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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Paris-Prague : converging surrealist views. Poetical birth of town
Ireland, Sophie ; Pohorský, Aleš (advisor) ; Kyloušek, Petr (referee) ; Berquin, François (referee)
TITLE : Paris-Prague : converging surrealist views. Poetical birth of town AUTHOR : Sophie Ireland DEPARTMENT : Literature,languages, theatre - Romance literature SUPERVISORS : Prof. Myriam Boucharenc - Doc. PhDr. Aleš Pohorský, Csc ABSTRACT : This work aims to study the intersection of urban poetry produced by trips to Paris and Prague of artists who have contributed to the foundation of surrealism and by publication of their works in both cities. The travels of artists from Paris and Prague in each city allow encounters revealing artistic affinities. They promote aesthetic links and poetic exchanges between the founding artists of surrealism in Paris and Prague. The treatment of each capital through poetic transcriptions of stays in a foreign city and through works that reveals the possibilities of adventure in a familiar ciy leads to a comparaison of realities from Paris and Prague. The study of works makes possible to distinguish subjects circulating from a text to another and to put in light a common semiotic through witch appear features of surrealist city. The revival desire of avant-garde artists underlies that exploration of the city and contributes to the development of a subversive image of the city. Poetry creates a disruption of representations and is an opposition to ordinaries...
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