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The Development of Slovak drama theatre since 1920s till 1970s and its interaction with Czech theatre
Kyselová, Eva ; ETLÍK, Jaroslav (advisor) ; CÍSAŘ, Jan (referee)
Following dissertation thesis study the influence of Czech theatre on developement of Slovak classic drama theatre during approximately from the twenties to seventies of 20th century. The purpose of the thesis is to identify the possible impact of Czech theatre on development of Slovak theatre culture in common state system regarding the similarity of both nations and cultures. The thesis are divided into two parts. First part defines chosen methodology. It presents the concept of literature comparatistics and its possibilites regarding application on theatrological research, it explains basic terms of comparatistics, the context of origin of Czech and Slovak nation regarding the idea of national theatre and it sets its own periodization In second part the comparative analysis is applied on particular historic source, it analyzes each period using examples from work of Slovak directors in particular historic-political context while comparing it to the state of Czech theatre. These chapters use tools of comparative analysis ? typological connections or genetic and contact relations of both theatre cultures. The main purpose of the thesis is to emphasize the fact, that despite the common historic and political context and significant language and cultural similarity, there are two individual theatre cultures developing since 1920 that are engaged in a continual creative but mostly varying dialogue.
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Modern Opera Directing in the Mid-20th Century
Otava, Martin ; HAVLÍK, Jaromír (advisor) ; HAJÓSSYOVÁ, Magdaléna (referee)
This work is intended primarily for young opera directors and students of opera directing. It?s divided into four chapters. The first three focus on the development of theater directing in the 20th century (with a spatial emphasis on opera.) In these chapters, I introduce a theoretical view on, and trends in, the task of the
director. The second half of the work, chapter 4, offers a perspective on the practice of directing with a special emphasis on the director?s collaboration with the artist. The ambition of the work is also to place the work of important Czech opera director Bohumil Hrdlička into a Czech and, after his immigration, a European context. This under appreciated artist, and important European director, has yet
to receive a full treatment of his work. In my exploration, I focus on the entire, broad, subject of opera directing on both a historical and practical level. My goal was to realize the complexity of the
subject, interpret it, and synthesize it from the perspective of a director in such a way as to gain the necessary perspective on the field in the context of the 20th century, so as to be able to use this knowledge not only as a director but, more importantly, as a pedagogue. A similar historical and practical handbook, which
also provides a personal view on the issues at hand, has until now been unavailable to students of opera directing in the Czech Republic.
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The profession of a dancing master in the 20th century Bohemia
Zilvarová, Daniela ; GREMLICOVÁ, Dorota (advisor) ; NĚMEČKOVÁ, Elvíra (referee)
The thesis provides a survey of the profession of a dancing master in Bohemia in the 20th century with overlap to the present. The author continues the research of the profession of dancing masters she started in her bachelor thesis, where this topic was explored in the context of the 19th century. This master thesis deals with the input assumptions an individual had to fulfill in order to be officially considered as a dancing master. Particular aspects related to organizing dance courses are covered as well (dancing master as the main organizer in his dance school or without it, or dancing master only as a pedagogue while someone else organizes dance courses). The profession of a dancing master is analyzed in the context of particular activities in which dancing masters of 20th century were involved. The aim was also to gain an idea about the social status and the prestige of the dancing master?s profession.
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The personality of Karel Husa and his work for reed instruments
Juráň, Jan ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
The main focus of this thesis is to describe the life of Karel Husa and his work. Special attention is payed to works for reed instruments. The thesis is seperated into 4 chapters. At the beginning I characterize the development of the music of 20th century and I present summary of the czech music composers, which have composed and some of them still work in USA. In the 3rd chapter I focuse on the life of Karel Husa and in the final chapter I deal with his work for reed instruments. In this part I analyse chosen pieces from the structural and compositional point of view and I've tried to find its main link components and major differences.
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Viola Development in soviet Union from the beginning of 20th Century till Today
Chernoklinov, Ilia ; PĚRUŠKA, Jan (advisor) ; MALÝ, Lubomír (referee)
My bachelor thesis deals with viola development in Soviet Union from the beginning of 20th century till today. The thesis is divided in four chapters. The first chapter describes forming of viola interpretation in music culture in 20th century. Particular sub-chapters describe roles of viola in music of 20th century, important representatives, and repertoire-genre characteristics. The second chapter focuses on the development of soviet viola school. In particular sub-chapters, names and biographies of soviet viola school founders are presented. The third chapter deals with viola repertoire in Russian music. Particular sub-chapters describe the role of viola in orchestra, in soviet composers? compositions, and in new music of the end of 20th century. The last fourth chapter focuses on the personality of Yuri Bashmet. His creative alliance with other composers is described in sub-chapters. Also, development of contemporary viola music is assessed.
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Dramaturgical Aspects of Theatre
Language Developement in Western Culture
Turošík, Marek ; KLÍMA, Miloslav (advisor) ; LJUBKOVÁ, Marta (referee)
Diploma thesis deals with the phenomenon of theatre language, mainly
its Western style which is basic instrument of understanding the world of theatre
of a Western theatre maker. Relations between codification, conventions and
poetics are described.
Through model of dynamic relations between Eastern and Western
theatre it tries to analyze dramaturgically and name the specifics of European-
Western type of theatre practice and Western culture itself.
Moreover, thesis finds its topic in intercultural tendencies in mutual
influences of Western and Eastern theatre traditions in 20th century, it introduce
main theatre artists of this movement, who are also protagonists of theatre
anthropology.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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