first experiences with differing professional groups from theatres from around the Czech Republic. My thesis is supported by professional literature, with which one I have read during my studies at the Academy, and it is inspired by talks and by consultation with people who are active in an artistic field. In my work I reflect my mental prosesses, states and blocks, not only during stage creations, but also in my personal life. I think that a fear can rule an actor and cause stage fright. This is why I have decided to choose this subject for my thesis.
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Serge Reggiani, the importance of inconspicuousness
Hrzina, Václav ; VALAK, Radim (advisor) ; Slavíková, Nataša (referee)
I would like to understand the importance of an actor in a movie. I choosed Serge Reggiani, a french actor, who never became a star number one. Reggiani went through a lot of important movies in principal or small roles. What it really means acting in a movie, what brings freedom to an actor in front of a camera and is one actor able to play different characters in every other movie. A diversity and length of his filmography, different directing styles he went through will help me to concretize attitude of an actor and perception of his „different“ characters by audience. I would like to bring up some acting metodes in cinematography in my work too.
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Antic theather by eyes of Milan Sládek
Biel, Petr ; PETIŠKOVÁ, Ladislava (advisor) ; BENČIK, Juraj (referee)
This work focuses on life, theatre works, and specific point of wiev on antic theather by eyes of the world famous mime Milan Sládek. Discusses about progresion of this significant mime actor life, about his specific acting style, documenting proces of creation inscenation Antigone, reflect audience reaction on this inscenation and finally presenting mistr Milan Sladek in his humane position.
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