|
| |
|
|
Vincenc Beneš. Paintings.
Ropková, Barbora ; Wittlich, Petr (advisor) ; Lahoda, Vojtěch (referee)
Author's name: Barbora Ropková School: Charles University, Prague Faculty of Arts Institut of Art History Celetná 20, 116 42 Prague 1 Program: Art History Title: Vincenc Beneš. Paintings. Supervisor: Prof. PhDr. Petr Wittlich, CSc. Number of pages: 140 + attachment Number of attachments: 158 pages Year: 2011 Key words: monograph, expressionism, cubism, Osma, Skupina výtvarných umělců, Antonín Slavíček's painting heritage, traditon of modern french painting in group Mánes, sensual realism and landscape This thesis intention is to work into monography Vincenc Beneš's work (1883-197). Beneš belongs to important artist of the 1.th generation in the 20.th century. In his initial period, he was concentrated, together with his artist partners, on solution of actual art questions. In the period of group Osma he cooperates especially with Bohumil Kubišta. His significant cuboexpresionistic paintings rise from 1910. Beneš stands in the czech cubist movement by Emil Filla. Beneš's cubist paintings have success in prewar Germany. After World War I. Beneš turns away from cubism and works with Antonín Slavíček's painting reference. Subsequently he detects other fuels, he mainly finds guidance in tradition of modern french painting. As a member of group Mánes he creates especially landscapes, still lifes and big...
|
|
|
Stylize sculptural portraits cubism and civilism, developing Otto Gutfreund
DUBENSKÝ, Jan
This thesis looks into the persona of a sculptor Otto Gufreund and his two styles of work - cubism and civilism. It aims to introduce to the reader the artist, his work and the historical background of the 1st half of the 20th century. The thesis is divided into two sections. The theoretical segment covers the characteristics of sculpture and sculptural portrait and examines the history of cubism and civilism. Then it further looks into the life of Otto Gutfreund and analyses his work. The practical part of the thesis contains two sculptural portraits. Each in a style reflecting the artist and carried over to the current era.
|
|
| |
|
|
Negators and approvers: Neo Cubism in today´s architecture
Švácha, Rostislav
The line of "Neo-Cubism" belongs to the architectural movements after 2000. It has its roots in the tradition of Czech architectural Cubism of the 1910s. Some architects of today work consciously with references to Cubist architecture, some of them deny this historical background. It is interesting in both cases to study the techniques which help these architects to achieve "Cubist" forms.
|
|
|
Otto Gutfreund
PECH, Milan
This thesis examines a psycho-sociological context of Otto Gutfreund´s sculptures and drawings. In the first stage author surveys memoirs of sculptor´s contemporaries, his family history and his early childhood development to find out Gutfreund´s psychological dispositions and dymanics of his personality. After that he deals with sculptor´s artistic style development in connection to his living conditions. He focuses on Gutfreund´s artistic expression and its changes. Autor shows that sculptor´s turn to Cubism (1910-1911), to Social Civilism (1919-1926) and his return to cubistic creative principles are not only determined by art-historical context but psycho-sociological context, as well.
|
|
|
Zdeněk Wirth and Cubist architects
Švácha, Rostislav
In preservation of the historical cities, Wirth introduced modern methods influenced by Alois Riegl. He was convinced that the forms of Cubist architecture offered an ideal way how to innovate cities´s environment.
|
guest ::
