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Stanovení účinnosti odchytové metody bezobratlých z čeledí tesaříkovití a nosatcovití na bázi univerzálního atraktantu
Bulva, Štěpán
This Bachelor thesis deals with testing of capture method of family Cerambycidae and Curculionidae on base of combination of universal attractants. Testing has been carried out on two localities, city and forest. There were installed sixteen traps on 2x2 km square on each locality and they were provided by #INRA, ethanol and α-pinene attractant. Traps has been controlled every 21 days as of 15.4. to 22.11.2019. 7230 beetles from family Cerambycidae, 13641 from (Curculionidae) and 89 from family Bu-prestidae was captured in total. There was captured more individuals in the forest lo-cality than in the city locality. Used capture method has been evaluated successful for Cerambycidae and Curculionidae families. This method can be useful for detection of certain species at specific location.
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Karlheinz Stockhausen and The Beatles
Hejl, Matouš ; RATAJ, Michal (advisor) ; TROJAN, Jan (referee)
The text proposes to describe the relationship between Karlheinz Stockhausen and the work of The Beatles in the late sixties regarding especially their album Sgt. Pepper s Lonely Hearts Club Band. It compares how they worked within the same technnical system and it shows changes that occured in music with the conception of studio as a musical instrument. On a more general level, one theme of the text is the difference between so called serious, or avantgarde music and popular music. Through comparing the way Stockhausen and The Beatles approached a few selected aspects of music making, it presentes them next to each other rather than against each other. Another general theme is the relationship between technical inovation and music creation.
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Music as an Expression of the Lifestyle in the UK in 1960s. Contribution to the European Consumer Society after 1945.
Vlčková, Petra ; Soběhart, Radek (advisor) ; Kozmanová, Irena (referee)
This thesis focuses on the British music scene in the 1960s. Popular music was one of the main manifestations of consumerism and influenced the behavior of most young people. The aim of the thesis is to explain the extent in which popular music played a role in the establishment of a consumer society and, above all, the impact caused by interpreters and music groups on the lifestyle of their listeners and audiences.The thesis also examines how the British music developed in the Sixties and how it was characterized.The thesis is based on the assumption that the 1960s' is a key decade in the postwar history of modern society, a time when fundamental changes occurred in the value systems of most Western societies, notably the British. New generations of young people associated with economic prosperity surfaced at that time, fostering the development of the phenomenon of consumer society, thus changing people's lifestyles.The first part of the thesis is dedicated to economic and social assumptions of the development of the consumer society. The second part of the thesis addresses the social structure of the British society, focusing on the youth - arguably, the social extract that was most appealed by popular music. The core part of the thesis analyses the British music scene in the 1960s, with focus on the music groups and also the music industry and its impal on the lifestyle of youth.
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